NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

News

Best Talent Cameroon 2024 : les lauréats sont connus

08 Mar 2024 - 10:02

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Les lauréats du Best Talent Cameroon 2024 sont connus ! L’événement qui est placé sous le haut patronage de l'État camerounais, par le biais du Ministère des Arts et de la Culture (MINAC) et le Ministère de la Communication s’est tenu le 1er mars 2024.

Bely'v est élue artiste feminin préférée au Best Talent Cameroon 2024

La soirée a eu lieu au Pouc’key, une prestigieuse salle de fête située dans la ville de Douala qui était accessible uniquement sur invitation. La soirée qui a connu la participation de plusieurs artistes du pays a été agrémentée par diverses activités artistiques, notamment la prestation du groupe Bidoum Bi Kunde conduite par Cyrille Biboum qui a émerveillé les invités avant de passer à la cérémonie de récompense.

Dans la foulée, la Douala Music Art Festival (DOMAF) a reçu le prix grand jury du meilleur événement culturel de l’année 2023.

Voici la liste des lauréats :


RÉSULTATS VOTE GRAND PUBLIC

Animatrice TV Préférée

  • Solange Manga (CRTV)
  • Claudia Mobe (Cam10)
  • Claude Mayo (Balafon TV)
  • Patricia Laure Naoussi (Canal2 Inter)
  • Gladys Sidje (Equinoxe TV)
  • Audrey Ntep (Vision 4)
  • Mélinda Swan (Dash TV)
  • Olga Bessala (Infos TV)
  • Faith Tata ( My Prime Media TV)
  • Mireille Grâce Ambang ( STV)

Présentatrice Tv Préférée

  • Julienne Berthe Bissai (Equinoxe Tv)
  • Marie Flore Amassana (Balafon Tv)
  • Albertine Bitjaga (Canal2 Inter)
  • Pricille Messene (Msi Tv)
  • Rich Fatima Ewane(Dbs Tv)
  • Bertille Blanche Medjo (Cam10 Tv)
  • Leila Reine Nganzeu (Stv)
  • Rosalie Ayissi Guessele ( Infos Tv)
  • Joyce A Forsih (Crtv)
  • Marie Praxede Toulou (Ltm Tv)
  • Amy Banda (Crtv)
  • Lile Piedjou (Canal 2 Inter)
  • Christine Toulou Ndzana (Vision 4)

Film Long Métrage Préféré

  • Axe Lours (Dr Nkeng Stephen)
  • Nganu (Kang Quintus)
  • Sadrack (Narcisse Wandji)
  • Le Poids Du Pardon (Ghislain Towa)
  • Nuit Blanche (Alain Blaise Mba)
  • Entre Amour Et Lignée (Leonel Fouotsa)
  • Kankan (Joseph Akama)

Série TV Préférée

  • La Bataille Des Chéries (Ebenezer Kepombia)
  • Victimes (Blaise Ntedju)
  • La Nouvelle Epouse (Gaby Ruben Ngounou)
  • Sugar Daddy (Blaise Ntedju)
  • Invivable (Blaise Ntedju)
  • Ma Mère M’a Vendu (Ghislain Towa)
  • La Nuit Des Temps (Blaise Ntedju)
  • La Guerte Des Sexes (William Kum)

Artiste Come-Back Préféré(e)

  • Prince Ndedi Eyango
  • Victoire Fil-Ln
  • Papa Zoe
  • Messi Ambroise
  • Narcisse Prize
  • Racine Sagath
  • Krotal

Artiste Féminin Préférée

  • Krys M
  • Seppo
  • Bely’v
  • Mimie
  • Blanche Bailly
  • Asaba
  • Adela Bikim
  • Lydol
  • Kameni
  • Indira
  • Sandrine Nnanga

Artiste Masculin Préféré

  • Vanister
  • Cysoul
  • Blacky Star
  • Ko-C
  • Lucky +2
  • Martino Ngalle
  • Locko
  • Aloch 237
  • Joly Garçon
  • Fadil Le Sorcier
  • Gifto Le Russe

Artiste D’inspiration Patrimoniale

  • Nda Chi
  • Jumeaux Km
  • Gervais De G.Decca
  • Madib’s
  • Lily
  • Chilli Wayaye
  • Kiri Otty
  • Guewada
  • Basilia Ngako
  • Falone Maty

Révélation Musicale Préférée

  • Seppo
  • Ulanda
  • Hen’s
  • Joy
  • Mr Fraikete
  • King Roberto
  • Asaba
  • Aloch 237
  • Benjo Mignon
  • Gifto Le Russe

Personnalité People Préférée Diaspora

  • Patrick Moukala (Madrid)
  • Presi Amot (Paris)
  • Queen Michou (Annemasse)
  • Henri Mamuzah (Paris)
  • Sylvie Dang (Atlanta,Usa)
  • Aicha Sol (Paris)
  • Rosine Memi (Paris)
  • Flore De Lille (Paris)
  • Armand Nlend (Suisse)
  • Jean Robert Ngwamo (Paris)

Evénement Diaspora Préféré

  • Grande Nuit Du Cameroun, Madrid.(Patrick Moukala)
  • La Nuit Des Traditions, Bruxelles.(Passy La Noblesse)
  • La Cour Des Grands, Madrid.(La Queen Angela)
  • La Prestigeuse Nuit De L'ambiance, Paris (Flore De Lille)
  • La Nuit Des Oscars, Londres (Washington Le Monument)
  • La Nuit En Blanc, Leeds.(Pigeon Voyageur)
  • Firba, Atlanta USA (Sylvie Dang)
  • La Grande Nuit De La Tenue Militaire, Paris (Bobby Airon)

