NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigerian jazzman Kunle Ayo returns with star-studded new album

25 Apr 2016 - 09:28

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As award-winning Nigerian guitarist and producer Kunle Ayo puts the final touches on the forthcoming release of the legendary Hugh Masekela, he is set to rock the music industry with his first solo album in four years.

Nigerian guitarist Kunle Ayo has just released a new solo album, 'Atunse: The Revolution'.

With Atunse: The Revolution, Ayo looks set to affirm his reputation. The album features collaborations with acts such as Bra Hugh himself on ‘Ayobami’, as well as as Zimbabwean legend Oliver Mtukudzi on the first single ‘Ile’, Grammy-nominated American saxman Kirk Whalum on ‘Nothing to Something’, South African pianist Africa Mkhize on ‘Happy to Know You’, and Bholoja from Swaziland on ‘Iroju’.

Ayo explains that his interaction with the guest artists was such that "it was time to feature them on my album. Bra Hugh is like a father to me and he's been trying to get me to understand a few things which came to be on this album. I'm producing his new project as a result of this relationship as well. People will love what we did here, and how it translated to his own album as well."

As for Mtukudzi, Mkhize and Whalum, Ayo points out that they are personalities he has loads of respect for. "Having them on the project was a blessing that will translate to people who come across what we've managed to achieve together. It is all remarkable!" he said.

[audio:https://soundcloud.com/kunleayo/01-kunle-ayo-ile-ft-oliver-1 autoplay:0]

The South African-based Nigerian artist, who also produced Simphiwe Dana’s latest album Firebrand, says his new album is a remake of some of his old songs, and an elevation of his sound, hence the title Atunse (‘redo’ in Yoruba). "You know what they say about revamping, it's usually comes out better,” he explains. "It's a different sound from my other albums because we are fusing new ideas and moving the music with the times, without losing its musicality. I believe that we need to pick up our lives wherever we find ourselves in unpleasant situations and find a way to ‘redo’ life.

“We must not let life knock us down,” he continues. ”I encourage people to dust themselves off, stand up and move right on again, which was my personal experience. All things in life are experiences we best learn from.”

Kunle reveals that his divorce in 2011 was one of the reasons why the new album, the follow-up to 2013’s Jazzing Up His Praise, Volume 1, took so long. He admits that he went through a rough patch following the break-up, “so I took my time to heal and be sure that the album doesn't suffer. Just one listen, the listeners will attest to this, and they will be sold!” he says confidently.

As an artist and producer Ayo has earned numerous awards, including a Kora (2004), Metro FM Music Award (2011), Channel O Music Video Awards (2005), a Nigeria Achievement Award (2009) winner and an AFRIMA Award for Best Jazz Artist (2015).

Apart from working with big name artists, Kunle has in the past few years also started working with younger, up-and-coming artists in an attempt to raise their profiles in the music industry. “Being a producer and lover of African music, I decided to help other not-so-known artists as a way of giving back,” he explained. “It started when Bra Hugh called me to assist Gugu Shezi of ‘Table for Two’ fame, whom I co-produced on her latest album. I then went further to help Ayanda Tshabalala, Mosolodi Nteu, Yvonne May, Pastor D and other up-coming names in the industry.

Further proof of his commitment to give back was a recent workshop he hosted in the kingdom of Swaziland on 31 March for 15 budding guitarists, ahead of a concert to launch his new album on 1 April. Shortly before that, the globe-trotting guitarist performed in London alongside Nigerian reggae singer Majek Fashek (who is in the midst of a comeback) and on 21 February played at the Safaricom International Jazz Festival in Nairobi, Kenya alongside American heavyweight Branford Marsalis.

The new album looks set to appease Kunle’s many fans in South Africa and Nigeria, as well as further afield. According to American jazz saxophonist Dave Koz, a nine-time Grammy nominee, "Kunle has a rare combination of gifts: he is able to tell a story simply with a melody on guitar and at the same time, fill the ears of a listener with an incredibly authentic musical point of view. His passion is rooted in his love for his homeland and appreciation for humanity. The music he makes is a thing of beauty."

Atunse: The Revolution can be ordered from iTunes.

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