NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Naledi Theatre Awards: All the nominees

30 Mar 2023 - 09:06

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The nominees for the Naledi Theatre Awards were announced at the at the Joburg Theatre Complex in South Africa on 27 March ahead of the ceremony sometime this year.

Hlakanyana – The Musical has been nominated in 14 categories at this year’s Naledi Theatre Awards.

The Naledi Theatre Awards judging panels saw more than 100 productions staged in the 2022 season across all genres of the performing arts.

“COVID-19 has shown our industry a new way forward in presenting productions,” Naledi Theatre Awards CEO Lihan Pretorius said. “There has been a marked upturn in the number of plays produced, with many of them being solo performances. The quality of work has been exceptional, with practitioners really honing their craft and maximising minimum budgets.”

The head of the judging panels, Renos Spanoudes, said: “Producers have really gone all out to ensure production values are kept to a very high standard. Across the board, we have seen performing arts practitioners manage to lure the general public back to theatre again after a long hiatus, where for a while only the diehard theatregoers ventured out to see productions.”

Below is the full list of nominees:

Best Sound Design

  • Adriaan van der Walt (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Akhona Bozo (Kunene and the King – Joburg Theatre and John Kani Productions)
  • Les Javan (Joanie Galant-Hulle – The Market Theatre)
  • Ntuthuko Mbuyazi (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Pieter-Louis van Twisk (Die Gelofte – AfriForum Teater)
  • Vangile Z. Mpumlwana (The Lesson – The Market Theatre)

Best Production of a Musical/Musical Theatre Production

  • Brel/Piaf (Pieter Toerien Productions)
  • Die Gelofte (AfriForum Teater)
  • Hlakanyana – The Musical (UJ Arts & Culture and Madevu Entertainment)
  • Sinbad (Montecasino and Kickstart Productions)
  • The Trolley Dollies – The Triplets of Bellville (Deviant Theatricals)
  • Third World Express (Joburg Theatre and Shadrack Bokaba)

Best Director of a Musical Theatre Production

  • Gregory Maqoma (Third World Express – Joburg Theatre and Shadrack Bokaba)
  • Janice Honeyman (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Janice Honeyman (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Jannes Erasmus (Die Gelofte – AfriForum Teater)
  • Steven Stead (Sinbad – Montecasino and Kickstart Productions)

Best Director of a Play

  • Charmaine Weir-Smith (The Beauty Queen of Leenane – How Now Brown Cow Productions at Theatre on the Square)
  • Greg Homann (The Lesson – The Market Theatre)
  • James Ngcobo (The Brothers Size – The Market Theatre)
  • Janice Honeyman (Kunene and the King – Joburg Theatre and John Kani Productions)
  • Robert Whitehead (Hansard – Troupe Theatre Company in ass. with Daphne Kuhn)
  • Sylvaine Strike (Who’s Afraid of Virginia Woolf? – Gloucester Productions)

Best Supporting Performance in a Musical Theatre Production: Female

  • Ilse Klink (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Michelle Botha (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Momo Matsunyane (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Zoricke Snyman (Die Gelofte – AfriForum Teater)

Best Supporting Performance in a Musical Theatre Production: Male

  • Ben Voss (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • David Johnson (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Eddie de Jager (Die Gelofte – AfriForum Teater)
  • King B (Third World Express – Joburg Theatre and Shadrack Bokaba)
  • Sibusiso Mxosana (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)

Best Choreography in a Play or Musical Theatre Production

  • Bertwin de Souza & Shampa Gopikrishna (Aladdin and his Wonderful Lamp – Blu Blood at Emperors Palace)
  • Gregory Maqoma (Third World Express – Joburg Theatre and Shadrack Bokaba)
  • Ignatius van Heerden (Birthing Nureyev – Leftfoot Productions at Joburg Theatre)
  • Khaya Ndlovu (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Lihle Nene (Sifu – The Market Theatre)
  • Mandla Mngevu (The Red on the Rainbow – The South African State Theatre)

Best Original Score/Musical Arrangements

  • Anton Luitingh (The Trolley Dollies – The Triplets of Bellville – Deviant Theatricals)
  • Coenie de Villiers & Mauritz Lotz (Karoo Suite 2: Karoonagte – Pieter Toerien Productions)
  • Dawid Boverhof (Brel/Piaf – Pieter Toerien Productions)
  • Johan Vorster & Jacomien de Wet (Die Gelofte – AfriForum Teater)
  • Sne Dladla, Zolani Shangase & Dionne Song (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Zusakhe Ngqame (Pelegi – The South African State Theatre)

