NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Seun Kuti goes on Afrobeat binge at the Shrine

02 Sep 2019 - 13:16

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Arguably the freest place one can be in Africa, the New Afrika Shrine in Ikeja, Lagos, is a place that runs round the clock. If you want to talk about a Nigerian venue that never sleeps, this is it. On Saturday 31 August, the New Afrika Shrine was lit up by Seun Kuti, the youngest son of Afrobeat legend and pioneer Fela Kuti.

Seun Kuti performing live at the New Afrika Shrine.

The Shrine was agog as usual, filled with people from all walks of life, eager to see the bandleader of Egypt 80 perform. Various artists took to the stage from about 10pm, showing off their different styles of music at a venue that is never short of musical talent. The performers thrilled the audience with reggae, dancehall, hip hop and spoken word.

Seun Kuti got on stage exactly at midnight to the delight of screaming fans, opening with one of his father’s tunes, ‘Everything Scatter’, bringing to mind the original Afrika Shrine, with the young maestro twisting, squatting and turning just like Fela in his heyday. Seun's stage craftsmanship is remarkable; he is accompanied by a group of loyal musicians, including the rocky looking Okon Iyamba on the shekere, who is always by his side. Their singing, leaping and swagger are absolutely unforgettable.

Seun and his brother Femi Kuti are some of the busiest artists in Africa. They tour all year round, and seeing Seun Kuti perform at the Shrine is nothing short of amazing, especially since this was unimaginable until a few years ago due to a now resolved family disagreement. Seun usually plays at the Shrine on the last Saturday of every month; what made this show special was that it was his first of the year at the famed venue.

With Sundays, when the crowd dissipates early ahead of the working week ahead, reserved for Femi and his band, and all-night parties a thing of the past when Fela was active, Seun's performance on Saturday presented an Afrobeat binge for the Lagos crowd.

The Grammy Award nominee performed Fela tracks such as ‘Big Blind Country’, ‘Army Arrangement’ and many more, juxtaposing them with his own songs, ‘Bad Man Lighter’, ‘Black Times’ and ‘Theory of Goat and Yam’.

The dancefloor was packed with fans dancing away in the Lagos heat – high energy and gyration abound. Afrobeat has come of age and continues to blossom thanks to the direct ‘students’ of Fela, a crop of artists including Femi Kuti, Seun Kuti, Dele Sosimi, Showboy and Dede Mabiaku, who are flying the Afrobeat flag so high it almost feels like Fela is about to be resurrected.

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