NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Tuelo: An unexpected career in music

05 Jun 2018 - 15:04

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Tuelo Minah packed her bags and boarded a plane to the Land of the Brave and Home of the Free without much of a plan in 2004. Alone and far from home, she had to test the saying, "If you can make it New York, you can make it anywhere else in the world.” Sure enough, with her powerful voice and exuberant personality, the gods sent Tuelo’s way a series of good fortunes.

Tuelo was raised in Mahikeng, South Africa.

Before forming Tuelo and Her Cousins, the band she started in in 2013, she did backup work with the late Hugh Masekela in 2008 and Angelique Kidjo from 2010 to 2012. The petite South African singer has also worked with Paul Simon and Lebo M.

Tuelo has a humble but boisterous demeanour. She speaks with a powerful voice that fills the room and her British accent could fool one that she's spent a considerable amount of time in the UK although she's never lived there. Her assertive personality is quite removed from the shy and reserved child she says she was when living on a farm in the northern South African city of Mahikeng.

“I was always very quiet. I’m sure there are people who don’t remember that I lived there. That’s how much of a nobody I was,” Tuelo says.

As a child Tuelo was a bookworm who loved science fiction and hated school. Her intelligence didn’t reflect in her grades until her parents decided to take the classroom home. After that she began to surprise her tutors and graduated from high school before her peers.

“I did some home-schooling. It’s the one thing that changed my thinking of the whole world. I knew that I didn’t function well in school. My parents gave me everything that made me excel."

Tuelo had never thought about pursuing music as a career. As a child she tried playing the trumpet but gave up. She didn’t think she had much of a talent for anything.

“I played everything and nothing worked out. I didn’t think I was particularly creative but I always wrote a journal since I was about 8. Every day I would write an entry. I should be better by now but I need to try harder to write more. I'd fill up my diary. That was all I thought I had to me.”

Her diary entries eventually became songs. But she only wrote her first composition after moving to the US. She recalls with excitement the day she wrote it.

“One day I was watching a documentary about this new thing in the US where all unlawfully imprisoned people were being released. The first guy was released and I wrote a song in about 10 minutes. I know now that it takes a lot of inspiration to write but that day it was screaming at me. It was like song and melody and words and everything wrapped in one.”

At first Tuelo sang in karaoke bars with her friends. She then met a friend from South Africa who was in New York to record a song with Hugh Masekela. She was invited to the studio to wait for her friend. What happened next is almost like fiction. One of the producers in the room asked Tuelo if she could sing and she said, “Of course I can sing, I’m South African. Everyone in South Africa can sing.” The producer asked her to sing a song that could give him an idea of her range. She sang ‘Greatest Love of All’ by Whitney Houston. "It was the only song I could think of,” she says.

When she got home the phone rang and she was told that she got the job: a backup singer for Bra Hugh. The recording session then became a tour where Tuelo would get to sing for a paying audience.

“I was going to my first rehearsal and I remember being called by the guy who auditioned me and he said, 'Young girl, you do not walk in there looking like you don’t know what you’re doing, 'cause we know that you don’t know what you’re doing. You have a special voice and it needs to be heard. You have to walk in there and hold your own'.”

After the Hugh Masekela godsend, Tuelo began getting booked for a bunch of gigs where she met the members of what would become Tuelo and Her Cousins. Since the band's formation in 2013, Tuelo has release a self-titled album and a five-track EP titled Saint Margaret.

“I didn’t want to sing. I wanted a simple life. I just met these people and they were like, 'You should get it together and do something about it'," Tuelo says.

Listen to the Saint Margaret EP on SoundCloud.

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