NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Durban to host first International Bow Music Conference

01 Feb 2016 - 10:54

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Bow instruments are central to many of the continent’s traditional music practices. Recognising this, the music cluster within the School of Arts at the University of KwaZulu-Natal in Durban, South Africa will be hosting the first International Bow Music Conference from 24 to 27 February.

Dr Sazi Dlamini, convener of the first International Bow Music Conference. Photo: www.bowconference.com

Convened by a team led by UKZN lecturer and well-known township jazz exponent Dr Sazi Dlamini, news of the upcoming event has already garnered a wave of passionate interest from local and international bow music practitioners, as well ethnomusicological research academics from as far afield as the US, Brazil, Europe and the neighbouring SADC countries of Lesotho, Zimbabwe and Mozambique.

While it is an academic gathering, the Bow Music Conference will be opening its doors to public attendance at paper presentations, workshops and discussions that will focus on diverse topics on global bow musical practices. The conference acknowledges the widespread indigenous occurrence of musical bows both in Africa and in far-flung areas of the globe, as well as the growing research and public interest on bow music.

The keynote address at the conference will be given by the eminent bow music professor David Dargie, a retired monk who brought to the world’s attention Xhosa women’s umrhubhe mouth-bow playing and the mesmerizing overtone singing techniques of Ngqoko village women of the Lady Frere area in South Africa's Eastern Cape.

The Bow Music Conference will include a programme of musical performances that will showcase Southern African musical bows such as the Xhosa uhadi and ikatari; the Sotho lesiba, sekhankuri and lekope; the Venda thomo; chizambi and chipendani mouthbows found in Mozambique and eastern Zimbabwe; and sitolotolo, makhoyana, umqangala and makhweyana (Zulu & Swati). During the conference some of these bows will be displayed in a curated exhibition of indigenous musical instruments at the KZNSA Gallery.

Performers scheduled to show off their skills at the conference include Matali Kheoana (Lesotho), Bhemani Magagula (Swaziland), Khokhiwe Mphila (Swaziland), Mestre Cobra Mansa (aka Cinezio Pecanha from Brazil/Angola), Ngqoko Cultural Group (SA) and the world-famous Madosini (aka Latozi Mpahleni).

A significant presence in the conference is that of the famous Afro-Brazillian musical bow, the berimbau, the calabash-resonated musical bow closely associated with capoeira, the internationally popular dance/martial art first practiced by African slaves in Brazil. Several scholarly presentations will focus on the berimbau’s African origins as well as the instrument’s relationship to widespread Bantu bow cultures of Africa’s sub-Saharan region. The programme will include screenings of director Richard Pakleppa’s documentary film Jogo de Corpo (Body Games), which traces the roots of capoeira and of the berimbau to Angola.

Conference presentations will take place at UKZN’s Innovation Centre in Durban on 24, 25 and 26 February. Entrance is free upon registration. The film and concert series take place at the Elizabeth Sneddon Theatre at Howard College Campus UKZN from 25 to 27 February. Tickets will be available through Computicket.

Daytime events at the KZNSA on Saturday 27 February include a workshop on musical bow-making, an indigenous musical instrument exhibition and an Angolan capoeira roda conducted by Mestre Cobra Mansa from Salvador, Bahia-Brazil.

For more information go to the Bow Conference website or Facebook page, or email [email protected].

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