NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Goldmaxx and Real Nkosana celebrate love, marriage on ‘Ziyaw’shaya’

11 Nov 2026 - 08:00

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Former Destruction Boyz member Goldmaxx teamed up with acclaimed singer and songwriter Real Nkosana in early October to release ‘Ziyaw’shaya’, an upbeat Afro-pop ballad celebrating romantic love and marriage. Released under Destruction Records, the duo describe the song as “unique and beautiful”.

Goldmaxx.

The track reportedly came together spontaneously, with the two artists completing it within an hour. This creative chemistry is reflected in its effortless arrangement and accessible sound, which seeks to connect with listeners through a familiar theme: finding a lifelong partner and celebrating love.

Explaining the song’s message, Goldmaxx said: “The song is about love and marriage. The coming of the day where you marry the love of your life. Appreciating the person who was with you when you had nothing and now you're gonna spend the rest of your life with. It is about the day of your marriage.”

From the opening notes, ‘Ziyaw’shaya’ establishes a bright, uplifting atmosphere, driven by a melodic synthesiser arrangement. Its mid-tempo rhythm strikes a balance between danceability and warmth, while the prominent bass drum provides a steady foundation. Higher-pitched percussion, including toms and other rhythmic elements, adds a playful quality to the production.

The arrangement also draws on Afrocentric influences, with percussion reminiscent of the djembe and conga, alongside muted, guitar-like melodic loops. These elements give the song a distinctly familiar feel, recalling the celebratory music often heard at traditional South African weddings. Its rhythmic structure and warm harmonies make it particularly suited to the atmosphere of an umshado celebration.

The use of ululation further strengthens this connection. Heard in the earlier part of the track, the celebratory vocal expression is deeply rooted in African cultural traditions, often accompanying weddings and other important life milestones. Its inclusion adds an authentic celebratory touch, reinforcing the song's central theme of love and commitment.

The duo capture the emotional significance of the occasion, describing the song as one that reflects the experience of watching a partner walk down the aisle.

“‘Ziyaw’shaya’ captures that moment when you see your partner walk down the aisle. It is for lobola, for white weddings, for anniversaries. It is timeless Afro-pop with a Durban soul,” they said.

Although the production is enjoyable, the song could benefit from a stronger climactic moment to elevate its celebratory mood further. A more pronounced shift in the arrangement or a heightened vocal section could have given the track an additional emotional lift. Nevertheless, its balanced harmonies, infectious percussion and accessible melody make for an engaging listen.

Ultimately, Goldmaxx and Real Nkosana deliver a feel-good record that finds strength in simplicity and cultural familiarity. Whether played at a lobola ceremony, a white wedding or an anniversary celebration, ‘Ziyaw’shaya’ offers a fitting soundtrack to love, commitment and the promise of a life together.

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