NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Tay Grin

Tay Grin

Solo artists
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Profil ajouté par Ano Shumba on 12 Mar 2015

Revendique ce profil

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Blantyre, Malawi

En service depuis :

2007

Personne de contact:

Tay Grin

Contact :

+2659951741

BIO

Limbani Kalilani (born 15 June 1984) is a Malawian hip hop artist better known by his stage name Tay Grin. His music targets the youth, urging them to take pride in their nation and culture. To take responsibility, utilize their God-given talents and find value in contributing to a positive and brighter future. Whilst emphasizing the need to eradicate negativity and low self-esteem. Tay Grin believes that each step, each decision, each enterprise must be a positive one and one that will enable and empower at least one other person. In the words of legendary “edutainment” guru KRS-One, “each one must teach each one”. Entertainment merged with education is a medium for speaking to the youth in a language they are most comfortable with, without feeling preached to or lectured at.
Honing his rap skills since his teen, Tay has been influenced by legendary rappers like Jay-Z, KRS 1, B.I.G and Tupac. To find his individual and distinctive rap voice however, Tay looked inwards at his African soul and found that the roots of his African heritage and Malawian culture gave him his true and unique style that complemented the original American hip-hop template.

Tay has performed at several high profile events including the New State House (2007) and twice on the hit show Big Brother Africa (2007/2008). He became the first Malawian to perform live for over a million viewers across Africa on this show. Due to his outstanding work over the past few years, Tay was selected to represent the SADC Region on a live Channel O show for Africa Day on May 23, 2008. Furthermore, Tay Grin was chosen as the Coca-Cola brand ambassador for a promotion campaign in Malawi in 2008. The same year, Tay was selected as one of the few African artists to re-record a song titled ‘Young Gifted & Black’, originally composed by Nina Simone and used as Channel O theme song. The song included legendary South African musicians such as Hugh Masekela and Yvonne Chaka Chaka.

Tay’s first single ‘Stand Up’, a wholly Malawian produced song and video, first aired on Channel O in March 2007. Tay’s conscious and positive music is popular both in Malawi and abroad. He gained respect and recognition as evidenced by his Channel O Spirit of Africa nominations for ‘Stand Up’.
In 2012, Young People in International Affairs (YPIA) selected Tay Grin as one of Africans Top 35 under the age of 35 making an impact “in their respective countries, on the continent and in the wider world.” Tay was named among the Top 100 Most Influential Personalities in the World, positioned on Number 88 by UK’s C.Hub Magazine in January 2015.

ALBUMS

"Proudly African"
‘Proudly African’ features 12 tracks (incl. the hit singles ‘Nyau Music’ featuring MTV AWARD winning artist Nameless from Kenya, ‘2 by 2’, ‘Kaliche’ featuring Kmillian of Zambia and ‘Stand Up’. The album was engineered and mastered by internationally recognized premier producer Tapuwa “Tapps” Bandawe.

"Festive Vibes"
In 2017 Tay Grin surprised his fans when he released an Extended Play (EP) titled “Festive Vibes”. The project saw the accomplished Malawian music artist putting out a six-track project that featured multitalented Malawian singer/producer Sonyezo, Zambia’s Jay Rox, Ugandan Bebe Cool and Grenade as well as Gemini Major, South Africa-based Malawian rapper-cum-producer.
Tay Grin has been releasing international hits that have positioned him as one of the best artists in Southern Africa; working with the likes of Nigerian music heavyweights 2Baba aka 2Face on a song “Chipapapa” and Orezi on a song “Kanda” which also features Sonye, South Africa’s Da L.E.S on a song titled “Boombastic" also featuring Beenie Man (Jamaica), Buffalo Soulja (Zimbabwe) and Zani Challe (Malawi), the 2017 hit “TOLA” featuring Tanzania’s Vanessa Mdee, which was followed the banger “Lubwa” in 2018 and “Too Much” in 2020.
Awards & Nominations
Tay Grin’s Channel O Music Awards Nominations make him the first Malawian Musician to ever receive nominations for the Channel O Spirit of Africa Music Awards.
The music video for “Stand Up” received the following nominations:
• Best Male (Channel O Awards 2007)
• Best Southern African Video (Channel O Awards 2007)
• Best Hip-Hop Video (Channel O Awards 2007)
The music video for “2 by 2” received the following nominations:
• Best Southern African Video (Channel O Awards 2008)
The music video for “Moto” received the following nominations:
• Best Southern African Video (Channel O Awards 2009)
• Best Male (Channel O Awards 2009)
The music video for “My Type of Guy” featuring Gal Level (Namibia) and Buffalo Souljah (Zimbabwe) received the following nominations.
• Best Duo or Group (Winners Channel O Awards 2009)
This award makes Tay Grin the first and only Malawian to win a Channel O music award
The music video for “The Beach” received the following nominations and awards:
• Best Video (BEFFTA 2014, UK)
• Best International African ACT (Winner of BEFFTA 2014, UK)
• Best Hip-Hop Artist Malawi (Winner of the Best Hip-Hop award)
The music video for “Chipapapa” received the following nominations and awards:
• Best African Traditional Video (WatsUp TV Africa Music Video Awards 2016)
• Best Music Video (UMP Awards 2016)
• Artist of the Year (UMP Awards 2016)
• Best Music Video (Winner Nyasa Music Awards 2017)
• Best Single (Nyasa Music Awards 2017)
• Best Live Act (Winner Nyasa Music Awards 2017)
• Best Male (Winner Nyasa Music Awards 2017)
The song “Kanda” featuring Sonye & Orezi received the following nominations:
• Song of the Year (Nyasa Music Awards 2017)
The song “Lubwa” received the following nominations and awards:
• Music Video of the Year (UMP Awards 2018)
• Song of the Year (Winner UMP Awards 2018)
• Best Live Act (UMP Awards 2018)
• Artist of the Year (UMP 2018)
Honours
Young African Emerging Politician (London Political Summit & Awards 2019)
Ambassador: Malawi & SADC (London Political Summit & Awards 2020)
International Collaborations
Sway (UK)
Brick & Lace (Jamaica)
Naeto C (Nigeria)
Ice Prince (Nigeria)
2 Face (Nigeria)
Wahu (Kenya)
Nameless (Kenya)
Double HP (South Africa)
Orezi (Nigeria)
Vanessa Mdee (Tanzania)
Bebe Cool (Uganda)
Ric Hassan (Nigeria)
Seye (UK)
The Very Best (UK)
Da L.E.S (South Africa)
Beenie Man (Jamaica)
Jay Rox (Zambia)
Grenade (Uganda)
Gemini Major (Malawi/South Africa)
Roberto Zambia
"Different Shades of Grin"
Tay Grin is currently working on his third full album called “Different Shades of Grin”, with the first single “Global Message” coming out on 28 September 2020 followed by “Joseph Kalilani” on June 14, 2021.

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