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Artists (10,687) Organizations, Networks & Associations (1,272) Artist Service Providers (931) Music Education (360) Archives & Media (159) Events & Venues (128)

Composers, arrangers & songwriters

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Choirs, orchestras & ensembles

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Maroc : Universal Music lance Def Jam Recordings North Africa à Casablanca

Maroc : Universal Music lance Def Jam Recordings North Africa à Casablanca

« Mélo Décalé » : Tiakola relance le débat sur la monétisation des artistes afro-francophones sur YouTube

« Mélo Décalé » : Tiakola relance le débat sur la monétisation des artistes afro-francophones sur YouTube

Appel ouvert : MansA Lab lance son incubateur culturel 2026-2027

Appel ouvert : MansA Lab lance son incubateur culturel 2026-2027

Appel ouvert : un programme de formation en musique à l’image pour les compositeurs d’Afrique centrale

Appel ouvert : un programme de formation en musique à l’image pour les compositeurs d’Afrique centrale

Le Dialawaly Festival 2026, mémoire en mouvement du Waalo

Le Dialawaly Festival 2026, mémoire en mouvement du Waalo

La Sacem renouvelle son appel en faveur d’une loi française sur le droit d’auteur à l’ère de l’IA

La Sacem renouvelle son appel en faveur d’une loi française sur le droit d’auteur à l’ère de l’IA

Appel ouvert : Babel Music XP 2027 à Marseille (France)

Appel ouvert : Babel Music XP 2027 à Marseille (France)

Appel à participation : Festival Ngoma 2026 à Kisangani, RDC

Appel à participation : Festival Ngoma 2026 à Kisangani, RDC

Appel ouvert : Bourses de mobilité pour les artistes et professionnels de la culture d’Afrique subsaharienne

Appel ouvert : Bourses de mobilité pour les artistes et professionnels de la culture d’Afrique subsaharienne

RDC : Fally Ipupa dédie sa distinction nationale au retour de la paix dans l’Est du pays

RDC : Fally Ipupa dédie sa distinction nationale au retour de la paix dans l’Est du pays

RDC : Fally Ipupa élevé au rang de Chevalier de l’Ordre national du Léopard par le Chef de l’État

RDC : Fally Ipupa élevé au rang de Chevalier de l’Ordre national du Léopard par le Chef de l’État

Maroc–Union européenne : trois nouveaux programmes pour renforcer les industries culturelles et créatives

Maroc–Union européenne : trois nouveaux programmes pour renforcer les industries culturelles et créatives

NEFCISA

NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES

ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter claire@musicinafrica.net Continuez à consulter cette page pour plus d'information.

Gender@Work

Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED? As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund

Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live

Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories : showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project

Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme. Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Artistes et industrie (12,262)

Artists (10,687) Organizations, Networks & Associations (1,272) Artist Service Providers (931) Music Education (360) Archives & Media (159) Events & Venues (128)

Composers, arrangers & songwriters

Session artists

Choirs, orchestras & ensembles

Magazine

News Reviews Features Themes Guide des concerts

Maroc : Universal Music lance Def Jam Recordings North Africa à Casablanca

Maroc : Universal Music lance Def Jam Recordings North Africa à Casablanca

« Mélo Décalé » : Tiakola relance le débat sur la monétisation des artistes afro-francophones sur YouTube

« Mélo Décalé » : Tiakola relance le débat sur la monétisation des artistes afro-francophones sur YouTube

Appel ouvert : MansA Lab lance son incubateur culturel 2026-2027

Appel ouvert : MansA Lab lance son incubateur culturel 2026-2027

Appel ouvert : un programme de formation en musique à l’image pour les compositeurs d’Afrique centrale

Appel ouvert : un programme de formation en musique à l’image pour les compositeurs d’Afrique centrale

Le Dialawaly Festival 2026, mémoire en mouvement du Waalo

Le Dialawaly Festival 2026, mémoire en mouvement du Waalo

La Sacem renouvelle son appel en faveur d’une loi française sur le droit d’auteur à l’ère de l’IA

La Sacem renouvelle son appel en faveur d’une loi française sur le droit d’auteur à l’ère de l’IA

Appel ouvert : Babel Music XP 2027 à Marseille (France)

Appel ouvert : Babel Music XP 2027 à Marseille (France)

Appel à participation : Festival Ngoma 2026 à Kisangani, RDC

Appel à participation : Festival Ngoma 2026 à Kisangani, RDC

Appel ouvert : Bourses de mobilité pour les artistes et professionnels de la culture d’Afrique subsaharienne

Appel ouvert : Bourses de mobilité pour les artistes et professionnels de la culture d’Afrique subsaharienne

RDC : Fally Ipupa dédie sa distinction nationale au retour de la paix dans l’Est du pays

RDC : Fally Ipupa dédie sa distinction nationale au retour de la paix dans l’Est du pays

RDC : Fally Ipupa élevé au rang de Chevalier de l’Ordre national du Léopard par le Chef de l’État

RDC : Fally Ipupa élevé au rang de Chevalier de l’Ordre national du Léopard par le Chef de l’État

Maroc–Union européenne : trois nouveaux programmes pour renforcer les industries culturelles et créatives

Maroc–Union européenne : trois nouveaux programmes pour renforcer les industries culturelles et créatives

Projects

NEFCISA

NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES

ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter claire@musicinafrica.net Continuez à consulter cette page pour plus d'information.

