NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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The live music scene in Kenya

Accueil/Non classé/The live music scene in Kenya

Festivals

Nowhere else in Kenya is the live music scene as vibrant as it is in Nairobi. Arguably the entertainment hub of East Africa, there’s a big concert almost every month, while weekly live shows are countless. There are countless events and performances that go unnoticed all over the country. A quick browse through any of the local daily newspapers will reveal someone or a band performing at an entertainment establishment somewhere.

The most notable live music event in the country is the annual Kenya Colleges and Schools Music Festival[i], which celebrated its 89th edition over 10 days in August 2015. Traditionally, only African music is played at this event.

Hakuna Matata Festival and Koroga Festival[ii] are among the many events where one can experience live music.  Another annual event, the Rift Valley Festival in Naivasha, has taken a break in 2015 but is set to come back in 2016. It is an annual festival that incorporates various forms of art and takes music enthusiasts out of the rather crowded Nairobi music scene.

Some counties have introduced cultural carnivals that run for a week or more. These promote tourism to the counties, as well as cultural exchanges between residents and visitors. For example, Marsabit Lake Turkana Cultural Festival (MLTCF)[iii] is now becoming a permanent fixture on the calendar for residents in Loyangalani town. The Mombasa International Cultural Festival is another good example due to the number of visitors (both local and international) that show up.

With live music performance being an avenue to showcase an artist’s talent, artists have been in the past frustrated by the lack of platforms where to showcase. It was out of similar frustrations that Blankets and Wine[iv] was born. The event, which was initially an afternoon of live music, quickly became a favourite, expanded to the coastal town of Mombasa before gaining popularity in Uganda and Rwanda. Founded in 2008 by artist and entrepreneur Muthoni Ndonga (aka Muthoni DQ), the event emphasizes live band performances rather than ‘playback’ shows using backing tracks. For this, she charged Kshs1000 (just under US$10) so that the bands could get paid. The event became very successful and did more than 50 monthly editions, before evolving into a two-day festival. The new music festival, Africa Nouveau, was held for the first time in September 2015 in Nairobi.

“The Kenyan music consumer has now become very conscious about vocal and instrumental delivery during shows, which prior to felt more like karaoke with a lot of lip syncing or shouting behind the tracks,” says Muthoni of the event’s focus on live music performances.

Corporates have also jumped on the bandwagon. Safaricom, Kenya’s largest mobile phone network, leads the way in this regard. The company has sponsored the annual Safaricom International Jazz Festival[v] since 2014. The festival was created to give Kenyan music lovers an avenue to savour local and international jazz talent. Due to huge public interest in the event, Safaricom has now created the Safaricom Jazz Lounge, a series of more intimate events that lead up to the main festival.  Through these events, Safaricom supports Ghetto Classics, a Korogocho-based music programme that seeks to use music education to instill life skills in youth, so far supporting more than 300 youth from the informal settlements.

Jameson Live Party[vi], sponsored by Jameson whiskey, is usually an end-of-year party with live performances by international artists. The 2015 edition takes place at Ngong Racecourse on 12 December.

Nairobi will soon witness the birth of yet another festival. The One Africa festival will be staged at Nairobi’s Kenyatta International Conference Centre on 5 December 2015.

Venues and regular club events

Top venues for hosting music events in Nairobi are Ngong Racecourse, Carnivore Grounds, Mamba Village, Nairobi Arboretum, Safaricom Kasarani Indoor Stadium and Kenya International Convention Centre. Nationwide there’s Machakos People’s Park and Machakos Golf Club in Machakos, Pirates and Mombasa beaches in Mombasa, Diani Beach in Diani, Jomo Kenyatta Sports Stadium in Kisumu and Athletics Club in Nakuru. Cultural centres active in promotion of live music include the local Goethe-Institut and Alliance Francaise in Nairobi.

The music on offer typically reflects the region itself. Bar events usually showcase mostly ethnic/region-based genres locally referred to as Bango or Taarab (from the coastal region), Mugiithi (from the central region) Katitu (from eastern) and Benga (from the lakeside), among others.  Media outlets such as Royal Media have been instrumental in the sponsoring club nights.

One popular platform where one can experience live music with the artist performing their own songs (as opposed to cover versions) is the weekly Thursday Nite Live concerts[vii]. Abdi Rashid Jibril runs the hugely popular event in Nairobi under his promotion company Roots International, which has been running now for more than three years. The event is held at Choices Club in Nairobi’s Industrial Area. “For the last four years, Thursday Nite Live has provided music lovers of all stripes, predominantly middle management type professionals, internationals and cultural workers, with great music by the artists themselves,” explains Jibril.