Best Lead Performance in a Musical Theatre Production: Female

  • Amanda Strydom (Brel/Piaf – Pieter Toerien Productions)
  • Bernice West (Die Gelofte – AfriForum Teater)
  • Manakomba Ndamande (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Stephanie Baartman (Music of the Night – Ticket to the Moon)
  • Zoë McLaughlin (The Last Five Years – Tally Ho! Productions and Pieter Toerien Productions)

Best Lead Performance in a Musical Theatre Production: Male

  • André Schwartz (Brel/Piaf – Pieter Toerien Productions)
  • Anthony Downing (The Last Five Years – Tally Ho! Productions and Pieter Toerien Productions)
  • Coenie de Villiers (Karoo Suite 2 – Karoonagte – Pieter Toerien Productions)
  • Johan Vorster (Die Gelofte – AfriForum Teater)
  • Sandisile Dlangalala (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)

Best Original Soundscape

  • Billy Maboa (Sifu – The Market Theatre)
  • Lungiswa Plaatjies (Kunene and the King – Joburg Theatre and John Kani Productions)
  • Franco Prinsloo (Plesierengel – Leftfoot Theatre Productions and The Centurion Theatre)
  • Vangile Z. Mpumlwana (The Lesson – The Market Theatre)
  • Sydney Mavundla & Volley Nchabeleng (The Red on the Rainbow – The South African State Theatre)

Best Musical Director

  • Coenie de Villiers & Mauritz Lotz (Karoo Suite 2 – Pieter Toerien Productions)
  • Dale-Ray Scheepers (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Dawid Boverhoff (Brel/Piaf – Pieter Toerien Productions)
  • Francois Lessing (Die Gelofte – AfriForum Teater)
  • Jaco Griessel (The Last Five Years – Tally Ho! Productions and Pieter Toerien Productions)
  • Zolani Shangase (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)

Best Performance in a Solo Production

  • Bryan Schimmel (More Than a Handful – VR Theatrical in ass. with Lorri Strauss and Daphne Kuhn)
  • Charlie Bouguenon (Hans steek die Rubicon oor – Leftfoot Theatre Productions)
  • Ignatius van Heerden (Birthing Nureyev – Leftfoot Productions at Joburg Theatre)
  • Khutjo Green (Country Duty – Daphne Kuhn and Theatre on the Square)
  • Peter Terry (At all costs – Daphne Kuhn and Theatre on the Square)
  • Ruan Wessels (Plesierengel – Leftfoot Theatre Productions and The Centurion Theatre)

Best Breakthrough Performance

  • Boitumelo Marule (Pelegi – The South African State Theatre)
  • Jordan Human (Die Gelofte – AfriForum Teater)
  • Lihle Ngubo (The Lesson – The Market Theatre)
  • Micah Stojakovic (Sinbad – Montecasino and Kickstart Productions)
  • Michaela Tucker (If a tree falls… – Penny Kreitzer, Opher Lewin and Malcolm Purkey at Theatre Linden)
  • Vash Singh (Aladdin and his Wonderful Lamp – Blu Blood at Emperors Palace)
  • Zoë McLaughlin (The Last Five Years – Tally Ho! Productions and Pieter Toerien Productions)

Best Performance in a Solo Comedy Production (With Elements of Stand-Up)

  • Marc Lottering (Uncle Marc – Pieter Toerien Productions)
  • Mark Banks (Mask About Face – Daphne Kuhn and Theatre On The Square)
  • Alan Comittie (Live and Let Laugh – Gloucester Productions)
  • Nik Rabonowitz (Unmuted – Daphne Kuhn and Theatre On The Square)

Best Ensemble in a Musical Theatre Production

  • Amanda Strydom, André Schwartz, Dawid Boverhoff & Coenraad Rall (Brel/Piaf – Pieter Toerien Productions)
  • Brendan van Rhyn, Christopher Dudgeon & Rudi Jansen (The Trolley Dollies – The Triplets of Bellville – Deviant Theatricals)
  • Coenie de Villiers, Deon Meyer & Mauritz Lotz (Karoo Suite 2 – Karoonagte – Pieter Toerien Productions)
  • Ensemble (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Ensemble (Third World Express – Joburg Theatre and Shadrack Bokaba)

