NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Rocky Dawuni

Rocky Dawuni

Other, Solo artists
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Profil ajouté par In-house West Africa on 08 Déc 2015

Revendique ce profil

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Accra, Ghana

En service depuis :

1996

Personne de contact:

Rocky Dawuni

Contact :

+13106637227

BIO

Four-time GRAMMY nominated musician and global activist, Rocky Dawuni, straddles the boundaries between Africa, the Caribbean and the U.S. to create his appealing Afro Roots sound that unites generations and cultures. A galvanizing performer, Dawuni has shared the stage with luminaries including Stevie Wonder, Ozomatli, Alpha Blondy, Kabaka Pyramid, Angelique Kidjo and John Legend, among many others. Named one of Africa's Top 10 global stars by CNN, he has showcased his talent at prestigious venues such as The Kennedy Center, Lincoln Center and The Hollywood Bowl. Rocky is a UN Goodwill Ambassador for the Environment for Africa, and UN Foundation Ambassador for the Clean Cooking Alliance. Through these and other designations he uses his music to shine a light on crucial issues facing humanity cross the globe through live concerts, speaking roles, panels, youth empowerment and more.

Influenced by the soulful beats of Fela Kuti and the positive messages of Bob Marley - Rocky Dawuni's infectious, sing-along sixth album, Branches of the Same Tree, (Cumbancha) was nominated for a GRAMMY for “Best Reggae Album” (2016) featuring the Afro Dancehall mashup video "African Thriller.” Branches highlights Dawuni's ability to communicate a universal, uplifting message that crosses borders and reaches out to the hearts of millions. The influential “Songlines Magazine named the album one of the “Top 10 Most Essential Reggae Albums of All Time!”

Rocky released a Ghana focused EP “Voice of Bunbon, Vol. 1” which was nominated for “Best Global Music Album” for the 2022 GRAMMY Awards. Three beautiful videos were released for the EP including “Ghost Town” shot in Los Angeles, CA by photographer Casey Bridges (son of legendary actor Beau Bridges) which is a poignant tribute to 2020 as well as “Beautiful People” which was shot by rising Ghanaian cinematographer Slinghot in Rocky’s home village of Bunbon, Ghana which explores how “a deep sense of appreciation and gratitude can shift our gaze to recognizing our personal and communal power.” The video for the classic Palmwine Highlife song “Woara” which means “you or it’s you” is sung in the local Akan dialect of Twi. It is a love song that uses its call and response style to express the beauty and triumph of being in love. In a time when divisive rhetoric on the rise and the political climate prefers to build walls over bridges, Rocky’s music is a refreshing message about global unity and a worldview of oneness.

Rocky released “Neva Bow Down” in 2022 which was nominated for a GRAMMY for “Best Global Music Performance.” In 2023, Rocky collaborated with world renown Jamaican Reggae group, Morgan Heritage on their fabulous track “Afreeca the Future” also featuring Lord Alhajiam of Daara J fame from Senegal. (The song features stunning vocals by the late Peetah Morgan who is now dearly missed by the global Reggae community.)

In 2023, Rocky collaborated with Highlife sensation and fellow Ghanaian, Kyekyeku for their track “Africa Till I Die” which received rave reviews around the world and was launched with Pan African Music. That same year, Rocky released a collaborative track with Kweku Flick, a bright young Ghanaian artist from Kumasi, called “Praise” which broke new ground for Afro Reggae / Dancehall music in the motherland. Rocky then released his global roots anthem “Shade Tree” which features a gorgeous video filmed in Brasil and which received an amazing review in RollingStone Brasil!

Rocky released his last single “Rise” in late 2024 through AQUARIAN Records / Tuff Gong International accompanied by a stunning video filmed by renowned Ghanaian twin photographers Twinsdntbeg. “Rise” was filmed at the original Tuff Gong Africa studios in Ghana (built by Rita Marley in honor of Bob Marley) which Rocky has now taken over and is rebuilding into a global cultural incubator, recording studio and youth complex currently dubbed The Sankofa Center. “Rise” was recently nominated for a GRAMMY for “Best Global Music Performance” for the 67th Annual GRAMMY Awards. Rocky will be releasing an exciting new summer single July 18, 2025 with a very special surprise guest !! In the meantime, he is staying busy touring and being committed to his activism work while honoring speaking engagements globally. Rocky plans to release a new full-length album later this year.

