NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Johannesburg to host 8th annual International Mozart Festival

12 Jan 2016 - 13:47

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The 2016 edition of the much-anticipated Johannesburg International Mozart Festival (JIMF) is set to take place between 23 January and 7 February.

Buskaid Soweto String Ensemble. Photo: Buskaid

Themed ‘Alla Turca’, the eighth edition of the JIMF pays tribute to Mozart’s ‘Rondo Alla Turca’ and beyond. Ever since Mozart’s days, when the city of Vienna was besieged by the Turks during the war, composers and audiences have been fascinated by the arrival of arabesque elements in Western music. The 2016 Festival reflects the influence of oriental and exotic styles in a colourful variety of composers from the festival’s patron to the present day, from Debussy’s penchant towards Gamelan music and the Moorish flavours in some Spanish guitar music, via Strauss’s ‘Fairy Tales from the Orient’ to the ‘Sān Gloria’ of this year’s composer-in-residence, Peter Louis van Dijk.

Between 23 January and 7 February, numerous artists and ensembles will join forces in concert, dishing out ‘Turkish Delights’ at various venues around Johannesburg. Highlights of the 2016 festival line-up include a vocal masterclass with Professor Josef Protschka, held from 1 January to 5 February at the University of Pretoria, culminating in a recital at Northwards House. There will also be a multidisciplinary workshop with poet Sthembiso Khwela and three young South African composers - Keith Moss, Felicity Mdhluli and Wayne Simpson - at the Goethe-Institut on Saturday 30 January from 3pm.

The Linder Auditorium at the Wits University education campus in Parktown will host the Viennese New Year Concert on 23 and 24 January, a piano recital by Peter Donahoe on 6 February and well as the Final Concert on Sunday 7 February featuring guitarist James Grace, the Johannesburg Festival Orchestra, the Chanticleer Singers and conductor Richard Cock.

At St Mary's school in Waverly, a Choral Concert in the school hall on Tuesday 26 January will see performances by the Chanticleer Singers, the Odeion String Quartet and Duo FourIVTwo. The following night the same venue hosts the Mozart Birthday Concert with the Odeion String Quartet. Then on Saturday 6 February the school’s state-of-the-art 530-seat concert hall The Edge will stage a Chamber Music Concert with the Buskaid Soweto String Ensemble.

Northwards House in Parktown will host various Chamber Concert recitals. These start with a Violin Recital by Sarita Uranovsky accompanied by Andrew Campbell on 28 January, then a piano recital by Pascal Gallet the following day. On 1 February at the same venue, Turkish twin sisters Ferhan and Ferzan Önder will stage a piano recital, followed on 2 February by a duo recital by Johannes Fleischman and Philippe Raskin.

On 4 February, James Grace will stage a Guitar Recital at St Francis of Assisi church in Parkview.

The diversity of the programme reflects the festival’s emphasis on interdisciplinary approaches, providing innovative intersections between classical repertoires, new music, improvisation, film, dance, theatre and contemporary South African art. The JIMF’s educational initiatives are also going from strength to strength, with three vocal scholars currently at the Musikhochschule in Cologne, Germany enjoying success at international competitions and concert engagements.

Arguably the most revered composer of all time, Mozart’s oeuvre comprises more than 600 works that are widely acknowledged as pinnacles of operatic, symphonic, concertante, chamber, piano, vocal and choral music. Today, Mozart must be perhaps the most widely performed and broadcast classical composer of all times whose name alone meets with recognition – even for those who would not describe themselves as classical aficionados. As Franz Schubert put it: "O Mozart, immortal Mozart, how many, how infinitely many inspiring suggestions of a finer, better life have you left in our souls!"

The Johannesburg International Mozart Festival takes place annually on and around 27 January – the day of Mozart’s birth in 1756 – during a time when the regular series of the South African classical music scene comes to a halt for their summer break. Audiences get a chance to enjoy a more informal character of classical music-making. The festival provides a unique combination of classical performances on the highest international quality, with a keenly intelligent and creative approach to programming, and an enterprising portfolio of all-encompassing education and outreach projects for children, students and audiences from all corners of society. For more details, visit the festival website.

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