NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Themba (SA)

Themba (SA)

Bands /groups
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Profil ajouté par Shaked Khuzwayo on 01 Avr 2026

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South Africa

En service depuis :

2004

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Themba (SA)

BIO

Themba Mbongeni Nkosi (born 6 December 1983), also known as Euphonik, is a South African DJ and music producer. He is known mostly for playing house music under the alias Euphonik.

Nkosi was born in Mpumalanga, South Africa on 6 December 1983. He spent his childhood in Likazi, later moving to Klerksdorp, and then Benoni. His early love of music was fuelled by artists his father listened to – the likes of The Spinners, Marvin Gaye, Stimela, and Hugh Masekela.[2] He started DJing during his late teens and quickly established himself in the club music scene. It wasn't long before his mixes achieved radio play, initially on regional station YFM. He was then offered the opportunity to host his own shows on national radio station 5FM. Euphonik first started remixing in 2003 and gained recognition in 2004 when he and South African DJ, DJ Kent joined forces and produced an album together, Kentphonik. In 2004, Euphonik started his radio career on YFM, a regional radio station in South Africa, doing mixes on radio shows. He was signed by record label Soul Candi Records in 2006.

He was at YFM until 2006, when he moved to 5FM, where he had two weekly shows. His Saturday show, Ultimix Weekend Edition, featured new music and mixes from DJs across South Africa and international borders. The three-hour show (18:00 – 22:00) was the brainchild from one of 5FM's most popular features, the Ultimix @6, which can be heard from Monday to Friday on the Roger Goode show. The show involves 30-minute mixes and is used as a platform to showcase DJ talent of some of the world's leading dance artists and musos. The Saturday night show was discontinued in 2014. His Sunday show, My House, is a show dedicated to the latest and most popular house tunes from around the world.

Euphonik has travelled the world and has played in places such as New York, Miami, Ibiza, Dubai, UK, Spain, and around Africa. He has shared stages with Tiesto, Swedish House Mafia, Avicii, Afrojack, Hardwell, Skrillex, Nicky Romero, Deadmau5, Louie Vega, and Richie Hawtin.

In 2009, Euphonik and longtime friend DJ Fresh formed a brand together, called F.Eu. Since 2009, they have recorded a total of four albums together. The duo travel to Ibiza and Miami on a yearly basis to play at events such as the South African Miami Invasion and Ultra Fest Miami. In 2014 and 2015, they headlined Ultra Fest South Africa and also captained the "Oh Ship" party cruise from Durban, South Africa to the Portuguese Island.

In 2013, Euphonik's song with South African DJ Fresh and Nyanda, "Cool and Deadly", rose to number one on the 5FM Top 40. Since 2006, he has had a weekly radio show on the South African national radio station 5FM, My House, which airs on Sunday evenings. He has been nominated for a number of accolades at the South African Music Awards and the Metro FM Music Awards. In 2014, he won his first award – a Metro FM award for Best Compilation Album for his album, For The Love of House Volume 5.[7] He was nominated at the 2014 South African Music Awards for Remix of the Year for his song "Hallelujah Anyway".[8] In 2015, he received two nominations at the Metro FM Music Awards for Best Compilation Album for his album, For The Love of House Volume 6, as well as for Song of The Year for "Busa".

In 2017 to present, Euphonik began performing under his first name "Themba", combining techno and house music in his DJ sets and productions.[9] Since adopting his first name as his stage name, he has worked with a range of South African singers, songwriters and percussionists to produce original techno and house tracks. His music has been released on various record labels, including Hot Since '82's Knee Deep in Sound and Yoshitoshi. He has performed alongside Black Coffee in South Africa and Ibiza and played at Ultra Music Festival in 2018. He was nominated for Best Newcomer 2018 and Best Breakthrough 2019 at the Ibiza DJ Awards.[10] He supported Faithless on their South African tour[11] and performed the closing set at Womadelaide in South Australia in 2020

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THEMBA - Elements of Africa (DJ Mix)

THEMBA
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