NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Legendary Nigerian Highlife band produces a barnstorming revival concert

29 May 2015 - 11:52

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The legendary Mayor's Band, formerly led by the great Highlife Trumpeter and composer Cardinal Rex Lawson, performed their long-awaited reunion concert, at the Ito-Ogbo Festival, Obosi, Nigeria on Saturday, 14 March 2015.

86-year old percussion legend Tony Odili

The Mayors Band, founded in 1962, by Rex Lawson, were responsible for a string of Lawson's early hits, such as 'Mama dey for Kumba', 'Adigboloja', 'Isoboye' and many more. In particular, ace percussionist Tony Odili was to become inseparable from Lawson throughout his career, from the band's early days at the Dolphin Cafe Onitsha, through the Nigerian civil war years (1967-1970) and up till Lawson's death in 1971.

The band was reconvened for only the second time since 1971, for a performance at the ancient Ito-Ogbo Festival of Obosi, in Nigeria's Anambra State, which held on Saturday 14 December 2015. The band mounted the stage at about 2pm, with personnel consisting of the afore-mentioned percussion phenomenon Tony Odili and the imperious and charismatic Guitar maestro Isaac Onote, who had also been an original member of the Mayors line-up of Dolphin Cafe. Others included equally distinguished stand-in's, in the person of drummer Eddie Offeyi, famously of the Army Second-Generation, Christy Essien, Headzfunk and Akwasa band's. Felix 'Feladey' Odey, a legendary Highlife Guitarist, with a cv that included periods with such national treasures like, Bongos Ikwue, Monomono, Segun Bucknor and many others.

The band launched itself into a series of its old and evergreen favourites, starting off with 'Tamuno bo ibro ma', 'Oweibo nua', 'Sawale' and more. The climax of the performance being a rendition of Rex Lawson's first hit 'Mama dey for Kumba' (released in 1962). Onote's haunting Guitar intro, was lovingly coupled with Odili's lavish Conga roll, taking the audience on a sublime journey through what was acknowledged by most music critics, as one of Lawson's greatest recordings.

The undisputed star of the show was the incredible Tony Odili, whose boundless energy and stage theatrics held the audience spell-bound. His effervescent solo's- played on his 47 year-old, 'Native' Conga, was pure joy to behold. The most shocking aspect for the audience, being that the man responsible for all these pyrotechnics, is 86 years old! Isaac Onote, who delivered a large number of the vocals on the evergreen hits, did not disappoint, with a startling vocal similarity with Lawson's original output- once again, stunning the audience with the comparative energy of his performance, inspite of his 76 years of age. The audience in true Nigerian fashion, did not hesitate to show their appreciation, showering Odili, Onote and the rest of the band with cash gifts.

The band rounded off its historic performance with a rendition of Lawson's iconic hit, performed in the 6/8 progression, 'Anate', which sent the audience on to the dance-floor in a joyous frenzy. It was truly a memorable performance and well worth the 14 year wait since the last such performance. The only sad post-script to this account, being the inability of two of the billed members, trumpeter, King Sunny Brown and Bassist, Victor Uzowulu to perform, as a result of sudden and quite severe ill-health. Music In Africa wishes them speedy recovery.

The Mayors Band has as a result of a move facilitated by Music In Africa, been signed to perform at the 2015 edition of the Lagos Jazz Fusion Concert, scheduled for November, in Lagos (date to be confirmed). We here at Music In Africa are proud to have witnessed, what was a truly historic performance and congratulate these living legends of African music.

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