Top Ghanaian songs of 2023
At the heart of Ghana’s top songs of 2023 lies a wholesome dedication to preserving the cherished legacy of highlife while seamlessly incorporating modern influences, blending innovation with tradition and reinforcing the nation’s position as a driving force behind Afrobeats.
The deep-rooted influence of reggae and dancehall, as seen in the works of Stonebwoy and Kofi Kinaata, also demonstrates an ability to whip up sounds that are both authentic and globally appealing. A diverse roster defines this year’s chart-toppers, with artists like KiDi, King Promise and Kelvyn Boy leading the pack with a proven track record while rising stars like OliveTheBoy and Lasmid are putting the world on notice.
Music In Africa presents a dynamic playlist featuring the top Ghanaian songs of 2023, curated in no particular order. This playlist will continue to expand throughout the year. Be sure to bookmark it for ongoing listening pleasure as more songs are added.
Goodsin by OliveTheBoy
OliveTheBoy, Ghana’s biggest breakout star of 2023, has his first big song. ‘Goodsin’, taken from the musician’s Avana EP, which has also charted creditably elsewhere in Africa, blurs the line between love and lust, but hey, that’s how we like it here.
Into The Future by Stonebwoy
Stonebwoy’s continual presence in Ghanaian pop’s top tier is a testament to his consistency and Midas quality. ‘Into The Future’, the love-themed Afro-dancehall number taken from his 5th Dimension album, is among the latest offerings by the artist to gain popularity this year.
Terminator by King Promise
Because of the delicate allure of his voice, King Promise’s most successful songs have catered to romance. But every now and then, he veers off into other thematic areas, demonstrating his versatility. Here, on ‘Terminator’, he discusses being fed up with operating based on other people’s opinions and validation. And suddenly, it is how lovers of mainstream hits feel.
I Lied by KiDi
This KiDi single broaches a topic so sensitive it is often missing in the mainstream: the woes of pretending you are well when you are not, as it seems like society hardly has time to notice. “If I tell you that I’m okay, I lied’, he stresses in the hook.
Effiakuma Love by Kofi Kinaata
Few Ghanaian musicians push their creative licence like Kofi Kinaata does. He started out rapping, then took to engineering highlife melodies, and swiftly became Ghana’s most beloved songwriter today. On ‘Effiakuma Love’, which honours both perfect romance and the residential town in Western Ghana where he hails from, he experiments with reggae. It works!
Twatis by Oseikrom Sikanii ft. Kweku Smoke
As far as Ghanaian street anthems go, internet star-turned-rapper Oseikrom Sikanii checks all the boxes: it’s witty, honest, linguistically accurate, braggadocious enough and dance-ready. The now viral track, which features a great verse from fellow rapper Kweku Smoke, is the highlight of Oseikrom Sikanii’s Big Trapper debut.
Reckless & Sweet by Amaarae
If any two words describe Amaarae’s artistry, they are precisely those that constitute this single, taken off her highly anticipated sophomore LP Fountain Baby. The track blends Arabic and Indian melodies with African drum beats in an exploration of toxic love.
Butta My Bread by JZyNO ft. Lasmid
Ghana-based Liberian singer JZyNO scores an earworm with ‘Butta My Bread’, the Lasmid-assisted love song that has been on the lips of Ghanaians for much of this year. While it marks the first major breakthrough for the Liberian, it indents his Ghanaian counterpart’s growing reputation as the next big thing.
Adoley by Camidoh
Camidoh’s first international breakthrough came by way of ‘Sugarcane’ in 2022. So successful was the song that it has become a case study for many a Ghanaian act looking to score an Afrobeats hit. With ‘Adoley’, Camidoh hopes to maintain top-of-mind awareness, beautifully fusing highlife pulses with the in-vogue Afropop sound.
Vero by Kelvyn Boy
Kelvyn Boy’s ‘Vero’ is as highlife as they come, and the brilliance of the record lies as much in the simplicity of its hook as it does in its instrumentation, whose groove feels alive with traditional percussion work and other sonic embellishments.
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