NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Live music in Madagascar

29 Oct 2015 - 13:58

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By Niry Ravoninahidraibe

This text provides an overview of the live music scene in Madagascar. Madagascar has a vibrant live scene with a ‘top ten’ of established concert venues, set up according to the size and popularity of the venue as well as status of the performing artists. Festivals are also opportunities for live music, although most promoters have their eyes only on artists of ‘tropical’ music.

Antakarana, a band from Madagascar. photo by Le Télégramme

Venues

On the list of top ten concert places in Madagascar, the Germano-Madagascan Centre (DMC) comes first. It is a place where one is sure to witness a great show, provided by a renowned artist or group or even a novice, local or foreign. This is one of the best options for fun on Fridays. The DMC is a cultural centre with a casual ambience, almost like a local bar, and there is no great barrier between artists and fans - in other words a friendly atmosphere reigns.[i]. In second place, the Institut Français de Madagascar (IFM), also in the capital, is a cultural centre geared more to foreign music. The theatre is great and music programming is usually focussed on Fridays from around 7pm.[ii]

In third place comes in the smaller, discrete, narrow but nice Ambatonakanga Pub, located upstream after the Planet restaurant. The hall limits its intake but has become a popular place to see a concert and enjoy a drink. Since 2014, this place has become an essential part of the Malagasy live music scene. The stage welcomes all kinds of music - big names as well as inexperienced artists have performed here.[iii]

In fourth place comes the French Alliances of the whole island, though the capital may appear to be active. In the provinces they are some of the leading concert venues, without counting the clubs such as the Madagascan Centre for the Development of Public Reading and Cultural Activity (CEMDLAC) located in Analakely, close to the Institut Français but on the side of the station.[iv]

In the fifth place of stage classing for musical variety are those venues dedicated to cabaret performances, such as the auditorium of the Carlton Hotel, Paprika[v], SK Melody on the outskirts just over 10km from Antananarivo; Le Pavé and Piment Café. These venues are typically used by more experienced artists who have a loyal following. In number six one can name larger outdoor venues where the most popular artists perform, such as Alarobia Stadium, Anosimasina Itaosy and The Coliseum. In the seventh position are popular venues for artists from the coast, such as Jao’s Pub and Glacier[vi].

In the eighth place are the venues that are only used rarely and where the most popular artists perform, such as the Mahamasina Sports Palace[vii], one of the largest stadiums in the capital, the Esca Cultural Center (CCESCA), the Antsahamanitra Garden and the Andohalo Garden[viii]. These can host many people and have open-air stages. The latter now regularly welcomes ‘Hiragasy’ artists.The ninth place, the Garden of Ambohijatovo and Tranom-pokonolona in Analakely are used on rare occasions but always with great, accessible facilities. In last place we have small venues, similar to the Ambatonakanga Pub except that most host low-key music events. These include Mojo Bar By no comment, Tana Arts Café, Joe Bananas and Outcool.

Festivals

Unfortunately Madagascar lacks promoters and producers, but that has not prevented the rise of talented artists. Some of them strike gold by finding the path towards recognition, in three ways: (1) international tours; (2) earning a living on music professionally, and (3) permanently pleasing others. Still, the scenes and festivals are occasional opportunities. Promoters and artists can meet at festivals like Mamahoaka in Antsirabe, located 150km from the capital; and the Zegny Zo Festival at the north of the island.

With regards to Antananarivo, the Madajazzcar Festival[ix] is exclusively for jazz musicians and fans. Another festival of live music is Angaredona. Festivals are typically joint initiatives by artists at cultural centres, geared toward getting support from artists who have succeeded. Festivals are especially advantageous because they bring together artists, allowing them to share their passion and experience. Jazz musicians are intent on finding opportunities through the international Madajazzcar festival, while Angaredona in northern Madagascar is also a springboard to success, given its international character and the fact that meetings between artists can result in new collaborations. All this makes this part of the island called Diego a mine of opportunities.

Promoters

Promoters are primarily interested in trends, especially when it comes to ‘tropical’ music. This is the genre that generates the most income, due in part to constant and growing media promotion. This leads to the need for a sponsor who doubles as a producer. These producers manage to organize concerts for their artists, whether at a national or international level. One can also find promoters who are mainly concert organizers, who are able to add to the profits of a few artists through attractive post-performance wages. Among the organizers one can name Oktoberfest with Star company. Since 2014 Dreamin television has also joined suit. However, most of their activities focus on young people. In short, when it comes to genre music other than tropical and urban, artists must rely on the most popular venues, cultural centres and, of course, festivals.

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