NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

News

South African Music Awards 2023 : Ferre Gola parmi les nominés

05 Oct 2023 - 08:06

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La liste des nominés pour l'édition 2023 des South African Music Awards (SAMAs) a été dévoilée ce 3 octobre. La cérémonie de remise de prix est prévue pour le 17 et 18 novembre 2023, au Durban International Convention Center.

(Photo) : Ferre Gola

Cette année, l'événement marque son retour pour la 29e édition, avec en tête de peloton le regretté rappeur sud-africain AKA qui est nominé dans 7 catégories. Parmi les autres nominés, le chanteur Ferre Gola (RDC) figure dans la catégorie Rest of Africa Award où il sera en compétition avec d’autres stars telles que CKay (Nigeria), Davido (Nigeria), Tim Lyre (Nigeria) et Moreira Chonguiça (Mozambique).

Son album Dynastie, qui lui a valu d'être nominé dans cette catégorie avait reçu en novembre 2022 le mérite du « Best Melody Album » auprès de la maison de production Sony Music Entertainment Africa, filiale sud-africaine de Sony Music.

L’album comprend 17 titres parmi lesquels nous pouvons citer « Ba yuma ba vida kala » en featuring avec Innoss'B, « Bendo » en collaboration avec le chanteur franco-congolais Chily, et « Toc Toc » avec la chanteuse ivoirienne Josey.

Ferre Gola a également annoncé la sortie imminente du volume 2 de Dynastie. Ce second volume promet également de séduire le public notamment, avec la participation d’artistes tels que Malage de Lugendo, Soleil Wanga, Serge Mabiala, Modogo, Baby Ndombe et bien d’autres.

Voici la liste complète des nominations :

Female Artist of the Year

  • Kelly Khumalo – From A God To A King
  • Ntokozo Mbambo – Lavish Worship
  • Sincerely Anne – To Whom it May Concern
  • Hle – Take Heart
  • Thandi Ntuli – Blk Elijah & The Children of Meroë

Male Artist of the Year

  • Kabza De Small – KOA II Part 1
  • AKA – Mass Country
  • Sjava – Isibuko
  • K.O – SR3
  • Lloyiso – Seasons

Duo/Group of the Year

  • DJ Maphorisa and Visca – Ba Straata
  • Venom and Shishiliza – Love Is Pain
  • Mafikizolo – Idwala
  • DJ Maphorisa and Kabza De Small – Scorpion Kings Live Sun Arena
  • Msaki and Tubatsi – Synthetic Hearts

Newcomer of the Year

  • Myztro – 2.0 Nkwari,
  • Blakka Yut – Unleashed
  • Sincerely Anne – To Whom it May Concern
  • Lloyiso – Seasons
  • Venom and Shishiliza – Love Is Pain

Album of the Year

  • Mass Country – AKA
  • SR3 – K.O
  • Isibuko – Sjava
  • KOA II Part 1 – Kabza De Small
  • Lavish Worship – Ntokozo Mbambo

Best Engineered Album

  • To Whom it May Concern – Sincerely Anne (engineered and produced by Tjaart van der Walt and Daniel Baron)
  • Mass Country – AKA (engineered & produced by Robin Kohl and Itu)
  • Kanniedood – Francois van Coke (engineered & produced by Taylor Soundworks)
  • Blk Elijah & The Children of Meroë – Thandi Ntuli (engineered & produced by Shane, Tshepo, Thandi & Clinton)
  • Isibuko – Sjava, (engineered & produced by Ruff)

Best African Adult Contemporary Album

  • Celebrating African Song – Dumza Maswana,
  • Smile – Choko
  • I am Gold – S'nazo
  • Usiba Lwe Gazi – Nathi
  • Ubuhle Ubuhle – Lethiwe Sithole

Best Alternative Album

  • Glitch Vol 2: The Future Is Now – uBeyond
  • Synthetic Hearts – Msaki and Tubatsi
  • Blue Lawns – The Great Yawn
  • Leaving All The Time – Bye Beneco
  • On the Romance of Being – Desire Marea

