NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Cameroon stars thrill at Music In Africa concert in Yaoundé

07 Mar 2016 - 08:02

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Music In Africa and the Goethe-Institut successfully co-hosted a concert in Yaoundé, Cameroon on Tuesday 1 March.

Danielle Eog Makedah backed by Macase at the recent concert in Yaoundé. Photo: Goethe-Institut/Simon Messina

The concert featured performances by two legends of Cameroonian music, ‘Bantu Groove’ band Macase and hip-hop pioneer Krotal, as well as rising star Danielle Eog Makedah.

The event was free to the public and took place from at the Goethe-Institut in Yaoundé, site of the most recent Music In Africa AGM in October 2015.

Particularly interesting is that the concert offered three acts from very different musical backgrounds, but who nevertheless able to offer a very coherent spectacle. The artists were clearly well-prepared (or simply extremely talented), since everything ran smoothly on stage. Both Danielle Eog and Krotal were backed by the Macase musicians, showing a good example of solidarity among musicians.

The audience was very enthusiastic, with nearly 500 guests of all ages clearly enjoying the concert, many of them singing along with the musicians. Also in attendance was Dr. Norbert Spitz, the Goethe-Institut's Regional Director for sub-Saharan Africa.

Raphaël Mouchangou, head of cultural programmes at the Goethe-Institut in Cameroon, said: “The Goethe-Institut is happy and proud to have hosted such an event, for at least four reasons: the pleasure to collaborate with professional and talented musicians; the satisfaction to propose to our public an event of great quality; the satisfaction to contribute to a better visibility of Cameroonian artists; and the quality and fame of the headliners that brought us a huge amount of guests some of whom came for the first time at the Goethe-Institut."

In line with Music In Africa's mission to serve the African music sector with various 'offline' programmes and opportunities beyond the website itself, the event came shortly after Music In Africa co-hosted a concert in Nairobi, Kenya on Friday 26 February, as well as an exchange and concert for Senegalese hip-hop artists to Munich, Germany in March 2015.

“We really hope to renew this kind of experience with Music in Africa. Cameroon is a country with very talented musicians, despite the lack of training, production and distribution structures,” continued Mouchangou. “This situation sometimes pushes musicians to expect more from the Goethe-Institut than what it can actually offer. The Music In Africa online platform, and such ‘off-line’ events, are an important support to the many Cameroonian musicians who wish to have better visibility out of Cameroon. We really wish to thank the whole Music in Africa Team as well as the Siemens Stiftung for initiating this operation involving Cameroonian artists.”


German exchange

The concert was a preview for the same artists’ upcoming concert in Frankfurt, Germany, which is organized by Music In Africa and various partners, at the Musikmesse international music fair from 7 to 10 April. Themed Future Forum: Focus on Africa, the initiative is designed to place key focus on the African music sector for the first time in the event’s history. Music In Africa will be a key focus as one of the organisations playing a pivotal role in connecting the African music sector. There will be a number of activities in Germany as part of this programme, including a showcase concert headlined by Macase, Danielle and Krotal, who will also be collaborating with German musicians after an exchange workshop at the Pop Academy in Mannheim, Germany.

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