NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zimbabwean artists join war on xenophobia

29 May 2015 - 12:44

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Zimbabwe's music community has joined hands in the fight against xenophobia violence in neighbouring South Africa. Numerous groups of artists as well as a few individual performers have recorded special anti-xenophobia songs, some not yet released, while musicians in South Africa and Namibia continue to get involved.

Zimbabwean musician and producer Willis Wataffi.

The most publicized of these projects is a group of musicians called United Artists Against Xenophobia, which includes Ammara Brown, Roki, Jah Prayzah, Simba Saini, Cynthia Mare, Suluman Chimbetu, Kessia, Afrika Revenge, Mafrique, Pastor G and Alick Macheso. The group held their first event on 20 April at The Book Café in Harare, a free concert and candelight vigil under the banner ‘Black on Black Love Concert’. Willis Wataffi of Afrika Revenge, producer of the song, tentatively titled 'Stop Xenophobia', recently told the Zimbabwe Broacasting Corporation: “Musicians who are coming from different backgrounds are now taking responsibility in the restoration of peace by spreading non-hate messages as they cannot fight hatred with hatred.”

Assisting Wataffi is radio personality Zandile ‘Zaza’ Ndlovu, who has been getting artists from further afield to get involved, including Zambian star Mampi and South African rapper Cassper Nyovest, whose tour of Zimbabwe was put in doubt over the xenophobic attacks, although he refused to cancel the show in Bulawayo, despite threats. Zaza, who attended the recent South African Music Awards, worked to bring more South African stars on board. “I used the opportunity of being at the SAMAs to talk to various artists and got the likes of Lira, Bucie, Malaika, DJ Cleo, Loyiso Bala and others to join in the campaign. They already were scheduled to record their own song as SA artists but they welcomed the initiative to work with us. Our message is definitely going stronger and spreading across Africa,” she told Zimbabwe’s Daily News. “Each artiste is writing their own lyrics from their hearts. Our job is to collectively and creatively bring all their voices together to make a beautiful song about a really tragic plague that has adversely affected us all.”

Meanwhile, other Zimbabwean artists got behind another anti-xenophobia song, also called ‘Stop Xenophobia’ (initially titled 'No To Xenophobia - We Are One People'. The song was produced by Munyaradzi Viya at Vialy Studio. Under the banner Zimbabwe All Stars, it features artists such as Sulumani Chimbetu, Mathias Mhere, Sabastian Magacha, Pah Chihera and King Shaddy. Video producer Dr Clarence put together the accompanying visuals:

Similarly, Dereck Mpofu recently finished writing and recording another anti-xenophobia song, this time featuring local stars Alexio Kawara, Esther Mukazika, Ras Caleb and Willis Wataffi. Also reportedly involved were Kunle Ayo (Nigeria), South Africans Ringo Madlingozi and Winnie Khumalo (who were recently put under pressure to boycott performing at the Green Concert in Harare on 15 May), Botswana’s Amantle, Spiza and Bouncy, and Norry Malonga from the DRC. The song, as yet unreleased and reportedly titled ‘We are African - No to Xenophobia’, was recorded recently at Monolio Studios in Harare (view the photos here)

Elsewhere in Zimbabwe recently, Jay Prayzah released a video for ‘No To Xenophobia’, Blessing ‘Bled’ Chimanga dedicated his song 'Tirivanhu Vamwe’ (translated as ‘We are Family’) to the victims of xenophobia (download the song here) and a collective of Zim-dancehall artists released ‘Zim Dancehall sings against Xenophobia’.

Zimbabwean superstar Oliver Mtukudzi recently issued a statement on xenophobia while on tour in the USA: “The borders we see today were drawn for us by others. I am urging all South Africans to stand up and say no to the hate of other Africans, no to violence and no murder. In the same breath I am calling the leaders of Africa to speak out strongly against this madness. We have always stood together as Africa, from the pre-independence days of our nations when we supported freedom fighters in their cause to more recently when we came together to fight Ebola. Xenophobia is a scourge that we must get rid of once and for all.”

The efforts of Zimbabwe’s music community go hand in hand with other similar projects in the region. Across the border in South Africa, some 180 musicians gathered to record a new version of ‘We Are The World’ (more details here), while others teamed up for a similar cause (see here). In Durban, where the xenophobic violence first erupted, lesser-known artists recently united to record ‘Dig A Little Deeper’, written by Don Clarke, while Jemotech Studios released a single and video also titled ‘Stop Xenophobia’, written by Isaac K and featuring Nokzen. And in Namibia, a group of prominent musicians - including Big Ben, Atushe, Swart Baster and Black Door - gathered last week on 22 April at the Zoo Park in Windhoek to denounce xenophobia, racism and tribalism.

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