Best Amapiano Album

  • Amukelani – Kelvin Momo
  • Ba Straata – DJ Maphorisa and Visca
  • 2.0 Nkwari – Myztro
  • KOA II Part 1 – Kabza De Small
  • Scorpion Kings Live Sun Arena – DJ Maphorisa and Kabza De Small

Best Classical/Instrumental Album

  • Live in Europe 22 – CH2
  • Fire Beast – Vox Chamber Choir and Franco Prinsloo
  • One Night On Earth – Derek Gripper
  • Maike – Juliet String Quartet
  • Sanctuary – Carol Thorns

Best Collaboration

  • K.O, Young Stunna featuring Blxckie – Sete
  • AKA featuring Nasty C – Lemons (Lemonade)
  • DJ Maphorisa and Visca featuring 2woshortrsa, Stompiiey, ShaunMusiQ, Ftears and Madumane – Ba Straata
  • Morda featuring Oscar Mbo and Murumba Pitch – Mohigan Sun
  • AKA featuring Kiddominant – Company

Best Pop Album

  • Things We Don't Talk About – Jimmy Nevis
  • Heard You Got Love – Jeremy Loops
  • Game Over – Tyler Page
  • Seasons – Lloyiso
  • Petrichor – Amy Lilley

Best Produced Album

  • KOA II Part 1 – Kabza De Small (producer: Leslie George Theko, Artwork Sound, Da Muziqal Chef, Mdu aka TRP, Stakev, DJ Maphorisa and Felo Le Tee)
  • Things We Don’t Talk About – Jimmy Nevis (producer: Darren Petersen)
  • Amukelani – Kelvin Momo (producer: Kelvin Momo)
  • Lindokuhle – Lindokuhle (producer: Mthunzi, Howard, Herc, Tshepo Morone, DJ Maphorisa, Masiano)
  • Isibuko – Sjava (producer: Delayde, Ruff, Jah Cool)

Best Produced Music Video

  • Lemons (Lemonade) – AKA featuring Nasty C (producer: Tebogo Mabaso; director: Nate Thomas)
  • Sete – K.O featuring Young Stunna & Blxckie (producer: K.O, Tsholofelo Moremedi, Ted Magerman; director: Ted Magerman)
  • Be Free – Desire Marea (producer: Will Nicholson; Director: Imraan Christian
  • Been Thinking – Tyla (producer: Jimi Adesanya; director: Meiji Alabi)
  • Shine – Elaine (producer: Shayna Gianelli; director: Jesse Ray Diamond)

Best Reggae Album

  • Unleashed – Blakka Yut
  • Youth's Cry – Botanist Mr Lamington
  • Red Carpet Live – Maximum Stylez
  • Flight More Riddim – Blackness Blue Productions
  • Healing – Lavoro Duro

Beste Kontemporere Musiek Album

  • Sing, Hoop, Weerklink – Prop
  • Skree Net Sag – Alter Ego
  • Ep In F – Herman Kleinhans
  • Jagvat – Jan Rhaap
  • Toe Roep Ek Jou Naam – Jan Blohm & Ryno Velvet

Remix of the Year

  • Ndinovalo – Morda
  • Sete – K.O featuring Young Stunna, Oxlade & Diamond Platnumz
  • Hayii Citizen Deep Remix – Citizen Deep X Mzux Maen ft Yasmin Levy
  • Au Dede – Karyendasoul
  • Tobesta Remake – Myztro featuring Focalistic, Daliwonga, Shaunmusiq and Ftears

Rest of Africa Award

  • Sad Romance – CKay
  • Timeless – Davido
  • Worry – Lyre
  • Dynastie – Ferre Gola
  • Sounds of Peace – Moreira Chonguiça

Best Gqom Album

  • Meeting with the King – DJ Lag
  • Fikelephi – Sizwe Mdlalose
  • Love & Light – Cairo CPT
  • Nande 2.0 – DJ Sandiso
  • Ithuba – Newlandz Finest

