NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Wanavokali

Wanavokali

Bands /groups
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Nairobi, Kenya

En service depuis :

2019

Personne de contact:

Wanavokali

Contact :

+254703842065

BIO

Wanavokali, which translates to “Those with the vocals” In Swahili, is a collective of six Kenyan performing artists: Chep, Lenah, Mellah, Riki, Sam and Ythera who share a passion for expression through Music, Fashion and Art. The vocal band is a majority female group and female-led.

The group met at the 2018 Safaricom Twaweza Live Tour, as backing vocalists, where they performed live music on stages across Kenya with some of the best musicians, producers and dancers that the country has to offer. Throughout the whole tour, they got to experience music, especially Live Kenyan music in a personal and very unique light.

In July 2019, with their experience, amazing chemistry on and off stage, and the desire to create broader opportunities for themselves within the music industry, they finally got together as the vocal collective, Wanavokali.

They started by posting covers of artists they had worked with during the Safaricom Twaweza Live Tour and from this garnered a huge social media following and the unwavering support and adoration of Kenyans.

Soon after, they worked on their first original and collaborative project with Kenyan Gospel artist, Collo G, releasing the single ‘Unioshe’ which was successfully received by local audiences and topped countdowns on major Gospel tv programs in East Africa (Kubamba, Rauka, Trace Gospel etc.). The song secured Wanavokali two Café Ngoma nominations for Best Cross Over Act (2019 and 2020) and won The Verse 5 Awards for Collaboration of the Year (2020). The video has, since, gained over 300 000 views on YouTube.

In 2020, Wanavokali became the inaugural winners of Old Mutual's Amazing Voices (OMAV), a Pan-African group singing competition, held in Johannesburg, South Africa. From a pool of 12 singing groups hailing from Ghana, Zimbabwe, South Africa and Kenya, the collective was able to bring home the much-coveted title of “Amazing Voices” plus a whopping cash prize of $100 000. Getting to represent their country in the competition was a great honor and now Africa gets to view Kenya as a musical force.

With the win under their belt, grouped with all the experience they had gathered as individuals and as a collective, Wanavokali set out to create their first body of work. The soon-to-be-released self-titled album was born out of a truly unprecedented time in our history. During the lockdown period, the collective was able to execute a series of “Creative camps” where, joined by acclaimed songwriters and producers, they wrote, developed and recorded music that speaks of their truth and portrays them as their most authentic selves.

The album talks about life in its entirety: love, dreams, lust, desire for change, friendship, and celebration. Time's simple pleasures and the joys and struggles that accompany them. The sonic landscape behind this revolutionary work of art is centred around the potent yet soothing blend of voices distinct to the Wanavokali Collective. Wanavokali, the album promises to speak of diversity, youth, fun and family.

Wanavokali released their debut single “Rhumba” off of their upcoming album in July 2021. The long-awaited first solo single is the newest entry into an emerging body of music paying homage to the golden era of Rhumba music and culture.

From their new and fresh Group Vocal sound to their energetic delivery, Wanavokali successfully makes their submission to the familiar and nostalgic sound from their Kenyan roots, bringing an urban and youthful twist to it that promises to make you move. The single now boasts over two million views on Youtube.

Wanavokali released their debut self-titled album along with their second single ‘Kula Tatu’, a Gengetone-inspired banger. Kula Tatu is Wanavokali's entry into the infamous local genre Gengetone. The song speaks of the excitement that goes hand in hand with the Kenyan sherehe culture.

Following the release of their debut album, Wanavokali have released several singles such as ‘Dunia’, ‘Tequila’ and most recently ‘Hawataweza’

They also have several collaborations under their belt, including with King Kaka, Mr Seed and Bensoul.

https://www.youtube.com/watch?v=tQ2kgnyevZw)

In 2023, the vocal collective was nominated for the best band, group or duo category in the pan African awards, Afrima. They attended the award ceremony in Senegal and got to represent Kenya in the awards.

Later in the year, they released a single called ‘Hawataweza ‘ that has over 1 million views on YouTube.

https://youtu.be/6NAcZ6X2Mq4?si=La7C5ohCZq3Ovh36

Working on their second album whose main theme is vibes and vocals, Wanavokali released a new single off this album called ‘Hela’ in 2024. They will release the whole album in August 2024.

https://youtu.be/Qc8YhKpa9lE?si=2eWVVConDX68zIku

With the vision of being the greatest global export, Wanavokali continues to be a force within the music industry and promises to bring in diversity and stellar vocals.

Musique

11. Kula Tatu -Wanavokali

Wanavokali
02:40

10. What A Time - Wanavokali

Wanavokali
04:40

9. Amani - Wanavokali

Wanavokali
03:37

8. Love Is In The Air - Wanavokali

Wanavokali
04:06

7. Nitangoja - Wanavokali

Wanavokali
03:53

6. Gratitude Song - Wanavokali

Wanavokali
02:18

5. Revolution - Wanavokali

Wanavokali
04:10

4. You - Wanavokali

Wanavokali
04:04

3. Trying- Wanavokali

Wanavokali
04:23

2. Reasons- Wanavokali Feat H ART The Band

Wanavokali
03:32

1. Rhumba -Wanavokali

Wanavokali
03:43
Wanavokali

Wanavokali

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