NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Niger’s Studio Shap Shap to play in Belgium

22 Mar 2018 - 12:32

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Nigerien band Studio Shap Shap is scheduled to perform at Esperanzah Music Festival at Floreffe Abbey in Belgium this August.

Studio Shap Shap is pushing through despite the many issues affecting the Nigerien music industry.

Based in Niger's capital Niamey, Studio Shap Shap comprises Oumarou Adamou (Niger), Boubacar Siddo Diallo (Niger), Seyni Halidou (Niger), Haruna Abdou (Niger), Christian Koulnodji (Chad) and Laetitia Cecile (Reunion Island).

The six-piece ensemble is known for fusing traditional and contemporary beats.

“It’s an honour for us to be a part of this festival among huge artists such as Melissa Lavaux,” Studio Shap Shap keyboardist Sakina told Music In Africa. “It‘s good to see that there’s space for our musical identity in such a festival.

“It will be our third tour in Europe after our France tour in 2017. We have also toured West African countries such as Niger, Burkina Faso, Benin and Togo at the beginning of 2017.”

Making waves in a tough country

Sakina said the group's music was inspired by nature, the communities they live in and the band members’ historical backgrounds.

“We don’t have a particular musical style, we are doing alternative music," she said. "We like breaking the codes, playing with musical rules and touching people with what’s real. That’s why we use the sounds of everyday life, several languages, old-time stories, beats and spoken word.

“Our music mixes nature and city, traditional and electro, speech and singing. The piano, the bass, the loops are here to magnify the traditional instruments. We’re using ancient knowledge to fulfil and go beyond modernity.”

Sakina said Nigerien musicians were facing many challenges due to lack of assistance.

“You should know that Niger doesn’t have what we can call a music industry. Artists here are on their own and I guess it’s true in every country, but the reality here is much harder. People don’t look at Niger as they look at Mali, Senegal, Ivory Coast or Burkina Faso with a cultural interest.”

She said the main stumbling block was getting recognition out of the country and finding support from knowledgeable industry players.

“We could say that the biggest challenge is to be heard overseas and to get noticed by a real structure or professionals. Even though we are using the web to overcome this and getting some really positive vibes from people who listen to our music, we still have to work and show our best.

"We have to seize every chance that we have and show how we have grown since our first album. We have to keep going through our own means by shooting homemade videos and keep working on new compositions.”

But Sakina said Studio Shap Shap's music was getting positive feedback in the country.

“Nigerien artists and people are welcoming our music with a lot of enthusiasm and pride. We have their support and that means a lot to us.”

Despite the challenges, the group managed to independently release its debut album Chateau I. “We recorded the full album outside under a hut and it’s available on online music platforms. Chateau I has received a lot of positive feedback from people. Now we are busy working our second album,” Sakina said.

Radio days

Studio Shap Shap started off in 2015 as a project that was inspired by a new radio station in Niamey, which was searching for local musicians who could create 27 songs in three days for its broadcast programme.

“We actually did it. After completing the job, we decided to embark on a new journey together under the name Studio Shap Shap. In Niger slang and other West African countries shap shap means ‘quickly, well done’. Besides our differences we are motivated by the urge to enable people to hear the African continent differently,” Sakina said.

Adding to the list of African acts at the three-day Esperanzah Music Festival are Tshegue (Congo/France), Lubiana (Cameroon), Gaël Faye (Rwanda/France) and Melissa Laveaux (Haiti).

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