Best African Indigenous Faith Album

  • Emmanuel – JTG Gospel Choir
  • Mantswe A Supileng – Spiritual Gospel Choir
  • Ikhoni Mfuyo – In Zion of Christ
  • Ba Ya Mo Nyatsa – Wacha Mkhukhu Wachumlilo
  • Ntate Le Rato La Hao – Ingqayizivele Gospel Choir

Best Hip Hop Album

  • Religion – MashBeatz
  • Mass Country – AKA
  • SR3 – K.O
  • Life is Gangsta – Thato Saul
  • Diaspora – Maglera Doe Boy

Best Jazz Album

  • In the Spirit of Ntu – Nduduzo Makhathini
  • Isambulu – Linda Sikhakhane
  • Blk Elija & The Children of Meroe – Thandi Ntuli
  • The 1st Gospel – Mthunzi Mvubu
  • Finish the Sun – Shane Cooper and Mabuta

Best Kwaito Album

  • Speak n Vrostaan – Kwesta and Kabza De Small
  • R Mashesha – Big Nuz
  • I Am Who I Am – Nkiyase
  • Jukebox – Shisaboy
  • Barabbas – Taylor K

Best Maskandi Album

  • Umqhele Nethawula – Khuzani
  • Ngeke Ungiphathe – Menzi
  • Is’khiye Se-Coldroom – Thokozani Langa
  • Iphakade Lami – Abafana Bakamgqumeni
  • Home Alone – Inkos'yamagcokama

Best R&B Album

  • But Could The Moments in Between – Ndumiso Manana
  • Germander II – Lesego Kyle Mnyandu
  • 4LUV (Deluxe) – Sihle Sithole
  • Bad Weather – Nanette Siphesihle
  • Passion Fruit – Kabomo

Best Traditional Album

  • African Queen 2.0 – Makhadzi
  • Ke Bone Molelo O Timile – MmaAusi
  • A Reyeng Bahurutshe – Oarabele France Makgore
  • Obe Happy – Molebatsi Tsotetsi
  • Inkabi Nation – Big Zulu

Best Adult Contemporary Album

  • Dark Secrets – Louise Carver
  • Bait For Steps Forward – Nobuhle Ashanti
  • Memories – Drakensberg Boys Choir
  • Ndikhethiwe – Vusi Nova
  • Love – Viwo Kulati

Best Dance Album

  • Asante – Morda
  • Next Level – Russell Zuma
  • The Gospel According to Artwork Sounds – Grain
  • WL4OM – Bonga Ntozini
  • A New Dawn – Siyanda Makanya

Best Afropop Album

  • Isibuko – Sjava
  • From A God to A King – Kelly Khumalo
  • Idwala – Mafikizolo
  • Love is Pain – Venom
  • Ekhayakomama – Philadlozi Mfekayi

Best Rock Album

  • Kanniedood – Francois Badenhorst
  • Fine Thanks, and You? – Russell Coward
  • Hellcats – End of Days – Warwick Rautenbach/Alessandro Benigno
  • Fuzigish – Malcolm King
  • Testify – Basson Laubscher

Best Traditional Faith Album

  • The Overflow – Dumi Mkokstad
  • Hoja Ke Sena Wena – IPCC
  • Ndiyabulela – Tsholofelo Ntuli
  • The Grace Encounter Vol. 1 – Phumulani Radebe
  • Sedi Laka – Brown Mosiapoa

Best Contemporary Faith Album

  • Lavish Worship – Ntokozo Mbambo
  • Mhalamhala – Brenden Praise
  • Take Heart – Hle
  • Restored: The Jesus Collective – The Jesus Collective
  • Hope – Vincent Jiyane

Beste Pop

  • Jona – Bernice van der Westhuizen
  • Insomnia – Brendan Peyper
  • Loufi Flippen Loufi – Ifan-Luc Carlo Handel
  • Hittegolf – Brandon Eloff
  • Die Onbekende – Renier van der Westhuizen

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