NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

banner image

Top amapiano songs of 2024

Accueil/Non classé/Top amapiano songs of 2024

Music In Africa presents a playlist with the top amapiano songs of 2024. This playlist will be updated throughout the year with new hits released by amapiano’s top creators.

Tshwala Bam by TitoM & Yuppe ft. S.N.E & EeQue

TitoM and Yuppe have truly outdone themselves with their latest collaboration, ‘Tshwala Bam’, featuring S.N.E and EeQue. This scorching amapiano track, paired with a captivating music video, is a certified banger that’s set to dominate the airwaves and top charts throughout the year. Get ready to have it on repeat.

[video:https://www.youtube.com/watch?v=KK4dC7rASYs&list=PLD_bhBKYzef3fOUkNfB8TkOpFj9DTadD7 width:744 height:446 autoplay:0]

Yebo Lapho by Felo Le Tee, Scotts Maphuma & ThabzaTee ft. DJ Maphorisa and DJY Biza

The DJ Maphorisa- and DJY Biza-assisted track infuses a hint of kwaito flair into the blend, giving it a unique twist. What sets this track apart is its effortlessly cool and laid-back choreography, which adds to its charm and makes it standout.

[video:https://www.youtube.com/watch?v=VhFocPr3X14&list=PLD_bhBKYzef3fOUkNfB8TkOpFj9DTadD7&index=2 width:744 height:446 autoplay:0]

Wadibusa by Uncle Waffles & Royal Musiq ft. Ohp Sage, Pcee and DJY Biza

This track stands out from the crowd thanks to its show-stopping lead vocals, which are expertly complemented by chilled-out, heavy bass instrumentation. Meanwhile, the choreography is meticulously crafted, adding a captivating visual element that elevates the video to a whole new level of appeal.

[video:https://www.youtube.com/watch?v=Ue4G12_m5eI width:744 height:446 autoplay:0]

Manzi Nte by Tyler ICU and DJ Maphorisa

‘Manzi Nte’ is a potent and unforgettable song, packed with sharp rap flows and verses that linger long after the music ends. But it’s the accompanying video that really sparks conversation, featuring provocative and controversial dance scenes that are sure to leave a lasting impression.

[video:https://www.youtube.com/watch?v=Ypzwajk02Yw&list=PLD_bhBKYzef3fOUkNfB8TkOpFj9DTadD7&index=5 width:744 height:446 autoplay:0]

Kwelanga 2.0 by Bassie, M-Touch, Range, Amaza ft. Tman, Xpress and LeemcKrazy

‘Kwelanga 2.0’ is the perfect road trip companion, a high-energy song that’s tailor-made for cruising down the highway. And at the heart of its infectious beat are the powerful vocals of lead singer Bassie, whose impressive range and raw talent bring the track to life.

[video:https://www.youtube.com/watch?v=mhuFOo8FgyI&list=PLD_bhBKYzef3fOUkNfB8TkOpFj9DTadD7&index=10 width:744 height:446 autoplay:0]

Chengu Shesha by DJ Tshegu, LeeMcKrazy, Zee Nxumalo ft. Al Xapo,Vyno Keyz and Quay R

The music video for this energetic and infectious track is a visual treat, bursting with vibrant colours, dynamic energy, and non-stop dance action. The captivating visuals perfectly complement the song’s irresistible beat, creating a mesmerising viewing experience that will leave you wanting more.

[video:https://www.youtube.com/watch?v=4a-zkNFOOsg&list=PLD_bhBKYzef3fOUkNfB8TkOpFj9DTadD7&index=17 width:744 height:446 autoplay:0]

‘Ebasini Wav.files’ by Tyler ICU ft. Leemckrazy, Tman Xpress, Ceeka RSA, Visca, AL Xapo and Sjavas DaDeejay

Amapiano’s landscape is set to be redefined by Tyler ICU‘s ‘Ebasini Wav.files,’ a track that showcases both his musical genius and that of South Africa’s most promising artists. It is a testament to the vibrant and ever-evolving amapiano scene, featuring contributions from Leemckrazy, Tman Xpress, Ceeka RSA, Visca, AL Xapo and Sjavas DaDeejay. Tyler ICU’s production skills are evident in this meticulously crafted song, which blends infectious rhythms with soulful melodies.

[video:https://www.youtube.com/watch?v=eR1HWnqn-Ok&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=29 width:744 height:446 autoplay:0]

‘Seduce Me’ by Daliwonga ft. Nkosazana Daughter and Happy Jazzman

Despite hitting streaming platforms in September last year, the song is still dominating the scene after the release of its video in February.

[video:https://www.youtube.com/watch?v=IrsqnsQa8xg&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=19 width:744 height:446 autoplay:0]

‘Jealousy’ by Ceeka RSA and Tyler ICU ft. Leemckrazy & Khalil Harrison

The song was widely shared on social media like Instagram and TikTok following its release. In addition to Tyler ICU, Ceeka RSA teamed up with Leemckrazy and Khalil Harrison, two other music sensations.

