NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

News

Dior Mbaye, Wally Seck et Moonaya nominés aux African Muzik Magazine Awards 2020

14 Sep 2020 - 20:58

cc-img flag-img

Dior Mbaye, Wally Seck, Moonaya et DJ Dollar sont parmi les nominés pour la 6e édition des African Muzik Magazine Awards (AFRIMMAs) 2020.

DJ Dollar, Dior Mbaye, Moonaya et Wally Seck.

AFRIMMA est l’une de récompenses musicales les plus connues, qui célèbre les musiques du continent africain et celles qui s'en inspirent.

L'édition de cette année se déroulera sous le thème Afro-Vogue et la cérémonie aura lieu au Majestic Theatre de Dallas, Texas, le 7 novembre prochain.

Wally Seck est nominé à la fois dans la catégorie « meilleur chanteur masculin » et « meilleur chanteur francophone », alors que Dior Mbaye et Moonaya vont compétir respectivement dans la catégore « meilleure artiste féminine » et « meilleure artiste rap féminin ». DJ Dollar concourt quant à lui dans la catégorie « meilleur DJ » du continent.

Les quatre ambassadeurs de la musique sénégalaise sont en lice pour ces récompenses, avec de grands noms de la scène africaine voir mondiale, comme Aya Nakamura, Burna Boy, Diamond Platnumz, Tiwa Savage ou encore Fally Ipupa.

Pour Soutenir Wally Seck, Dior Mbaye, Moonaya, DJ Dollar ou votre artiste préféré, cliquez ici.

Découvrez ci-dessous la liste complète des nominés :

Best Male West Africa

  • Adekunle Gold – Nigeria
  • Sidiki Diabate – Mali
  • Davido – Nigeria
  • Kidi – Ghana
  • Burna Boy – Nigeria
  • Kuami Eugene – Ghana
  • Rema – Nigeria
  • Ariel Sheney – Ivory Coast
  • Wally Seck – Senegal
  • Fireboy – Nigeria

Best Female West Africa

  • Josey – Ivory Coast
  • Tiwa Savage – Nigeria
  • Zeynab – Benin
  • Yemi Alade – Nigeria
  • Yasmine – Guinea Bissau
  • Dior Mbaye – Senegal
  • Adina – Ghana
  • Teni – Nigeria
  • Aya Nakamura – Mali
  • Simi – Nigeria

Best Male East Africa

  • Eddy Kenzo – Uganda
  • Diamond Platnumz – Tanzania
  • Harmonize – Tanzania
  • The Ben – Rwanda
  • Khaligraph Jones – Kenya
  • Gildo Kassa – Ethiopia
  • Mbosso – Tanzania
  • Rayvanny – Tanzania
  • Ali Kiba – Tanzania
  • Otile Brown – Kenya

Best Female East Africa

  • Nadia Mukami – Kenya
  • Vimka – Uganda
  • Zuchu – Tanzania
  • Maua Sama – Tanzania
  • Rosa Ree – Tanzania
  • Akothee – Kenya
  • Nandy – Tanzania
  • Sheebah Karungi – Uganda
  • Fena Gitu (Fenamenal) – Kenya
  • Tanasha Donna – Kenya

Best Male Central Africa

  • Gaz Mawete – DRC
  • Matias Damiaso – Angola
  • Ninho – Congo
  • Anselmo Ralph – Angola
  • Innoss’B – DRC
  • TayC – Cameroon
  • Fally Ipupa – Congo
  • Dadju – Congo
  • C4 Pedro – Angola
  • BM – Congo

Best Female Central Africa

  • Reniss – Cameroon
  • Shan’L – Gabon
  • Daphne – Cameroon
  • Mayra Andrade – Cape Verde
  • Eva RapDiva – Angola
  • Liloca – Mozambique
  • Soraia Ramos – Cape Verde
  • Charlotte Dipanda – Cameroon
  • Edmazia – Angola
  • Blanche Bailly – Cameroun

Best Male Southern Africa

  • Black Coffee – South Africa
  • Slap Dee – Zambia
  • Cassper Nyovest – South Africa
  • Master KG – South Africa
  • Jah Prayzah – Zimbabwe
  • Vee Mampeezy – Botswana
  • Shyn – Madagascar
  • Tshego – South Africa
  • Tha Dogg – Namibia
  • Yanga Chief – South Africa

