NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Call for applications: ACCES 2022 music showcases

Accueil/Non classé/Call for applications: ACCES 2022 music showcases

Organised by the Music In Africa Foundation (MIAF) in a different African city every year, ACCES offers a platform for performers to showcase their talent to a diverse audience of local and international delegates, including festival curators, promoters, booking agents, record labels and other influential industry professionals.

After Dakar (2017), Nairobi (2018), Accra (2019) and Johannesburg (2021), ACCES is heading to Dar es Salaam with a new programme of workshops, conference sessions, live performances, networking spaces, exhibitions and more.

The application deadline is 10 April 2022 (midnight CAT).

Who can apply?

  • This call is open to African musicians (solo artists, bands, DJs, etc.) based on the continent.
  • Applicants are emerging musicians who will genuinely benefit from the opportunity to boost their careers internationally.
  • Applicants can deliver an outstanding performance.
  • Applicants should be export-ready.
  • All genres are welcome.
  • All participants must be over 18 years old.
  • All applications must be based on live performances and original music. No backing tracks.
  • Performances supporting political parties or religious faith will not be permissible.

Applications can be submitted by the artists themselves or by the artist’s/band’s representatives (managers, publishers, labels, agents and promoters).

Support from ACCES

  • Selected acts will be showcased at ACCES to a diverse audience of local and international festival curators, promoters, booking agents, record labels and other influential audiences.
  • Performers will receive a modest honorarium.
  • Performers will be provided with local transport (related to the performance).
  • Performers from outside Dar es Salaam will be provided with accommodation (related to the performance) and a per diem. One band manager only may be included in the travelling party and benefit from the same support offered by ACCES as the performing band members.
  • VISA costs will be reimbursed against receipts.
  • Where required for travelling, costs for COVID-19 tests will be reimbursed against receipts.
  • ACCES will provide regular sound and lights plus basic shared backline.
  • Performers will be granted full access passes to all ACCES activities, including the conference and workshops.
  • Selected acts will be promoted across the Music In Africa and ACCES platforms (programme, newsletters, press releases, website, social media, etc.).
  • ACCES will provide media exposure.
  • ACCES will provide the performers and their reps with the tools and platforms to get in touch with new audiences and business partners.
  • A space will also be allocated at ACCES venue(s) for showcasing artists to sell their merchandise.

Important requirements to consider before applying

  • Applicants should be prepared to be available for the duration of ACCES and to perform on any of the dates (24, 25, 26 November 2022).
  • Musicians based outside Dar es Salaam should be prepared to provide their own funding for transport costs to and from Dar es Salaam. The Music In Africa Foundation will strive to support musicians to apply for funding from available networks and partners but cannot guarantee that this will be successful. 
  • Should any COVID-19 restrictions apply and affect your participation, you will be informed in due time by the ACCES team.

Steps to apply

1. Read the call for applications carefully.

2. Create (if you haven’t already) a profile on the Music in Africa Artist & Industry section using this link: https://musicinafrica.net/user/register. Make sure that your profile is complete and up to date, as this is the profile that the Curation Committee will review. Here is an example of a profile: https://musicinafrica.net/node/21539.

Your profile must include the following: 

  • A clear biography.
  • At least three latest song releases.
  • At least one live performance video.
  • At least two high-resolution promotional photos and credits.
  • Social media links. 

NOTE: You may find your profile already created by a Music in Africa contributor. In this case, you would need to follow the online steps to claim it. Once you have control of your profile, make sure to update the information. An email address can be linked to one Music In Africa profile only. 

3. Read the full call and complete the application form here. Email applications will not be considered.

NOTE: The form will not allow applicants to save and complete later. Before you complete it, make sure you have all the required information and documents.

Selection process

Application deadline: 10 April 2022 (midnight CAT).

  • Eligible applications will be reviewed by the ACCES Curation Committee.
  • All applicants will be notified by 20 May 2022.
  • Only complete applications will be considered.
  • Only applications submitted via the dedicated online form will be considered.
  • Late applications will not be considered.

For enquiries and information, email Ms Claire Metais at [email protected].

Please follow our online platforms for further updates: https://musicinafrica.net/acces.

Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter.

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