NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya bans ‘gay’ music video

25 Feb 2016 - 06:37

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On Tuesday 23 February the Kenya Film Classification Board (KFCB) issued a statement to say it had restricted the distribution and sharing of a new music video, ‘Same Love’ by rapper Noti Flow and Art Attack.

A screenshot from the Same Love music video. Photo: www.youtube.com

The controversial video features images of same-sex couples, interspersed with clips from the American media tackling gay issues, with lyrics that speak to conditions facing LGBT (lesbian, gay, bisexual, and transgender) people in Kenya.

As is often the case with 'official' censorship in the Youtube era, the move had the opposite effect, only serving to draw more attention to the video, which continues to garner views on Youtube. By the morning of 25 February, the clip had over 66 000 views, indicating that over 31 000 viewers had watched the video since the board restricted it days earlier.

The song's original version, first released in 2012 by American duo Macklemore and Ryan Lewis, featured a hook by singer Mary Lambert, whose haunting chorus announcing that "I can't change, even if I tried," remains in Art Attack's new version.

Clearly, homosexuality in Kenya is still a touchy matter. To talk about it is to touch a raw nerve. The comments section on Youtube for the video appears strongly divided between those calling for tolerance and others trying to dismiss the notion of freedom of sexual orientation, often using religious arguments.

Ezekiel Mutua, CEO of KFCB, described the video as illegal due to its lyrics that strongly advocate for gay rights in Kenya, complete with graphic sexual scenes between people of the same gender as well as depiction of nudity or pornography.

Reacting to the directive by the KFCB on Twitter, Noti Flow said it was bewildering that the board had banned a simple song that celebrates same-sex rights and that acknowledges the rights of gays and lesbians. “The Kenyan government tends to neglect Kenyan citizens and youth on important issues like job opportunities and issues that can take the country to another level but couldn't hesitate banning a simple song about rights of people's sex orientations! Well... We will not be moved. We stand by our song and its message,” the singer stated.

While the KFCB confirmed that the video had been restricted on YouTube, the video continues to be viewed. There is an ingrained tendency of Kenyans (or people in general) to watch a video after it has been banned. This was also the case when the board banned the distribution of the American film The Wolf of Wall Street.

Kenya is not alone: in recent years other African nations have also faced international scrutiny for apparently 'outlawing' homosexuality. In Mauritania, Sudan and northern Nigeria, for example, homosexuality is punishable by death. In Uganda, Tanzania, and Sierra Leone, offenders can receive life imprisonment for homosexual acts. Zimbabwean president Robert Mugabe has also been a vocal critic of gay rights, strongly denouncing same-sex marriage. Further public debate is needed throughout the continent, something that 'Same Love' is helping to encourage.

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