Best Female Southern Africa

  • Sha Sha – Zimbabwe
  • Sho Madjozi – South Africa
  • Ammara Brown – Zimbabwe
  • Busiswa – South Africa
  • Sha Sha – Zimbabwe
  • Ami Faku – South Africa
  • Sally BossMadam – Namibia
  • Azana – South Africa
  • Gemma Griffiths – Zimbabwe
  • Elaine – South Africa

Best African Group

  • Sauti Sol – Kenya
  • Toofan – Togo
  • Navy Kenzo – Tanzania
  • Forca Suprema – Angola
  • Mi Casa – South Africa
  • 4Keus – Congo
  • Kiff No Beats – Ivory Coast
  • Moobers – Angola
  • Magic System – Ivory Coast
  • Umu Obiligbo – Nigeria

Crossing Boundaries with Music Award

  • Burna Boy – Nigeria
  • Aya Nakamura – Mali/France
  • Dave – Nigeria/UK
  • J Hus – Gambia
  • Davido – Nigeria
  • Mr Eazi – Nigeria
  • French Montana – Morocco
  • Headie One – Ghana/UK
  • S. Pri Noir – Guinea Bissau/France
  • NSG – Nigeria/Ghana/UK

Best Newcomer

  • Kofi Mole – Ghana
  • Fanicko – Benin
  • Omah Lay – Nigeria
  • Sha Sha – Zimbabwe
  • Mc One Oficial – Ivory Coast
  • Edgar Domingos – Angola
  • J Derobie – Ghana
  • Ami Faku – South Africa
  • Zuchu – Tanzania
  • Oxlade – Nigeria

Artist of the Year

  • Burna Boy – Nigeria
  • Fally Ipupa – Congo
  • Davido – Nigeria
  • Diamond Platnumz – Tanzania
  • Sho Madjozi – South Africa
  • Wizkid – Nigeria
  • Aya Nakamura – Mali/France
  • Tiwa Savage – Nigeria
  • Toofan – Togo
  • Master KG – South Africa

Best Gospel

  • Mercy Chinwo – Nigeria
  • Joe Mettle – Ghana
  • Miguel Buila – Angola
  • Sinach – Nigeria
  • Icha Kavons – Congo
  • Winnie Mashaba – South Africa
  • Diana Hamilton – Ghana
  • DJ Kerozen – Ivory Coast
  • Benjamin Dube – South Africa
  • Tim Godfrey – Nigeria

Best Live Act

  • Flavour – Nigeria
  • Sauti Sol – Kenya
  • Stonebwoy – Ghana
  • Sidiki Diabate – Mali
  • Yemi Alade – Nigeria
  • Burna Boy – Nigeria
  • Diamond Platnumz – Tanzania
  • Fally Ipupa – Congo
  • C4 Pedro – Angola
  • Efya – Ghana

Best Female Rap Act

  • Eno Barony – Ghana
  • Nadia Nakai – South Africa
  • Moonaya – Senegal
  • Rosa Ree – Tanzania
  • Bombshell Grenade – Zambia
  • Muthoni Drummer Queen – Kenya
  • Askia – Cameroon
  • Candy Bleakz – Nigeria
  • Keko – Uganda
  • Rouge – South Africa

Best Male Rap Act

  • Falz – Nigeria
  • Sarkodie – Ghana
  • Moobers – Angola
  • Nasty C – South Africa
  • Tenor – Cameroon
  • Khaligraph Jones – Kenya
  • Manifest – Ghana
  • Medikal – Ghana
  • Yanga Chief – South Africa
  • Kiff No Beat – Ivory Coast

Best Collaboration

  • « Jerusalema Remix » – Master KG and Burna Boy
  • « Sponono » – Kabza ft Wizkid and Burna Boy
  • « Know You » – Ladipoe ft Simi
  • « Yes Bana » – Khaligraph Jones ft Bien
  • « King Already » – Beyonce ft Shatta Wale
  • « Nobody » – DJ Neptune ft Mr Eazi &Joeboy
  • « La Vie » – Tanasha Donna ft Mbosso
  • « Come and see my Moda » Mz Vee ft Yemi Alade
  • « Brighter Days » – Sauti Sol ft Soweto Gospel Group
  • « Yope Remix » – Innoss'B ft Diamond Platnumz