Best Ensemble in a Play

  • Ensemble (Pelegi – The South African State Theatre)
  • Cast (Sifu – The Market Theatre)
  • Cast (The Drowning Eye – The Kwasha Theatre Company)
  • Cast (The Red on the Rainbow – The South African State Theatre)

Best Production: Dance, Physical Theatre and Ballet

  • Demi Sapien (WILLSIDE at Joburg Theatre)
  • Ingress (MOVING INTO DANCE at Joburg Theatre)
  • Isenyuso (The South African State Theatre (Kucheza Festival))
  • La Traviata (Joburg Ballet)
  • Lyf (KMAD DANCE COMPANY)
  • Moya (Zip Zap Circus)

Best Performer in a Dance, Physical Theatre and Ballet Production

  • Lindé Wessels (Lyf – KMAD DANCE COMPANY)
  • Oscar Buthelezi (Ingress – MOVING INTO DANCE at Joburg Theatre)
  • Phelelani Ndakrokra (Moya – Zip Zap Circus)
  • Thami Tshabalala (Isenyuso – The South African State Theatre (Kucheza Festival))
  • Vincent Mantsoe (SoliiDaD – Joburg Theatre and Vincent Sekwati Mantsoe)
  • Xola Willie (Lyf – KMAD DANCE COMPANY)

Best Production for Children & Young Audiences (Aged 0 to 13)

  • Annie (Pretoria Youth Theatre)
  • Balloonacy (National Children’s Theatre)
  • Innocence Lost (National Children’s Theatre)
  • Kids Of Amandla Street (The Kwasha Theatre Company)
  • The Little Mermaid Jr (People’s Theatre at The Joburg Theatre)
  • Under The Baobab Tree (National Children’s Theatre)

Best Performance in a Production for Young Audiences

  • Craig Morris (Balloonacy – National Children’s Theatre
  • Jay Hlatswayo (Seussical Jr – National Children’s Theatre)
  • Luciano Zuppa (The Little Mermaid Jr – People’s Theatre at The Joburg Theatre)
  • Madelein Pienaar (Hope The Rhino – National Children’s Theatre)
  • Noni Mkhonto (The Little Mermaid Jr – People’s Theatre at The Joburg Theatre)

Best Production: Independent/Fringe Theatre

  • Cruise (HIV@40 at Theatre Linden)
  • Johnnie Motsamai (Joburg Theatre)
  • Seeing Other People (Martin Grendele and Hira Lodhi)
  • What was is no more (Joburg Theatre)

Best Performance in an Independent/Fringe Theatre Production

  • Daniel Geddes (Cruise – HIV@40 at Theatre Linden)
  • James Netherlands (Seeing Other People – Martin Grendele and Hira Lodhi)
  • Khanyisile Ngwabe (What was is no more – Joburg Theatre)
  • Martin Grendele (Seeing Other People – Martin Grendele and Hira Lodhi)
  • Nthabileng Masudubele (Johnnie Motsamai – Joburg Theatre)

Best Production: Student Theatre

  • Cabaret (Redhill School)
  • Come Together (LAMTA)
  • Nesting Flight (Oakfields College)
  • Sister Act (Oakfields College)
  • Ticket to Broadway (King David Victory Park)
  • Whistleblowers (AFDA)

Best Performance in a Student Theatre Production

  • Nicolas Hattingh (Cabaret – Redhill School)
  • Noluthando Mathebula (Sister Act – Oakfields College)
  • Robert Everson (Come Together – LAMTA)
  • Samkelo Fonte (Nesting Flight – Oakfields College)

Best Supporting Actress in a Play

  • Berenice Barbier (Who’s Afraid of Virginia Woolf? – Gloucester Productions)
  • Jennifer Steyn (The Beauty Queen of Leenane – How Now Brown Cow Productions at Theatre on the Square)
  • Masego Modiba (Pelegi – The South African State Theatre)
  • Onltametse Masilo (Pelegi – The South African State Theatre)
  • Shoki Mmola (Ruined – The Market Theatre)

Best Supporting Actor in a Play

  • Josias dos Moleele (Bloke and his American Bantu – UJ Arts & Culture in association with the Sello Maake kaNcube Foundation)
  • Marlo Minnaar (The Brothers Size – The Market Theatre)
  • Nhlakanipho Manqele (The Brothers Size – The Market Theatre)
  • Sanda Shandu (Who’s Afraid of Virginia Woolf? – Gloucester Productions)
  • Sven Ruygrok (The Beauty Queen of Leenane – How Now Brown Cow Productions at Theatre on the Square)

