NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Azgo Festival date and artists announced

16 Mar 2017 - 16:35

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The organisers of Mozambique’s Azgo Festival have announced the date and venue for this year’s musical celebration. The seventh edition of the festival will be held on 20 May at the Eduardo Mondlane University in the country’s capital Maputo. 

Ray Phiri is among the musicians who will be performing at Azgo Festival.

Featuring a variety of programmes such as music, art and culture, the festival will this year host South Africa’s Ray Phiri, Mozambican artists Lay Lizzy, Ghorwane, and Batuk, which is a collaboration between South African and Mozambican musicians, as well as Ghana’s Jojo Abot. The next batch of artists will be announced next week.

Speaking to Music In Africa, Azgo Festival coordinator Jess White said the line-up would include acts from around the world. “Our line-up will feature more than 15 diverse and amazing artists from all genres, bringing acts from Mozambique, Brazil, Cape Verde, Ghana, Swaziland, Reunion Island, South Africa and Portugal to Maputo,” he said.

White said the festival would send a message bent on addressing some of Africa’s social ills. “Azgo festival has always had a strong social message,” he said. “Over the past two years we have focused the theme on Say No to Xenophobia and Climate Change. Our festival theme for 2017 will be based around gender equality. As in previous years, Azgo will programme a strong line-up of female artists and representation across our production team.”

White said Azgo Festival would continue to contribute to artistic and cultural development as well as to greater awareness of cultural issues in Southern Africa. The festival would also seek to bring together both emerging and well-known artists and involve local communities to create jobs.

This year’s festival has been reduced to one day due to the country’s economic challenges. “Since the 2016 festival, the economic situation in Mozambique has led Khuzula, the producer of Azgo Festival, to make the decision to reduce the festival to one day,” White said. “The Mozambican currency (meticais) has fallen to both the US dollar and the South African rand, which means that artist, production and logistics costs have risen quite drastically from previous years.”

The organisers of the event said in a statement that the festival would traditionally feature other forms of arts.

“From musicians, craftsmen and many other cultural makers, there will be space for everyone to dream and expand their horizons,” it said. “Speaking of dreams, the younger ones will also have a space dedicated to their imagination and creativity with the space Azgozito.”

Tickets will be available online at Entradas and Computicket. Promotional tickets with a 50% discount can be purchased in advance before 20 March.

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