Émission Radio Préférée

  • After School (Poala FM)
  • Le Matin C'mirror (Mirror Radio)
  • Carrefour (Radio Balafon)
  • Tintamarre (Radio Audace)
  • La Grande Matinale (Radio Fussep)
  • Mon Matin ,Mon Bonheur (Yde FM 94)
  • Magic Attitude (Magic FM)
  • Ekomba Royal (Royal FM)
  • Ça Passe Où Ça Casse (Galaxy FM)
  • Happy Day ( Amplitude FM)
  • Les Grandes Gueules (Equinoxe Radio)
  • Le Big Morning (Jambo Radio)
  • Comme A La Maison (Abk Radio)
  • Sweet Morning (Sweet FM)
  • Daybreak (CRTV PN)

Vidéogramme Préféré

  • Qui Croira Verra ( Krys M ) :By Chuzih
  • Take Over ( Stanley Enow) : By Mr. Tcheck
  • Dieudonné ( Blanche Bailly) : By Adah Akenji
  • Le Car Qui Part ( Gifto Le Russe) : By Human Indépendant
  • Ma Vie Sera Top (Vanister) : Chakap By Adrénaline
  • Toquer Goûter (Seppo) : By Chuzih
  • Kimale (Aloch237) : By Chuzih
  • Egounou ( Coco Argenté) : Jpm By Jojo Prince Mbopda
  • Bikossa (Phillbill ) : By Chuzih
  • Maman Ils Ne Savent Pas ( Bely'v ) : By Hervé Lemoine
  • Mon Mari ( Ulanda) : By Dr Nkeng Stephen
  • Bloqué ( Locko): By Adah Akenji
  • Ton By Ton ( Magasco) : By Dr Nkeng Stephen
  • Enfant De Dieu (Scanner Neville Feat Coco Argenté) : Mr Tcheck

DJ Préféré(e)

  • DJ Bad Boy
  • DJ Djilé
  • DJ Styvo
  • DJ Choco
  • DJ Sukam
  • DJ Cyrius Black
  • DJ Moyo
  • DJ Starus
  • DJ Sandra
  • DJ Labastil

Groupe De Danse D'inspiration Patrimoniale Préféré

  • Akwadeu Danse ( Rythme De L'est)
  • Compagnie Team Prenulese( Musique Fang Betis)
  • Empire Moov ( Sanaga Maritime " Makuné")
  • Tchap's Ben( Aire Culturel Grassfield)
  • Groupe Bantu( Littoral, Eseka " Nkuk Et Hongo")
  • Sawa Moov ( Littoral " Ambass-Bey")
  • Compagnie Bibom Bikunde ( Makuné)
  • Légion Kemith( Grassfield - Samali)
  • Assiko Young Génération ( Assiko)

Chanson Populaire Préférée

  • Toquer Goûter ( Seppo)
  • Take Over ( Stanley Enow)
  • Ma Vie Sera Top ( Vanister)
  • Bikossa ( Phillbill)
  • Kimale ( Aloch 237)
  • Dieudonné ( Blanche Bailly )
  • Le Car Qui Part ( Gifto Le Russe )

Émission Débats T.V Domicale Préférée

  • Canal Presse (Canal 2 Inter)
  • Droit De Réponse (Équinoxe TV)
  • Club D'élites (Vision 4 TV)
  • 7 Hebdo ( STV)
  • Libre Expression ( Infos Tv)
  • Grand Débat( Cam10)
  • Scènes De Presse (CRTV)


RÉSULTATS VOTE GRAND JURY

  • Best Choregrapher and Dance Skills: Cyrille Biboum
  • Best Cultural Event : DOMAF
  • Best Fashion Designer : Eskiss
  • Best Literature Book: On arrête pas le vent ( Cyrille Bojiko)
  • Best Brand Music Ambassador In Cameroon : Stanley Enow
  • Best Interior Designer : Kouakou D’almeida
  • Best Cabaret Singer : Mokah
  • Best Gospel Singer : Abbé Étienne Bakaba
  • Best News Tv Anchor : Raoul Christophe Bia
  • Best Make-Up Artist : Nyanga Coco
  • Best Makossa Artist : Mota Penda Legrand


PRIX SPÉCIAUX

  • Special Media Prize : Tambe T. Bryan (Television Innovation)
  • Web Comedian Revelation : Papy Lejongleur
  • Pidgin TV News : Krys Thobie N. (Massa Tok Tok)
  • Imitation Humor : Lablanche Ngongjeg (Chantou 1ere Dame)
  • Nigth - Club and Lounge Manager : Joël Mpele
  • Journalist & Image Reporters (JIR ) : Narcisse Oum
  • Best Educational Entertainment Show : Alain Joel Edjimbi
  • Best Business Communicator : Jean Claude Ekoube (Cameroon Customs)
  • Cinéma Legend : Jean Pierre Bekolo
  • Best Photographer : Shutter Vibez
  • Best Music Producer : Mccoy Twap
  • Maquilleuse Professionnelle Télé : Yvonne Sidoine Amougou
  • Media Partner (Journal relais d’Afrique) : Emmanuel Towa
  • Innovation Présentation Émission Débat TV d’actualité : Lile Piedjou (Debrief De L’actu)
  • Communication Legend : Alexandre Siewe

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