NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Eric Wainaina

Eric Wainaina

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Profile added by Stanley Gazemba on 28 Jul 2018

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Nairobi, Kenya

In operation since:

1995

Contact person:

Eric Wainaina

BIO

Eric Wainaina is a singer and songwriter from Nairobi, Kenya.

Wainaina attended Berklee College of Music in Boston where he graduated with an honours in music, majoring in songwriting and engineering.

He joined the music industry in the mid-1990s as a member of a male a capella band Five Alive. His song ‘Daima Kenya’ is widely considered Kenya’s second national anthem and was recorded while he was a student at Berklee.

He released his debut album ‘Sawa Sawa’ in 2001, which is still to tis day one of the highest selling solo albums in Kenya. The song 'Nchi ya Kitu Kidogo', meaning 'the land of petty corruption' in Swahili, made Wainaina even more popular with the Kenyan public. "People don't call me Eric any more, they call me Kitu Kidogo when I'm walking through the streets," he told the BBC in 2001.

The success of 'Sawa Sawa' was followed with the release of ‘Twende Twende’ (2006) and ‘Love and Protest’ (2011).

Wainaina also wrote and starred in 'Mo Faya', a musical that was staged for eight weeks at the GoDown Arts Centre in Nairobi. The show went national with 52 shows in 2007 and 2008. In 2009, Wainaina was selected for perform at the New York Musical Theatre Festival. In 2010, Wainaina wrote and produced music for 'Tinga Tinga Tales' – a British-Kenyan children’s TV series comprising 52 episodes based on African folk tales. Commissioned by the BBC and Disney Channel, the series were later adapted into a musical that was presented at the New Victory Theatre on Broadway in October 2018.

Wainaina has worked as a music director for M-Net East Africa’s 'Maisha Superstar', a reality TV series designed to discover new musical talent from East Africa. He has participated in numerous projects including 8 Goals for Africa – a 2010 MDG campaign for the UN featuring Hugh Masekela, HHP, Angelique Kidjo, Baaba Maal, Oliver Mtukudzi and the Soweto Gospel Choir. He has been brand ambassador for Transparency International, MS Kenya, Nederburg and the Kenya Human Rights Commission.

He has won a number of accolades including Favourite Male Vocalist at the M-Net Awards , a KORA Award for Best East African Artist (2002), and Kisima awards for Best Afro-Fusion Artist, Best Song and Best video (2007). In 2018 Wainaina was honoured with the Music In Africa Honorary Award during the opening of the Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES). The award is presented by the Music In Africa Foundation to recognise the achievements made by African musicians in their home countries and the continent as a whole.

Wainaina has performed at Festival Mundial (Netherlands), the North Sea Jazz Festival (Netherlands), the Harare International Festival of the Arts (Zimbabwe), Arts Alive International Festival (Swaziland), Umoja Flying Carpet Festival (South Africa), Sauti Za Busara (Zanzibar) and ACCES (Kenya).

He has collaborated with artists such as Emmanuel Jal and P-Unit’s Frasha. In 2010, Wainaina co-wrote and recorded one of the official 2010 World Cup songs. In 2013, he performed at the Africa Cup of Nations opening ceremony in South Africa.

Music

Hallelujah People

Eric Wainaina
03:02

Fly Away Together

Eric Wainaina
04:13

Don't Bury Me feat. Blinky Bill, John Nzenze and Kendi Nkonge

Eric Wainaina
03:22

1.Okay

Eric Wainaina
04:08

Revolution Time

Eric Wainaina
04:11

Sing Mercy

Eric Wainaina
03:46

Mariana

Eric Wainaina
05:03

Other People's Lives

Eric Wainaina
04:16

The Road (Featuring Baaba Maal)

Eric Wainaina
04:58

Orutu Special

Eric Wainaina
05:01

Selina

Eric Wainaina
05:20

Baby Don't Go

Eric Wainaina
03:47

Social Networks and Websites

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