NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Boyz II Men to headline new annual concert in Namibia

05 Aug 2015 - 13:38

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Namibia is becoming an increasingly attractive destination for some of the world’s top performers, with American star Trey Songz performing recently at Windhoek’s Independence Stadium on 30 May this year. Now, following news of 90s R&B superstars Toni Braxon and Kenneth ‘Babyface’ Edmonds’ upcoming tour of Zimbabwe and South Africa, another legendary act from the era, Boyz II Men, will also be heading south. They will perform on 30 October at the Hage Geingob Stadium in Windhoek.

American trio Boyz II Men are heading to Namibia.

Local R&B fans who feared that their favourite foursome had ‘come to the end of the road’ will be pleasantly surprised at the news of their imminent arrival in Southern Africa. The group will be headlining the inaugural Windhoek Draught Live, a new annual music event staged by Namibia Breweries Limited (NBL) on behalf of their Original Premium Draught. This new venture follows a successful music concert in 2014 that saw the premium brand host Nigerian duo P-Square in Windhoek, their first visit to the Namibian capital.

Elize van Kradenburg, senior brand manager for Windhoek Draught at NBL, said: “In light of the successful P-Square concert that was held in September 2014, we are excited to bring another unforgettable, ‘for real’ experience to world-class people with world-class entertainment, enjoying our world-class beer. We believe in real experiences and we want to share these experiences with the people who love our beer. Nothing can be more real than seeing your favourite band live on stage. 2015 thus marks the launch of our annual music event, Windhoek Draught Live.”

Boyz II Men are considered one of the most popular vocal groups of all time. Signed to Motown Records in 1989, their 1991 debut album Cooleyhighharmony was an international phenomenon. It included the massive hitEnd of the Road’, which stayed at the top of the Billboard Hot 100 for 13 weeks, breaking the decades-old record held by Elvis Presley. With their second album in 1994, simply titled II, the group broke this record with the singles ‘I'll Make Love to You’ and ‘One Sweet Day’ (with Mariah Carey), which, at 14 and 16 weeks respectively, each set new records for the total number of weeks at number one, a record that has yet to be broken. When ‘On Bended Knee’ took the number 1 spot away from ‘I'll Make Love to You’, Boyz II Men became only the third artists ever (after The Beatles and Presley) to replace themselves at the top of the Billboard Hot 100.

As a result, Boyz II Men are the fourth-ranked musicians in Billboard history in terms of time spent at number one, with 50 weeks, behind Elvis Presley, The Beatles and Mariah Carey. The group has won four Grammy Awards during their 20-year career, along with nine American Music Awards, nine Soul Train Awards, three Billboard Awards, and a 2011 MOBO Award for Outstanding Contribution to Music. The group holds the distinction of being the best-selling R&B group of all time, with an astounding 60 million albums sold. They continue to perform worldwide, now as a trio. Their most recent studio album, Collide, was released in October 2014.

Tickets for the Windhoek concert are available from 10 August at Computicket and range from N$300 (US$23.50) for standard tickets, N$ 500 (US$40) for the Golden Circle, and N$10 000 (US$785) for corporate booths. Tickets will not be for sale at the stadium on the night of the event, so book now.

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