NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Uganda: MTN Nyege Nyege sparks interest from tourism players

28 Aug 2018 - 11:17

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As Uganda's upcoming MTN Nyege Nyege Festival draws near, tour companies are seizing on the opportunity to cash in on music tourism. Various packages have been envisioned and are intended to create an all-inclusive experience beyond the festival.

Fans at last year's Nyege Nyege Festival. Photo: Facebook

Although East Africa has a thriving tourism sector, festival tourism has only recently begun to gain traction in the region, driven by festivals such as Nyege Nyege. Tourism accounts for 3.7% of the Kenyan economy but a majority of that number represents wildlife tourism, with Kenyan companies traditionally focusing on game drive packages and outdoor excursions.

Until recently, music festivals were not considered as tourists attractions and as such little investment has been made in the sector. However, changing tastes, especially in the domestic tourism sector, is slowly driving demand for music tourism. Young urban dwellers who are more interested in attending a great festival than seeing wild animals are shifting the demand.

“This is a lifestyle product and we think Nyege Nyege is a perfect fit for us," Kenston Outdoors CEO Gaston Wabomba tells Music In Africa. "We have been in the travel business for about seven years now and we have noticed that Nairobi residents are seeking new travel experiences.

“Our focus has been on extreme sports and camping events such as the Mad Run. But we realised that the younger crowd was not adequately catered for so we began shopping for a music festival we could work with. We sent a team to check out last year’s Nyege Nyege festival and we were satisfied. It met our criteria.”

Music festivals around the world have for years created elaborate commerce ecosystem. Beyond ticket sales, music fans provide a ready market for various goods and services. US cities like New Orleans, Nashville, Seattle and Austin are textbook examples on how such ecosystems can turn a profit for multiple players. According to Travel Weekly, “What these successful music tourism destinations have shown is that fostering a thriving music scene ultimately feeds into improved tourism experiences in other areas, as well, such as dining and the arts, and vice versa.”

Similarly, companies such Kenston Outdoors, as well as Bucketlist Adventures, offer packages that include additional activities such as rafting and bungee jumping, on top of a concert ticket, accommodation and transport to and back from the festival.

“Travel while you are still young before responsibilities catch up with you," Wabomba says. "There is a perception that traveling is expensive but if you plan in advance it's doable. Our package cost about 17 500 Kenyan shillings [$175], which is quite affordable. For this you get a 900km road trip with amazing people, a chance to explore Ugandan food and culture, and an experience that you will never forget.”

Last year, Lit Adventures sent a group of 13 festivalgoers to Nyege Nyege from Nairobi. In 2018, the company is targeting 20 customers. Having already ventured into Zambia's Livingstone Motorbike Festival, the Kenyan tour company is looking to develop more travel products for music fans.

"Festival tourism remains largely untapped and it would really help if festival organisers worked closely with us," Lit Adventures director Vincent Gichamba says. "Security, parking and coordination of logistics remains a major concern for us at Nyege Nyege, and incentives such as negotiated discounts would go a long way in increasing participation of tour firms."

If Gichamba's analysis of the state of music tourism is anything to go by, there seems to be a lack of cooperation between festival organisers and tour operators. If this is ameliorated, says Kalakala Safaris boss Elias Musyoka, the music tourism industry could reach a sustainable model with unlimited potential for growth.

“If we got recognition as an official Nyege Nyege tour partner and prepared a co-branded tour van two or three months before the event, this would have a great effect," Musyoka said. "As tour operators we have intimate knowledge of the tastes and preferences of our clients. I believe if we sat down with festival organisers, we would be able to help them develop a better product and market it more effectively.

“Last year we did a recce trip and we ascertained the potential of Nyege Nyege. This year we decided to test the waters and so far we have 16 confirmed bookings. It takes a minimum of 22 clients per trip to break even, so we need grow the numbers to ensure sustainability."

MTN Nyege Nyege festival takes place in Jinja, Uganda, from 6 to 9 September. For more information, visit the official festival website.

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