Jibril is expanding the scope of his event. On 20 September 2015, he organized the first Cool Waters Jazz Festival, which featured Aly Keita (Ivory Coast), Kareyce Fotso (Cameroon), Ayub Ogada and Isaac Gem (both from Kenya). “These are platforms for original music, expansion of audience experiences of music and economic means for all involved. We have nice aesthetics, a good sounding room, and various spaces – both indoors and outside – for audiences and TV screens in all those spaces for people to feel part of the concert,” adds Jibril. Besides the event at Choices and now the festival, he is also a production coordinator for Sondeka Festival, a three-day exhibition that celebrates all creative arts, including music and literature, at various locations in Nairobi between September and October.

Another popular live music venue, Pawa 254 in Nairobi hosts Rooftop Sundowner[viii], a great musical experience every first Friday of the month between 6pm and 10pm. The programmer for the event, Sarah Malliah, says Rooftop Sundowner parties provides a platform for authentic, often non-commercial, East African artists who are committed to creating socially conscious music that educates and uplifts society. “We aim to offer audiences with an alternative, memorable musical experience. There is a large community of talented artists in East Africa. However, there are many barriers for these artists to gain country- and region-wide exposure. Rooftop Sundowner aims to mitigate these barriers,” explains Malliah.  

‘Live at the Elephant’, on the other hand, takes place on the last Friday evening of every month. The event’s manager, Marvin Maveke, explains the names were to show the proprietors’ support for animal conservation. “The Elephant – previously known as Kifaru (Swahili for ‘rhino’) – serves as office space for Rainmaker Ltd., a music production company. Kenya’s renowned artist Eric Wainaina and Sheba Hirst had been searching for a venue where he would be performing every week. This proved to be very difficult and thus they decided to turn the garden space into a performance venue,” explains Maveke.

The monthly GoDown Gig[ix] is another fun-filled platform designed to showcase local talent at its best, and is open and free for audiences from all over Nairobi. Typically, the gig stages three local bands of diverse styles including Afro-fusion, benga, genge and Afro-jazz.

Rainmaker recently set up a partnership to host an East African artist every quarter to come to Nairobi. Following this agreement, the selected artist will perform from Thursday through to Saturday (at Thursday Nite Live at Choices, Live At The Elephant and The GoDown Gig).

Whether one is looking for homegrown music, hip-hop or reggae, the Nairobi musical will not disappoint. Nairobi Rhapsody is a hip-hop themed event that takes place every Thursday night at Ebony Lounge, located in Nairobi’s Museum Hill area. Buddha Blaze, co-founder and artist developer under Spark Africa, explains why he sees a need to have a purely hip hop event in a sophisticated establishment:

“We’re celebrating hip-hop. I felt there was no place someone from the corporate world could actually go to enjoy hip-hop music. Nairobi Rhapsody tries to give back to the four elements of hip-hop: DJs, artists, break-dancers and graffiti. Sometimes you’ll have one without the others, of course. We don’t like to force anything; everything’s pretty organic. We’re just being authentic to the culture”. Attracting a mature, up-market crowd mainly because of the club’s location, Buddha stresses that everything is about connection; it’s a movement. In 2015 Nairobi Rhapsody has played host to international artists including Talib Kweli, South Africa’s K.O, Erykah Badu and Mos Def (aka Yasiin Bey).

For reggae lovers, Bad Mambo Productions host the Rub-A- dub concerts to introduce UK soundsystem culture to the Nairobi musical panorama. Featuring Caribbean genres ranging from calypso to dubstep and anything in between, the objective is to free people’s perceptions and show that reggae music can be inclusive, forward thinking and enjoyed by all. On 9 October 2015 Bad Mambo hosted Scotland’s Mungo’s Hi-Fi.  

Ticket prices vary greatly. While some events are free and cultural centres such as the Goethe-Institut try to keep entry fees to concert at a bearable minimum of around Kshs 500 ($4.85), other events may charge up to Kshs10000 (US$95) or more for live shows, depending on whether the artist is local or international. On average, however, tickets usually have a standard price of Ksh1500 ($14.50), while VIP tickets are usually around Ksh5000 ($48).

Promoters

Besides the promoters already mentioned, Kenya is home to several reputable event management companies. True Blaq[x] was established in 2001 and has been involved in hosting music events such as the annual Extravaganza that features both local and international artists. On 3 October 2015 True Blaq hosted the Morgan Heritage concert at the Kenyatta International Conference Centre. HomeBoyz Entertainment Limited[xi] was formed in 1992 as a small DJ agency catering for weddings and house parties. The company has since grown to be one of the biggest and most influential entertainment companies in the region. MoSound Events[xii] was formed in 2004 and has been instrumental in organizing music events such as the annual Groove Awards.

The above promoters, festivals, venues and club events provide a brief overview of Kenya’s thriving live music scene.

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