NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA trio wins Grammy for Best Global Music Performance

06 Feb 2023 - 04:51

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South African artists Nomcebo Zikode, Zakes Bantwini and Wouter Kellerman scored a win at the 65th Grammy Awards held in Los Angeles on 5 February.

Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode after winning the Grammy for Best Global Music Performance.

The three were named the winners of the Best Global Music Performance category for their collaboration on the song ‘Bayethe’.

This is the second Grammy for Kellerman after his win at the 57th awards for his 2014 album Winds of Samsara, a collaboration with Indian composer and producer Ricky Kej.

Zikode, 38, is best known for the monster hit ‘Jerusalema’ produced by Master KG, which sparked a global dance craze in 2020 at the height of the COVID-19 pandemic, while Bantwini is a renowned singer, record producer and businessman.

It was also a good night for Tems who scooped her first Grammy in the Best Melodic Rap Performance category for her appearance on Future’s ‘Wait for U’ featuring Drake. The Nigerian singer had also received nominations for Best Rap Song and Album of the Year – the latter for her contribution on Beyoncé’s Renaissance album.

At the same time, previous winners Burna Boy and Angélique Kidjo failed to secure a victory in the Best World Music Album category. The award went to 44-year-old Japanese musician Masa Takumi for Sakura, his fifth full-length solo album released last September. A win for Kidjo would have been a record sixth for an African artist.

This year’s Album of the Year went to British singer Harry Style for Harry's House, while Beyoncé became the biggest winner in Grammy history after collecting her 32nd trophy. See the complete winners here.

Best Global Music Performance

  • ‘Bayethe’ – Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode
  • ‘Udhero Na ’ – Arooj Aftab and Anoushka Shankar
  • ‘Gimme Love’ – Matt B and Eddy Kenzo
  • ‘Last Last’ – Burna Boy
  • ‘Neva Bow Down’ – Rocky Dawuni ft. Blvk H3ro

Best Global Music Album

  • Sakura – Masa Takumi
  • Shuruaat – Berklee Indian Ensemble
  • Love, Damini – Burna Boy
  • Queen of Sheba – Angélique Kidjo and Ibrahim Maalouf
  • Between Us … (Live) – Anoushka Shankar, Metropole Orkest and Jules Buckley ft. Manu Delago

Best Melodic Rap Performance

  • ‘Wait For U’ – Future ft. Drake and Tems
  • ‘Beautiful’ – DJ Khaled ft. Future and SZA
  • ‘First Class’ – Jack Harlow
  • ‘Die Hard’ – Kendrick Lamar ft. Blxst and Amanda Reifer
  • ‘Big Energy’ (Live) – Latto

Best Rap Song

  • ‘The Heart Part 5’ – Kendrick Lamar
  • ‘Churchill Downs’ – Jack Harlow ft. Drake
  • God Did – DJ Khaled ft. Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy
  • ‘Pushin P’ – Gunna & Future ft. Young Thug
  • ‘Wait For U’ – Future ft. Drake and Tems

Album of the Year

  • Harry's House – Harry Styles
  • Voyage – ABBA
  • 30 – Adele
  • Un Verano Sin Ti – Bad Bunny
  • Renaissance – Beyoncé ft. Beam, Grace Jones, Tems and others.
  • Good Morning Gorgeous (Deluxe) – Mary J. Blige
  • In These Silent Days – Brandi Carlile
  • Music of the Spheres – Coldplay
  • Mr. Morale & The Big Steppers – Kendrick Lamar
  • Special – Lizzo

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