NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ethiopian jazz guitarist Girum Gizaw to release debut album ‘Kelem’

30 May 2016 - 09:39

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Fans of Ethiopian jazz guitarist Girum Gizaw have something to look forward as the artist is set to release his debut full-length album in June.

Ethiopian jazz guitarist Girum Gizaw. Photo: www.girumgizaw.com

Kelem (Colour) is a jazz album tinged with Ethiopian folk melodies, and Western blues noodling.

Girum, now aged 34, has been at the centre of Addis Ababa’s jazz guitar scene for the past decade, performing around the city with Blue Note and the Meleket band, building a loyal following in the process. His improvisational skills have won him wide acclaim. While live performance is where he shines the most, his new album showcases the tone, phrasing and melodic control that have made him one of the most successful guitarists in the city. The album contains eleven tracks, including ‘Yager Lidge Wegene’, ‘Ambassel’, ‘Rahwa’, ‘Ere Mela Mela’, ‘One Drop’ and ‘Take Five’.

Girum describes the musical style of his debut release as “experimental jazz with a country vibe”. His music contains uncomplicated chords, memorable melodies and a variety of moods that will appeal to a general audience. The album is full of sensitive ensemble playing, with spontaneous humming from the ethnic groups of southern regions of Ethiopia.

Girum has collaborated with various artists on his debut album. Songs such as 'Ambassel' and 'Tizta' feature a group of artists including Abiy Woldemarim on keyboard, Dr. Jahnovan on saxophone, Mussie Mekonen on drums and percussion and Habtamu Negash on bass. Three tracks feature the vocal accompaniment of legendary singer Alemayehu Fanta, as well as talented young vocalist Sinshaw Legesse.

Though based in Addis Ababa, Girum grew up at an orphanage in Assela in central Ethiopia. “Inspired by the skills of my cousin and elder brother, I sung in the church choir for six years but at the age of 12 I had already started exploring the guitar while a student at the Catholic Mission school in Assela,” he says.

After graduating from high school, Girum joined the Ethiopian Evangelical Church Mekane Yesus School of Jazz Music (EECMY) in Addis Ababa for three and half years, where his love for music became stronger. Girum was particularly impressed by his guitar teacher Markku Keski-Mäenpää from Finland, who taught him for two years and showed him various dynamic finger-style techniques. The young guitarist played with five different bands before graduating from the school, practicing regularly late into the night, even after gigs.

Around 2009, Girum struck up a friendship with the father of Ethio-jazz. Mulatu Astatke, who has over the years been giving him valuable help and advice. Girum says his friendship with Mulatu has been quite encouraging and at times Mulatu joins him on stage.

These days Girum and his band performs every Saturday at the African Jazz Village in the basement of the Ghion Hotel in Addis. His Meleket band is quickly earning a reputation as one the best in town, with its cool sounds and sophisticated arrangements appealing to discerning jazz lovers. The artist says once launched, the new album will be available for sale online.

For more information about Girum’s debut album visit his website.

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