NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Tocky Vibes criticises Zim army in Zvitori Nani

21 Jan 2019 - 16:21

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Zimbabwean musician Tocky Vibes released on Sunday a song criticising Zimbabwe's police and army for unleashing terror on civilians following last week’s stayaway in Harare, Chitungwiza and Bulawayo.

Zimbabwean artist Tocky Vibes could get in trouble with his latest song. Photo: Facebook

The song, titled ‘Zvitori Nani (Zimbabwe Army Diss)’ also criticises President and commander in chief Emmerson Mnangagwa. Sung in Shona, the song had garnered more than 40 000 views on YouTube by Monday.

"That song is intended for poor people, the disadvantaged and those who seek alms on the streets,” Tocky Vibes told Music In Africa. “Children, the disabled and the blind living on the streets could not escape the violence, especially when teargas was used to disperse civilians during the protests. These people were affected since they had no place to hide. These are the people I was referring to in the song."

The translated song opens with the following lyrics:

I don’t have time to praise soldiers any more
They beat us every day and kill their own while saying we’ve been sent by our boss
Now I’m dissing soldiers
You should refuse to be deployed
I’ve come with fire to burn the soldiers.

Such lyrics could land Tocky Vibes in trouble with Zimbabwe's authorities. When asked whether he was afraid of the possible consequences, he said: "Our song is not political. The army is for the people and it’s not for any political party. So our message in the song is that even if political parties don’t agree among themselves, the army must be there to protect civilians.

“People should not be armed because we have a national army whose mandate is to protect us from harm. So once more, my song is not political and whoever wants to link my song along political lines, it’s up to them.”

Tocky Vibes refused to name the producer of the song. "I'd rather face the music alone should any trouble come my way," he said.

Germany-based music journalist and critic Plot Mhako said: "I think the song reflects the reality on the ground and boldly echoes the cries of most citizens who do not have a voice. It’s a great song and pokes at the security apparatus’ conscience.”

Late last year, Zimdancehall singer Winky D stirred controversy with the release of ‘Kasong Kejecha’, which blames Mnangagwa's ZANU-PF government for the current economic crisis. The song sides with MDC Alliance leader Nelson Chamisa who is synonymous with the words “tozvidira jecha". The term translates to "pouring sand", for example in a person's meal as a form of sabotage. After the song's release, Winky D was pelted with empty cans and beer bottles while preforming in Kwekwe in central Zimbabwe on Christmas Eve. The artist has since cancelled his remaining shows and gone into hiding after a group of ZANU-PF activists reportedly visited his home during last week's stayaway.

Mhako said Tocky Vibes could face similar treatment as his colleague. "Regarding his safety, I think it’s tricky and there cannot be a guarantee, considering that Winky D is reportedly in hiding. I think Tocky was well aware of the possible backlash but he followed his inner conviction and the voice of reason,” he said

What sparked the latest violence in Zimbabwe?

Two weeks ago, Mnangagwa announced a sharp increase in fuel prices, which saw petrol rise to $3.31 from $1.24/litre, making it among the most expensive in the world. This in turn spurred increases in basic products and services such bread, sugar and bus fares. The increase was condemned by opposition parties and civil society groups across Zimbabwe. It also prompted the Zimbabwe Congress of Trade Unions to call for a national strike.

The initially planned peaceful stayaway turned into looting and the destruction of property in some areas where clashes with the police and army took place. On Tuesday, the government instructed telecoms providers to shut down the Internet, which until Monday was still reportedly off. Twelve people have been killed since the violence began, according to media reports.

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