Africa is truly rising!

###

Rocky Dawuni “Rise”
https://www.youtube.com/watch?v=yODw0Ep2Cag

Rocky Dawuni "Shade Tree" https://distrokid.com/hyperfollow/rockydawuni/shade-tree

The Imullar Interview:
https://imullar.com/2025/05/05/rocky-dawunis-concept-of-afro-roots-is-to-constantly-embrace-the-innovations-in-sound/

Ghana Web Interview:
https://www.ghanaweb.com/GhanaHomePage/entertainment/Rocky-Dawuni-speaks-on-Afrobeats-and-conscious-music-to-Oral-Ofori-1948729

Reggaeville Review:
https://www.reggaeville.com/artist-details/rocky-dawuni/releases/mode/review/release/rocky-dawuni-voice-of-bunbon-vol1/

Music In Africa Reviews:
https://musicinafrica.net/magazine/interview-kyekyeku-and-rocky-dawuni-unite-celebrate-africa
https://musicinafrica.net/magazine/rocky-dawuni-talks-about-his-new-ep-voice-bunbon-vol-1

Rocky Dawuni & Kyekyeku "Africa Till I Die"
Video: https://www.youtube.com/watch?v=NgLIpBfiFeI

Rocky Dawuni “Neva Bow Down” Single & Video
https://distrokid.com/hyperfollow/rockydawuni/neva-bow-down-feat-blvk-h3ro
Video: https://youtu.be/GIsHlCJMUp4

"Voice of Bunbon, Vol 1" Sales & Listening link:
https://tinyurl.com/yy7xo2nf

Rocky Dawuni “Beautiful People” Video
https://youtu.be/Upb7bjyZJeA

Rocky Dawuni “Woara” Video:
https://youtu.be/NQbuYWSXzsU

Rocky Dawuni “Ghost Town” Video
https://youtu.be/WIGe4-YjWWQ

Rocky Dawuni “Beats of Zion” Sales Link for all platforms:
https://rockydawuni.lnk.to/beatsalbum

Rocky Dawuni “Beats of Zion” Press release & links & quotes:
http://pressjunkiepr.com/clients/rocky-dawuni/

“Beats of Zion” video
https://youtu.be/gWNpphv-7rk (premiered on PopMatters)

“Wickedest Sound” video featuring Stonebwoy
https://youtu.be/DiDtpnlHVXk (premiered on Medium.com )

“Elevation” Video (premiered on Explore.org)
https://youtu.be/z3BZMzhnQ-Q

“Champion Arise” Video (premiered on Music-News.com)
https://youtu.be/R4gruy3zSqU

Rocky Dawuni Links:

EPK: http://www.sonicbids.com/rockydawuni

Video EPK: https://www.youtube.com/watch?v=oZvqFVscwAg

Rocky Dawuni Website & Social Media Links:
https://linktr.ee/rockydawunimusic
http://www.rockydawuni.com
http://www.youtube.com/rockydawunimusic
http://www.facebook.com/rockydawuni
http://www.instagram.com/rockydawuni
http://www.twitter.com/rockydawuni

Musique

I Got A Song (feat. Cedella Marley)

Rocky Dawuni
03:43

Rise

Rocky Dawuni
03:58

Modern Man (Gaudi Remix)

Rocky Dawuni
04:24

Sunshine Day (feat. Wiyaala)

Rocky Dawuni
03:32

Kyenkyen Bi Adi Mawu (feat. Sarkodie)

Rocky Dawuni
06:44

Burn One

Rocky Dawuni
03:17

Turn It Up

Rocky Dawuni
04:20

Thank You Lord

Rocky Dawuni
05:02

Modern Man

Rocky Dawuni
03:56

Freedom Train (feat. Alika)

Rocky Dawuni
04:11

Mr. Jones

Rocky Dawuni
03:54

Let's Go

Rocky Dawuni
03:11
Rocky Dawuni

Rocky Dawuni

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