Gender@Work

Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED? As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund

Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live

Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories : showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project

Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme. Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

29 - 31 Oct @ The Forum, Johannesburg, South Africa

The Music In Africa Conference For Collaborations, Exchange And Showcases

Aperçu

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible.

Pour plus d’informations, veuillez contacter claire@musicinafrica.net

Continuez à consulter cette page pour plus d’information.

Notre dernier rapport annuel

45+

Countries represented

100+

Music execs

400+

Businesses

20+

Live acts

Points forts

La date limite de candidature est fixée au 30 avril 2026.

Music In Africa Foundation

Appel ouvert : showcases musicaux ACCES 2026

juillet 20, 2023

Le prix, remis par The Orchard, récompense des ventes dépassant les 60 000 unités en Afrique du Sud.

Lamine BA

TxC honoré d’un disque d’or pour leur tube « Yebo » lors d'ACCES 2025 à Tshwane

juillet 20, 2023

Zakes Bantwini et TxC

Music In Africa Foundation

ACCES 2025 : Zakes Bantwini et TxC prendront la parole à Tshwane

juillet 20, 2023

Lerato Matsoso, directrice générale des opérations de CAPASSO

Music In Africa Foundation

CAPASSO mènera la discussion à ACCES 2025

juillet 20, 2023

Zoë Modiga.

Music In Africa Foundation

ACCES 2025 : Music In Africa s’associe à la SAMRO pour présenter Zoë Modiga

juillet 20, 2023

Sur la photo : la ministre d’État rwandaise à la Jeunesse et aux Arts, l’honorable Sandrine Umutoni, s’adressant aux délégués lors d’ACCES 2024 à Kigali.

Music In Africa Foundation

Appel à inscriptions : ACCES 2025 à Tshwane

juillet 20, 2023

Le célèbre journaliste kenyan Bill Odidi interviewant la légende de la musique sénégalaise Baaba Maal lors de la conférence musicale ACCES organisée par Music In Africa à Dakar en 2017.

Music In Africa Foundation

Appel ouvert : accréditation média pour la conférence musicale ACCES 2025

juillet 20, 2023

Le producteur américain Gordon Williams, plusieurs fois récompensé aux Grammy Awards, participera à l'ACCES 2025.

Music In Africa Foundation

L’industrie musicale mondiale se donne rendez-vous à Tshwane pour ACCES 2025

juillet 20, 2023

La Fondation Music In Africa offre 20 doubles tickets pour l’ACCES Showcase Festival.

Music In Africa Foundation

ACCES 2025 : Gagnez des billets pour le Showcase Festival en Afrique du Sud

juillet 20, 2023

L’artiste sud-africaine-canadienne Zaki Ibrahim lors du Showcase Festival d’ACCES 2024 à Kigali, Rwanda.

Music In Africa Foundation

Appel à candidatures : Bourses de mobilité pour artistes et professionnels de la culture

juillet 20, 2023

La star sud-africaine de l’amapiano , Focalistic.

Music In Africa Foundation

CAPASSO présentera Focalistic à ACCES 2025 à Tshwane

juillet 20, 2023

Le musicien zimbabwéen émergent Mwendamberi, a été confirmé pour se produire lors du Showcase Festival d’ACCES 2025 à Tshwane.

Music In Africa Foundation

Music Connects Africa du British Council présentera Mwendamberi à ACCES 2025 à Tshwane

juillet 20, 2023

Zoë Modiga.

Music In Africa Foundation

Zoë Modiga rejoint la programmation du Showcase Festival d’ACCES 2025 à Tshwane

juillet 20, 2023

Mörda.

Music In Africa Foundation

Le DJ et producteur sud-africain Mörda se produira à ACCES 2025 à Tshwane

juillet 20, 2023

Oyinkansola Fawehinmi.

Music In Africa Foundation

Oyinkansola Fawehinmi : Pourquoi la conférence musicale ACCES est incontournable

juillet 20, 2023

Pour célébrer le 3Step, la Music In Africa Foundation a confirmé la participation de Thakzin (photo), à la fois comme artiste et intervenant.