Best Costume Design

  • Anjc Naidoo, Priya Naidoo, Bertwin de Souza & Bepin Tanna (Aladdin and his Wonderful Lamp – Blu Blood at Emperors Palace)
  • Brendan van Rhyn, Christopher Dudgeon & Rudi Jansen (The Trolley Dollies – The Triplets of Bellville – Deviant Theatricals)
  • Bronwen Lovegrove (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Charles J. Fourie (The Parrot Woman – The Market Theatre)
  • FADA (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Steven Stead and Shanthi Naidoo (Sinbad – Montecasino and Kickstart Productions)

Best Theatre Set Design

  • Birrie le Roux (Kunene and the King – Joburg Theatre and John Kani Productions)
  • FADA (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Greg King (Sinbad – Montecasino and Kickstart Productions)
  • Greg King (The Beauty Queen of Leenane – How Now Brown Cow Productions at Theatre on the Square)
  • Jade Bowers (The Parrot Woman – The Market Theatre)
  • Karabo Legoabe (Ruined – The Market Theatre)

Best Theatre AV Design

  • Andrew Timm (Janice Honeyman’s Adventures in Pantoland – Joburg Theatre and Bernard Jay)
  • Andrew Timm (Third World Express – Joburg Theatre and Shadrack Bokaba)
  • Disrupt Media (Aladdin and his Wonderful Lamp – Blu Blood at Emperors Palace)
  • Naret Loots (Birthing Nureyev – Leftfoot Productions at Joburg Theatre)

Best Lighting Design

  • Bobby Heaney & Francois van der Hoven (Fordsburg’s Finest – Pieter Toerien Productions)
  • Denis Hutchinson (The Beauty Queen of Leenane – How Now Brown Cow Productions at Theatre on the Square)
  • Hlomohang Mothetho (The Red on the Rainbow – The South African State Theatre)
  • Oliver Hauser (Third World Express – Joburg Theatre and Shadrack Bokaba)
  • Phuti Matuba (Hlakanyana – The Musical – UJ Arts & Culture and Madevu Entertainment)
  • Simon King (The Brothers Size – The Market Theatre)

Best Lead Actress in a Play

  • Fiona Ramsay (Hansard – Troupe Theatre Company in ass. with Daphne Kuhn)
  • Gontse Ntshegang (The Parrot Woman – The Market Theatre)
  • Hlengiwe Lushaba Madlala (Ruined – The Market Theatre)
  • Julie-Anne McDowell (The Beauty Queen of Leenane – How Now Brown Cow Productions at Theatre on the Square)
  • Kim Cloete (Joanie Galant-Hulle – The Market Theatre)
  • Robyn Scott (Who’s Afraid of Virginia Woolf? – Gloucester Productions)

Best Lead Actor in a Play

  • Alan Committie (Who’s Afraid of Virginia Woolf? – Gloucester Productions)
  • Graham Hopkins (Hansard – Troupe Theatre Company in ass. with Daphne Kuhn)
  • John Kani (Kunene and the King – Joburg Theatre and John Kani Productions)
  • Katlego Chale (The Brothers Size – The Market Theatre)
  • Michael Richard (Kunene and the King – Joburg Theatre and John Kani Productions)
  • Paul Slabolepszy (Fordsburg’s Finest – Pieter Toerien Productions)

Best New South African Script

  • Deon Meyer (Karoo Suite 2 – Karoonagte – Pieter Toerien Productions)
  • John Kani (Kunene and the King – Joburg Theatre and John Kani Productions)
  • Leon van Nierop (Plesierengel – Leftfoot Theatre Productions and The Centurion Theatre)
  • Monageng Motshabi (The Red on the Rainbow – The South African State Theatre)
  • Peter Terry (At all costs – Daphne Kuhn and Theatre on the Square)
  • Siphiwo Mahala (Bloke and his American Bantu – UJ Arts & Culture in association with the Sello Maake kaNcube Foundation)

Best Production of a Play

  • Hansard (Troupe Theatre Company in ass. with Daphne Kuhn)
  • Kunene and the King (Joburg Theatre and John Kani Productions)
  • The Beauty Queen of Leenane (How Now Brown Cow Productions at Theatre on the Square)
  • The Brothers Size (The Market Theatre)
  • The Parrot Woman (The Market Theatre)
  • The Red on the Rainbow (The South African State Theatre)

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