Song of The Year

  • « Suzanna » – Sauti Sol
  • « Woman » – Rema
  • « Jerusalema » – Master KG
  • « Dodo » – Ali Kiba
  • « Anybody » – Burnaboy
  • « Mafo » – Young John ft Naira Marley
  • « Omo Ada » – Medikal
  • « Koko » – Kabza De Small and DJ Maphorisa
  • « Oofeetsu » – Sarkodie ft Prince Bright
  • « Jeje » – Diamond Platnumz

Best Video Director

  • Justin Campos – South Africa
  • Dr Nkeng Stephens – Cameroon
  • Enos Olik – Kenya
  • TG Omori – Nigeria
  • David Duncan – Ghana
  • Sasha Vybz – Uganda
  • Director Kenny – Tanzania
  • Clarence Peters – Nigeria
  • Gyo Gyimah – Ghana
  • Patrick Elis – Nigeria

Best DJ Africa

  • DJ Spinall – Nigeria
  • DJ Black Coffee – South Africa
  • DJ Dollar – Senegal
  • DJ Lutonda – Angola
  • DJ Andy Josty – Ghana
  • DJ Neptune – Nigeria
  • DJ Cuppy– Nigeria
  • DJ ECool – Nigeria
  • DJ Malvado – Angola
  • DJ Moh Spice – Kenya

Best African DJ USA

  • DJ DeeMoney – Nigeria
  • DJ Fully Focus – Kenya
  • DJ Poison Ivy – Kenya
  • DJ Shinski – Kenya
  • DJ Moh – Ivory Coast
  • DJ Tunez – Nigeria
  • DJ Akua – Ghana
  • DJ K Meta – Ethiopia
  • DJ Mekzy – Nigeria
  • DJ Buka – Nigeria

AFRIMMA Video of the Year

  • ‘Duduke’ – Simi
  • ‘Suzanna’ – Sauti Sol
  • ‘WAA’ – Santrinos Raphael ft Zeynab
  • ‘C’est Rate’ – Gaz Mawete ft Fally Ipupa
  • ‘Jerusalema’ – Master KG
  • ‘Wonderful’ – Burna Boy
  • ‘Come and See My Mother’ – Mz Vee ft Yemi Alade
  • ‘Do Dara’ – Vivian Chidid
  • ‘Jeje’ – Diamond Platnumz
  • ‘Born to win’ – Timaya

Music Producer of the Year

  • Kabza De Small – South Africa
  • Kimamba – Tanzania
  • Ozedikus – Nigeria
  • S2kizzy – Tanzania
  • Salatiel – Cameroun
  • Leriq – Nigeria
  • Sidike Diabate – Mali
  • Bebi Philip – Ivory Coast
  • Kuame Eugene – Ghana
  • DjMaphoriza – South Africa

Best African Dancer

  • Poco Lee – Nigeria
  • Sherrie Silver – Rwanda
  • La Petite Zota – Ivory Coast
  • PapiOjo – Nigeria
  • Masaka Kids Africana – Uganda
  • Sayrah Chips – Nigeria
  • Bajuni – Tanzania
  • Rabbit Crew 255 – Tanzania
  • Neru Americano & Scro Que cuia – Angola
  • Kora Obidi – Nigeria

Best Lusophone

  • Matias Damasio – Angola
  • Nelson Freitas – Cape Verde
  • Anselmo Ralph – Angola
  • Mayra Andrade – Cape Verde
  • Calema – Sao Tome
  • C4Pedro – Angola
  • Prodigio – Angola
  • Mark Exodus – Mozambique
  • Paulo Flores – Angola
  • Soraia Ramos – Cape Verde

Best Francophone

  • Fally Ipupa – Congo
  • Dadju – Congo
  • Toofan – Togo
  • Josey – Ivory Coast
  • Wally B. Seck – Senegal
  • Afro B – Ivory Coast
  • Innoss'B – DRC
  • Aya Nakamura – Mali
  • Tenor – Cameroon
  • Gaz Mawete – Democratic Republic of Congo

Radio/TV Personality of the Year

  • Ebuka – Nigeria
  • Yaw – Nigeria
  • Jamal Gaddafi – Kenya
  • Jessica Opare Saforo – Ghana
  • Konnie Toure – Ivory Coast
  • Afonso Quintas – Angola
  • Willy Tuva – Kenya
  • James Onen – Uganda
  • DJ Fresh – South Africa
  • Do2dtun – Nigeria

Please se connecter to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Abonnez-vous à notre newsletter

Retrouvez-nous sur les réseaux sociaux