[video:https://www.youtube.com/watch?v=nZvY6EaKfh8&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=29 width:744 height:446 autoplay:0]

‘Imithandazo’ by Kabza De Small and Mthunzi ft. Young Stunna, DJ Maphorisa, Sizwe Alakine and Umthakathi Kush

‘Imithandazo’ (Prayer) is a petition to God. A message of hope is conveyed through this track, which encourages believers to be patient until their prayers are answered.

[video:https://www.youtube.com/watch?v=qrTC_pBFt3o&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=1 width:744 height:446 autoplay:0]

‘Masithokoze’ by DJ Stokie and Eemoh 

‘Masithokoze’ (Let’s Be Happy) is an engaging love song by DJ Stokie and Eemoh, who have lent their vocal and production skills to this catchy tune. Considering the rich love lingo on the song, it would make the perfect soundtrack to a love celebration.

[video:https://www.youtube.com/watch?v=A3IhjA2aMUg&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=4 width:744 height:446 autoplay:0]

‘Dubula’ by HarryCane, Master KG and DJ Latimmy ft. Eemoh

Based on his appearances on a few top amapiano hits, Eemoh is no doubt a big name in the making. Featuring his vocals, ‘Dubula’ – released in December 2023 – is rocking the clubs and local radio stations.

[video:https://www.youtube.com/watch?v=X7SqQO-TU-8&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=5 width:744 height:446 autoplay:0]

‘Izenzo’ by Bassie and Aymos ft. T-Man SA

Since its release in September last year, ‘Izenzo’ has continued to climb up the music charts. It tells the story of two lovers who promise to celebrate each other’s accomplishments.

[video:https://www.youtube.com/watch?v=lwd-1M6u-As&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=6 width:744 height:446 autoplay:0]

‘Funk 55’ by Shakes & Les, DBN Gogo, Zee Nxumalo, Ceeka RSA and Chley

This slow-burner is perfect for a lounge setting and a conversation among friends. 

[video:https://www.youtube.com/watch?v=FQOqlWtD9wM&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=7 width:744 height:446 autoplay:0]

‘Dalie’ by Kamo Mphela, Khalil Harrison and Tyler ICU ft. Baby S.O.N

With its tightly choreographed video, this song features some of the most popular amapiano artists in South Africa.

[video:https://www.youtube.com/watch?v=hcqcy6cdCw8&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=8 width:744 height:446 autoplay:0]

‘iPlan’ by Dlala Thukzin, Zaba and Sykes

‘iPlan’ describes the socio-economic challenges many South Africans need to overcome to survive. In its video, viewers get an idea of the effects of South Africa’s sky-high unemployment rate.

[video:https://www.youtube.com/watch?v=qX8a8tR90Kg&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=4 width:744 height:446 autoplay:0]

‘Isgubhu’ by Sam Deep, Njelic and Aymos

Combining Sam Deep with Njelic and Aymos on this song could see it become an amapiano anthem in 2024. Its nostalgic video perfectly complements the track’s celebratory yet melancholy vibe.

[video:https://www.youtube.com/watch?v=rY-DSC8U6sE&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=11 width:744 height:446 autoplay:0]

‘Tjina’ by Megadrumz & Lady Du

This track pays homage to amapiano’s predecessor kwaito, and its upbeat feel feel makes for a dance extravaganza as captured in its video.

[video:https://www.youtube.com/watch?v=gSPoY_vdjaE&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=22 width:744 height:446 autoplay:0]

‘Amalobolo’ by Kelvin Momo and Babalwa M ft. Stixx and Nia Pearl

‘Amalobolo’ is off Kelvin Momo’s nine-track album Kurhula. Released mid-December, the album surpassed 30 million streams a month after its release. The song is a woman’s request that her lover pay the bride price.

[video:https://www.youtube.com/watch?v=EK8EctJQ5B4&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=13 width:744 height:446 autoplay:0]

‘Ngilimele’ by MaWhoo ft. Deep Sen, KingTalkzin and Mthunzi

This track chronicles two lovers’ pact among each other to mend their love. It’s off MaWhoo’s The Chosen album released in August 2023, while its video premiered in November.

[video:https://www.youtube.com/watch?v=a-HGU_JfL40&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=24 width:744 height:446 autoplay:0]

‘Amazwe’ by Kabza De Small and Mthunzi ft. MaWhoo

MaWhoo provides the goosebumps while Mthunzi has the tension needed for ‘Amazwe’ to be such a dynamic track. Add this vocal magic to Kabza De Small’s amazing production skills and you have a winning amapiano song. The song appears on the Isimo album, a joint offering by Kabza De Small and Mthunzi.

[video:https://www.youtube.com/watch?v=Bb7Tb2sVfCg&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=27 width:744 height:446 autoplay:0]

‘Maye Maye’ by Kelvin Momo and Babalwa M ft. Azana and Stixx

The collaborative power of Kelvin Momo, Babalwa M and Azana is second to none, as is the case with ‘Amalobolo’ featuring the added talents of Nia Pearl. With the help of Stixx, the trio has produced another banger in ‘Maye Maye’.

[video:https://www.youtube.com/watch?v=ST1Ln2Og1lM&list=PL4fGSI1pDJn7xvqMZR_9OgljLcMQpuKXN&index=28 width:744 height:446 autoplay:0] 

newsletter banner

Abonnez-vous à notre newsletter

Retrouvez-nous sur les réseaux sociaux