NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for entries: SADC Public Outreach Song

15 Nov 2018 - 09:45

cc-img flag-img

The Southern African Development Community (SADC) is calling on aspiring and established songwriters and musicians to produce a public outreach song that is memorable, entertaining, educational and informative.   

The competition is only open to citizens of the SADC region. Photo: Keen Marshall

The competition is only open to citizens of the SADC region and the wordings of the song and content should aim at promoting awareness and visibility of SADC’s Objectives and Common Agenda. It offers exposure and the opportunity to have the song played by mainstream radio and television stations across the globe and on multiple online platforms.

“The composition for the song should promote regional integration on both domestic and external matters that affect the region, the common history and cultural heritage of the Southern Africa inhabitants, as well as portraying a positive overview of SADC as a region,” reads an official statement from the SADC. “Prospective entrants are invited to submit their entries accompanied by proof of their nationality to the SADC Secretariat.

The statement adds: “Public outreach songs provide impactful channels of relaying information about an organization or product through music and lyrics because the more one hears a song, the greater the chance it will stick in their mind. Furthermore, music is a global language which enhances cultural and artistic understanding across countries and at the same giving soul to the universe and connecting societies together.”

Categories

The song's genre should fall within the following categories: reggae, rock, blues, Christian, comedy/novelty, country, dance, folk, comedy, jazz, pop and R&B/hip-hop. Entrants should submit only one song they deem fit in any of the above mentioned categories. No genre of music will be held in higher regard than another.

Judging criteria are as follows:

  • Uniqueness: unique in its genre or create something entirely new, exciting, original material that stands out from the pack.
  • Creativity: creation of new dimension, twist to a style of music and great new spin.
  • Lyrics: communicating positive message of the song, with brilliance, creativity and imagination in words.
  • Appeal: the song should be appealing.
  • Length: between three and five minutes.
  • Composition: The song should have a chorus, bars, beat, base line, melody, vocals and instrumental break.

NB: The song should not depict violence, sexual explicit language, or substance abuse, profanity by substituting symbols or words, and should be overly sensitive on matters of race, culture, tribe, religion and freedom of association.

Competition rules and guidelines

  • The entrants’ work should not have been published/broadcast by a registered and/or authorised music company, radio station, television station or agency or carried on an online of a registered and/or authorised agency in any of the SADC Member States including the globe.
  • The competition will only accept one (1) submission per songwriter/musician or artist, and is open to all artists ranging from the age of 10 years and above.
  • All songwriters/composers/artists who are SADC nationals may enter the competition, except those in institutions contracted by SADC and the SADC Secretariat staff.
  • All songs entering the competition should be in one of the SADC working languages, i.e. English, Portuguese, and French. However, the artist can use some inserts in any national indigenous language of the SADC Region.
  • All submissions must be accompanied by a completed SADC Public Outreach Song entry form and should contain full contact details of the entrant, including, passport sized photograph, physical address, telephone, fax number and e-mail addresses.
  • The lyrics of the song must be reflective of the SADC region and relates to the people and culture of inhabitants of the region.
  • Submission of the song should be in audio format of MP3. Music video of the song is not a compulsory requirement.
  • Entries will be initially screened and judged by the Secretariat, which will select the winning entry, and its decision shall be final.
  • The Secretariat reserves the right not to award a prize in any of the music categories if the entries do not satisfactorily meet the competition requirements.

Prize

  • The winning entry will receive a once-off prize money to the tune of $4 000 which will cover the outright payment of the Intellectual Property Rights of the song. The monetary prize will be accompanied by a trophy and a certificate signed by the SADC Chairperson. The prize will be paid directly to the winner in his/her home country through the Secretariat.
  • The Secretariat reserves the right to use the song as and when required, and the artist reserves the right to perform the song outside the SADC Secretariat sphere without consequences, but will not distort the original composition and meaning of the song.
  • The artist will not claim any future additional royalties or fees for the song for future use by the Secretariat. The winning entry will remain the property of the SADC Secretariat.

Closing submission date: 14 December 2018.

All entries must be hand delivered, emailed or mailed to:

The Executive Secretary
SADC Secretariat
Plot 54385 New CBD
Private Bag 0095
Gaborone, Botswana
Tel: (+267 395 1863)
Fax: (+267 397 2848)
Email: [email protected]

For more information, visit the original call here.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media