NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Music In Africa concert gets Nairobi dancing

03 Mar 2016 - 07:42

cc-img flag-img

On the evening of Friday 26 February, throngs of fans started arriving at the Goethe-Institut premises in Nairobi at least an hour before the event was scheduled to kick off. Curious passersby could not help but ask a question or two about who was performing. Backstage, meanwhile, the night's performers made their final preparations. The first concert co-hosted by Music In Africa and the Goethe-Institut in Nairobi promised to provide revelers with a taste of the country's freshest sounds - and it certainly didn't fail to deliver.

Fans dance at the concert. Photo by Edwin Machuka

The music was impeccable and appealed to all the different age groups present at the concert, who made sure that the dancefloor was kept alive all evening. The line-up of DJ Marcus, Frazier Mo-Ray, Inami, HK Gachago, Tetu Shani and Saint Evo was pure magic.

First up on stage was Frazier Mo-ray, whose saxophone skills got the fans screaming in delight. While he didn't talk a lot, his performance set the tone for the rest of the evening.

Next up was Inami. Her smartly written love songs held the audiences enraptured from the word go as she performed solo. Her gratitude for her fans and the emotional connection she had with them felt genuine and was more than a little infectious, as she allowed herself to be pleasantly surprised by spontaneous singing along by the audience.

As the night wore on, HK Gachago took to the stage next. Though he couldn’t quite sustain the affection Inami had created with the audience, one thing was clear about the artist that night: his determination to make it in the music industry is insatiable. Having started out as a percussionist and drummer, he is currently honing his live performance skills as a solo act. The audience was certainly not disappointed though. Hopefully Gachago will get more opportunities to perform live in order to grow his brand as a solo artist.

Tetu’s entrance - with his towering stature and deep vocals - immediately grabbed the attention of the audience. There is something likable about Tetu; maybe it's his facial expressions, perhaps it’s just that he doesn’t try too hard to impress the crowd. He is a natural performer whose presence lights up the stage. His between-song chatter, while kept to a minimum, was also pretty funny, adding to his charm and skill as a performer.

DJ Saint Evo, the main act of the night, came on stage a few minutes past 10pm. His eclectic mix, which includes music from the Kenyan coast, was great. For any music lover who has not yet come to appreciate equatorial house, the new sound that is being pioneered by this DJ, the night provided a once-in-a-life-time opportunity to do so. A few months ago, in September 2015, Saint Evo released ‘The Rapture’, the first single of his debut album, which is expected sometime in 2016. The performances by the artists at Friday's concert - many of whom he has featured on the album - suggest that his album, when it eventually arrives, will be something special.

The concert is one way in which Music In Africa seeks to engage and enable artists to access platforms where they can showcase their talents. Later this year, the Goethe-Institut in Nairobi and Music In Africa will co-host a second showcase as well as panel discussions, an initiative that the organisers hope will support and stimulate the music industry in Kenya. Saint Evo said of the concert: "A big thank you to Music In Africa and Goethe-Institut Nairobi for the great initiative they have made possible for artists in Nairobi! This proves that Kenya has talent brewing and is anxious to contribute to the global stage!"

One thing was clear from the night: unlike many artists doing 'alternative' music who are often faced with the challenge of finding acceptance within Nairobi’s music scene, the night’s performers had succeeded in leaving a lasting impression on the enthusiastic crowd.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media