NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Elsy Wameyo channels inner Kenyan on debut LP

07 Apr 2022 - 13:52

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Rising music star Elsy Wameyo has revealed that her Kenyan roots played a role in shaping her debut LP Nilotic. 

Elsy Wameyo.

The Kenyan born, Australia-based singer has poured her heart and soul into the project that is at once a journey of musical experimentation and a road to self-discovery.

The EP released last week, and out via Music in Exile, sees the artist put to good use her self-taught skills across production, song writing and singing, to unravel her feelings and thoughts on what it means to be a Kenyan living in Adelaide in 2022.

In an interview with NME last month, the artist spoke of her deep connection with the land of her forefathers and why she decided to name the LP Nilotic.

“When you look back to the past, the Nilotes came from Egypt through South Sudan, and then through migration everyone came through Kenya and Uganda,” Elsy said. “I had this picture of all my ancestors running down the River Nile, looking for a place to rest and stay and call home. As Nilotes we dispersed into all these countries, we ended up where we are, [but] this Nile still continues to sustain us.”

In the six self-produced tracks, Elsy is evidently a woman who has found her voice both as singer and activist as she poses tough questions about heritage, social equity and justice – processing frustration, sadness and offering hope through her music.

The genre-bending collection fuses gospel (picked from by singing in church choirs at an early age) and traditional sacred sounds (imparted by her Luo Nilotes people of Kenya), alongside contemporary hip hop and R&B influences.

“Nilotic is the by-product of God’s grace in my life. What you will hear is the journey of a confident, frustrated and sad Elsy trying to claim back, fix and uproot the evil of this world,” Elsy said during the release of the EP.

“However, what you won’t see is the spiritual journey I took, where I learnt, through obedience and true faith, that alone I am a mere mortal, but with him I can do all things. This EP was never the point. God, in his full grace, chose to bless me with a product I can use to showcase his works in my life.”

Since she began releasing music in 2018, Elsy has shared stages with top global artists such as Grammy award-winner Printz Board, Maségo, Sampa the Great, Adrian Eagle and Hilltop Hoods.

The singer, rapper and producer has also been featured on numerous ‘ones to watch’ lists in Australia, including Red Bull and triple j Unearthed, and received applause from the country's leading industry publications like Acclaim, Sniffers, NME, Purple Sneakers, Pilerats, Complex and more.

Nilotic EP track list

‘River Nile’ is a low slung bass melody that sees Elsy hit hard with fire-speed raps and choral shout-outs taken from a chopped out sample.

‘Promise’ is a jazzy tune led by trumpets that mark Elsy’s arrival as she speaks to knowing your own worth, and paving a journey that is never defined by the external influences of this world.

‘Sulwe’ is written in Elsy’s Dholuo mother tongue and translates to star. It takes inspiration from Lupita Nyong’o’s book of the same name, with Elsy delving into defining the star that lives inside everyone.

‘The Call’ is Elsy’s ad-lib introduction to Nilotic. Written from a first take in the studio, ‘The Call’ is an ululation, tone-setter and a call to the singer’s community warriors and fellow Nilotes to gather around.

‘Nilotic’ is an assertive and telling story of how Elsy sees the world and the spiritual journey she embarked on to arrive there. Sampled shout-outs are interspersed throughout, as the track concludes with the resounding final words, “never forget who you are”.

‘Hunger’ is the single Elsy claims was the most difficult of the EP to write. Deeply personal, introspective and built from hours of pain-staking research, the finale is the last puzzle piece to complete the EP’s journey of self-identity and strength.

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