Music In Africa Foundation

Le 3Step à l’honneur lors d’ACCES 2025 à Tshwane (Afrique du Sud)

juillet 20, 2023

Naledi Aphiwe, Jay Music et Shandesh.

Music In Africa Foundation

Naledi Aphiwe, Jay Music et Shandesh prendront la parole et se produiront à ACCES 2025

juillet 20, 2023

Construit en 1958 et réputé pour son acoustique et son charme historique, le théâtre Aula servira de cadre à des tables rondes, des interviews, des ateliers et des activités de réseautage.

Music In Africa Foundation

ACCES 2025 annonce les lieux de la conférence et du festival

juillet 20, 2023

Focalistic confirmé pour ACCES 2025 à Tshwane.

Music In Africa Foundation

Focalistic confirmé pour ACCES 2025 à Tshwane

juillet 20, 2023

Eva Ndumbe. (Photo) Eva Ndumbe.

Patricia Yumba Muzinga

Eva Ndumbe : « ACCES, c’est là où la musique africaine se vit sous toutes ses formes. »

juillet 20, 2023

Thando Nyameni, directeur général de KUMISA et président de Music Creators South Africa.

Music In Africa Foundation

Le directeur général de KUMISA, Thando Nyameni, partage cinq bonnes raisons de participer à ACCES

juillet 20, 2023

Le 5 août, ACCES 2025 commencera à dévoiler son programme et ouvrira les inscriptions aux délégués du monde entier. Sur la photo : délégués à ACCES 2024 à Kigali, au Rwanda.

Music In Africa Foundation

ACCES 2025 : annonce du programme et ouverture des inscriptions prévue pour le 5 août

juillet 20, 2023

Ornella Kayitaba, Theresho Selesho and Msaki.

Lamine BA

ACCES 2025 : Découvrez le jury des showcases musicaux !

juillet 20, 2023

L’artiste sudafricaine-canadienne Zaki Ibrahim se produira lors d’ACCES 2024 à Kigali, au Rwanda.

Music In Africa Foundation

Appel ouvert : Showcases musicaux ACCES 2025

juillet 20, 2023

La chanteuse sud-africaine et humanitaire Yvonne Chaka Chaka s’adressant aux délégués d’ACCES 2024 à Kigali.

Music In Africa Foundation

La ville de Tshwane remporte l’appel d’offres pour accueillir ACCES 2025

juillet 20, 2023

L'honorable Sandrine Umutoni, ministre d'État rwandaise en charge de la Jeunesse et des Arts, s'adressant aux délégués lors d'ACCES 2024 à Kigali.

Lamine BA

ACCES 2025 : Music In Africa annoncera la ville hôte le 1er avril

juillet 20, 2023

Eva Ndumbe

Lamine BA

Interview ACCES 2024 : Eva Ndumbe, professionelle de la musique et des médias

juillet 20, 2023

ACCES Showcase Festival présentera une sélection soigneusement élaborée de performances live par des artistes talentueux venus de tout le continent africain.

Music In Africa Foundation

Prolongation du délai : Gagnez des billets pour l'ACCES Showcase Festival au Rwanda

juillet 20, 2023

Afi Cakpo. (Photo) Afi Cakpo.

Patricia Yumba Muzinga

Interview ACCES 2024 : Afi Cakpo, ONErpm Country Manager

juillet 20, 2023

ACCES 2024 accueillera des centaines d'entreprises musicales et de dirigeants venus de plus de 50 pays, un festival showcase présentant plus de 20 artistes, des expositions, des masterclasses, un camp d'écriture de chansons, et bien plus encore.

Lamine BA

Appel ouvert : Pack d'exposition gratuit pour entrepreneurs à ACCES

juillet 20, 2023

ACCES

Galerie

HEVA Fund managing partner George Gachara. Photo: Twitter

Tresor and Msaki in Sondela.

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Ghanaian star Samini.

Ushers assisting delegates with registration during ACCES 2019 in Accra, Ghana. Photo: Music In Africa

A pitch exhibitor presenting his startup at ACCES 2019 in Accra, Ghana. Photo: So Fraiche

Delegates speed networking during the 2019 ACCES music conference in Nairobi, Kenya. Photo: Music In Africa

Jess White will facilitate a session on how to package a press kit and how to use the Music In Africa platform for the benefit of artists.

Efya will be performing at the 2019 MTN Music Festival in Ghana.

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Fans dance at the concert. Photo by Edwin Machuka

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Sauti za Busara festival organiser and ACCES curation committee member Yusuf Mahmoud.

Popular 'Swazi soul' artist Bholoja. Photo: Dave Durbach / Music In Africa

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Musicians and producers pose for a photo during a workshop at the ACCES 2019 conference in Accra, Ghana. Photo: Paul Addo

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PARTENAIRES

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Lomotif boasts more than 31 million monthly active users.

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