NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Telem Week 2023: Three Jamaican artists to join programme

Accueil/Non classé/Telem Week 2023: Three Jamaican artists to join programme

Telem Week aims to provide a platform for alternative musicians to make and perform original, experimental music together through a songwriting workshop guided by four local faculty artists and two faculty artists from the United States and Nigeria. Participating artists and faculty will play new works over two days at a performance festival in Freetown on 18 and 19 November.

The Jamaican acts confirmed for Telem Week 2023 include Rica G, Jamila Falak and King Calie.

Rica G is a multi-hyphenate cultural practitioner looking to serve as a catalyst for liberation throughout the diaspora using fellowship, technology, education and the arts. An innovative educator and storyteller at the core, she has transformed stages, surf camps, skate parks, computer labs and traditional classrooms into spaces of community learning for scholars of all ages. Her primary mediums of expression are spoken word, bass guitar, tuba, roller skating and photography.

Jamila Falak is a singing upright bassist and a multi-hyphenate creative entrepreneur. Pioneering a unique blend of soulful Afrocentric melodies and heartfelt lyrics, she seeks to inspire uplifting influence and captivate audiences with her artistic expression. Falak released her first single ‘LA AAA ADY’ in 2019, which featured in the Emmy-nominated TV show Jacqueline and Jilly, and has also performed with world-renowned acts such as Marcia Griffiths and Shaggy. She is the founder of the Plant x Play Initiative, a cultivated and cultured community of creatives working towards philanthropy and climate action.

King Calie is the reigning star of Magnum’s 2021 and 2022 Top Performa charts in Jamaica. A dancehall artist with a unique fusion of musical genres and unparalleled artistic vision, Calie also aspires to reshape cultural landscapes.

These artists will be joined by two additional guests from the United States, both serving as faculty artists for the retreat week. Atlanta-based Afro-soul/Afro-folk indie singer-songwriter Tosinger has been singing for more than two decades in Nigeria, the UK and now in the US. With a couple of published works to her name, her music displays a heartfelt conveyance of originality and inspirational lyrics. Tosinger expresses an Afrocentric comforting musical flow that is soulful and folksy, sometimes jazzy, with subliminal messages incorporating her Yoruba language and cultural sounds. An eclectic artist in her own right, Tosinger is also an actress, an event curator and most recently, became the first TEDx music performer at the inaugural launch of TEDxAtlantaWomen (SOAR 2022).

Eric Heveron-Smith has spent the last 15 years playing trombone, tuba, or upright bass with multiple bands on the vintage swing dance scene, and recently, the Youtube supergroup Postmodern Jukebox, all over North America. He has opened for B.B. King and Tower of Power with an Americana band, recorded with artists such as A.C. Newman and Jonathan Scales (alongside Victor Wooten, Christian Scott, and MonoNeon), engineered and mixed countless albums, and played one gig with the legendary Michael McDonald. Eric co-founded the swing group Moonshine Rhythm Club and leads his own jazz band.

The Republic of Sierra Leone opened its first Consul’s office in Jamaica earlier this year, with well-known academic, trade policy specialist and advocate, Prof Rosalea Hamilton, serving as honorary consul. Professor Hamilton will accompany the three Jamaican artists to Sierra Leone for Telem Week 2023, a move, according to a statement, “that underscores the new, emerging opportunities for cultural trade and investment – further strengthening understanding of the historical, cultural, food and fashion links – between the Republic of Sierra Leone and Jamaica, as well as West Africa and the Caribbean.”

“The historical and cultural connections between the Republic of Sierra Leone and Jamaica run deep,” Hamilton said. “Telem Week 2023 provides an exciting opportunity to strengthen and enhance these historical/cultural ties, while opening new opportunities for creative expression and mutually
beneficial collaboration that will foster cultural trade and investment in the future.”

“We know how many uncommon and excellent musicians there are in Sierra Leone – people with a unique voice and a story to share with the world,” Telem Uncommon Sounds’, Solomon Fatoma, said. “We are so excited to partner with the honorary consul of Sierra Leone in Jamaica, the Embassy of Sierra Leone in Washington, DC, the Ministry of Tourism and Cultural Affairs, and numerous sponsors to bring into our creative economy a fresh source of creative expression and inspiration – and the opportunity to produce the kind of global collaborations between West Africa and the Caribbean that audiences all over the world are seeking.”

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