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À Tunis, Jaou fait dialoguer les nouvelles scènes musicales du monde arabe et au-delà

À Tunis, Jaou fait dialoguer les nouvelles scènes musicales du monde arabe et au-delà

Fally Ipupa dévoile « Ami chéri » et « Bonheur parfait », deux extraits de XX Delirium

Fally Ipupa dévoile « Ami chéri » et « Bonheur parfait », deux extraits de XX Delirium

Angélique Kidjo réunit Pharrell Williams et Quavo dans le clip de « Bando »

Angélique Kidjo réunit Pharrell Williams et Quavo dans le clip de « Bando »

SoundCloud permet aux artistes de vendre directement leur musique aux fans

SoundCloud permet aux artistes de vendre directement leur musique aux fans

Appel ouvert : Beyond Music Jams réunit musiciens et professionnels à Johannesburg, Afrique du Sud

Appel ouvert : Beyond Music Jams réunit musiciens et professionnels à Johannesburg, Afrique du Sud

Salif Keïta annule ses concerts en Afrique du Sud pour dénoncer les violences xénophobes

Salif Keïta annule ses concerts en Afrique du Sud pour dénoncer les violences xénophobes

Appel ouvert: Jusqu’à 50 000 € pour soutenir les festivals d’Afrique de l’Ouest

Appel ouvert: Jusqu’à 50 000 € pour soutenir les festivals d’Afrique de l’Ouest

Appel ouvert : CIMFEST 2026 lance un appel aux artistes, DJ et danseurs

Appel ouvert : CIMFEST 2026 lance un appel aux artistes, DJ et danseurs

Angélique Kidjo entre dans l’histoire sur le Hollywood Walk of Fame

Angélique Kidjo entre dans l’histoire sur le Hollywood Walk of Fame

Appel à candidatures : les villes africaines invitées à se porter candidates pour accueillir ACCES en 2027 et 2028

Appel à candidatures : les villes africaines invitées à se porter candidates pour accueillir ACCES en 2027 et 2028

Appel ouvert : le Festival INSTANT TOGO II recherche des programmateurs et diffuseurs

Appel ouvert : le Festival INSTANT TOGO II recherche des programmateurs et diffuseurs

Appel à projets : Connect & Create soutient la circulation des spectacles vivants et de la musique entre l’Afrique et l’Europe

Appel à projets : Connect & Create soutient la circulation des spectacles vivants et de la musique entre l’Afrique et l’Europe

NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Music In Africa
Accueil / Artistes et industrie / Destyn Maloya
Destyn Maloya

Destyn Maloya

Associations, Bands /groups
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Saint-Andre, Reunion

En service depuis :

1996

Personne de contact:

Destyn Maloya

Contact :

+262692630912

BIO

Destyn Maloya is an Afrobeat musician from Reunion.

He has performed during countless concerts, in Reunion (Sakifo Festival, Tempo festival, to name but a few, and in the great Indian Ocean (Rodrigue island festival kreol, Madagascar Festival Donia, Au Seychelles Festival Kreol , Mayotte, Anjouan Medina Festival) In India Festival Isai global Chennai, in mainland France, in Europe and most recently in March 2020 in Australia for the Womadelaide and in New Zealand for the womad.

Plays traditional music, the maloya - this musical form which, like the blues, is rooted in slavery, has close ties to Creole culture. Lulled by the winds of the coast and Reunion Islands, this dynamic group of 6 members celebrates and defends its culture, carrying the torch of their ancestors. With its fascinating and playful percussions, DESTYN MALOYA has not stopped developing and changing over the past twenty years, bringing new approaches to their music and revealing rhythms with very mixed colors. It is a transmission of passion and tradition to future generations.

On stage, Ramaye Fabrice, singer and singer, leads the boat: his taut and incisive "Flow", and the power of his voice really impresses. He is surrounded by a percussion artillery which raises the temperature and the audience is trained in the musical current it gives off. With assorted traditional percussions, he set the stage on fire. The lyrics of the group's music remind listeners, like a "homecoming", of the sufferings of slaves, their struggles for freedom and their daily problems: jealousy , manipulation, illness. The versatility of the group members also gives the group a great musical variation.

Their youth and their explosive talent reinvent the traditional maloya to embellish it: salègy rhythms, Samba, ska, ragga, afro béât. Go wild, served by a breathtaking stage performance of generosity. On a rhythm of hell, DESTYN offers us a unique music; energetic and powerful, emergence of new talents of Reunionese music.

Photos

Destyn Maloya
Destyn Maloya
Destyn Maloya
Destyn Maloya
Destyn Maloya
Destyn Maloya

Musique

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Destyn Maloya

Destyn Maloya

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Vidéos

DESTYN MALOYA – TSY LOZA | CLIP OFFICIEL( 2026 )

DESTYN MALOYA – TSY LOZA | CLIP OFFICIEL( 2026 )

septembre 29, 2026
DESTYN MALOYA – Amizé [OFFICIAL VIDEO] | Réunion Island • Indian Ocean

DESTYN MALOYA – Amizé [OFFICIAL VIDEO] | Réunion Island • Indian Ocean

septembre 17, 2026
🎵 DESTYN 🇷🇪 & NAÏSHA 🇲🇬 – VADIKO [SPOT OFFICIEL] ❤️🌹

🎵 DESTYN 🇷🇪 & NAÏSHA 🇲🇬 – VADIKO [SPOT OFFICIEL] ❤️🌹

septembre 16, 2026
vavaka sakalava- madagascar

vavaka sakalava- madagascar

septembre 13, 2026
🎶 Chanson de campagne – Jean-Marie Virapoullé | Élection municipale Saint-André 🇷🇪

🎶 Chanson de campagne – Jean-Marie Virapoullé | Élection municipale Saint-André 🇷🇪

mars 12, 2026
“Si ou me cherche pas… moi non plus 😌Parfois l’amour c’est pas mendier.#NoutReflet #Maloya #974

“Si ou me cherche pas… moi non plus 😌Parfois l’amour c’est pas mendier.#NoutReflet #Maloya #974

mars 1, 2026
Destyn Maloya – Nout Reflet (Clip Officiel) | Maloya Love 2026

Destyn Maloya – Nout Reflet (Clip Officiel) | Maloya Love 2026

mars 1, 2026
Vavaka Protection

Vavaka Protection

février 5, 2026
Destyn Maloya - A bonne swaré

Destyn Maloya - A bonne swaré

février 4, 2026
Vavaka - prière pour 2026

Vavaka - prière pour 2026

décembre 31, 2025
Destyn Maloya - Alé Alé [ Nouveauté 2025 ]

Destyn Maloya - Alé Alé [ Nouveauté 2025 ]

novembre 10, 2025
Pensé Gramoùn - Destyn maloya

Pensé Gramoùn - Destyn maloya

juillet 28, 2025
Mémé sera toujours dans nout kèr ❤️ #musique #music #rip #youtubeshorts #974 #blogger

Mémé sera toujours dans nout kèr ❤️ #musique #music #rip #youtubeshorts #974 #blogger

décembre 24, 2024
DESTYN MALOYA - Ti mémé (Clip officiel) 2024

DESTYN MALOYA - Ti mémé (Clip officiel) 2024

décembre 13, 2024
DESTYN MALOYA - FANJAKANA ( clip officiel)

DESTYN MALOYA - FANJAKANA ( clip officiel)

décembre 6, 2024

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