NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Zimdancehall songs of 2023

03 Aug 2023 - 11:54

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The Zimdancehall industry had an excellent start to the year with Winky D’s Eureka Eureka album receiving critical acclaim for its socio-political commentary. Despite political pressure and a de facto ban from national radio and TV, the artist has been praised at home and abroad for tackling the country’s problems through music. For his important work, Winky D won the Best African Dancehall Entertainer Award at the 40th International Reggae and World Music Awards.

Winky D.

This year has also seen new artists emerging in the popular urban genre, contrary to 2022 when critics said it was starting to die out. Besides Winky D, artists such as Qounfuzed, Freeman HKD, Enzo Ishal, Shashl, Nicky Genius and Nutty O also made big contributions to the Zimdancehall scene, with some winning top awards and performing outside the country.

Our Southern Africa desk has compiled a playlist of the most popular Zimdancehall songs of 2023. The below playlist will be updated periodically as new hits are released throughout the year. Enjoy!

Ibotso by Winky D ft. Holy Ten

‘Ibotso’ is a commentary on Zimbabwe’s social ills, off Winky D’s Eureka Eureka album. The speaks about social injustice, economic hardship and government corruption. The instrumentation is by Jusa Dementor.

Makanonoka by Nutty O

After achieving a staggering 30 million streams worldwide for his debut album Mustard Seed', Nutty O upped the ante with ‘Makanonoka’. The song was produced by DJ Tamuka. Using Rayo Beats’ mixing and mastering skills, Nutty O tells his haters that he is untouchable and that his success is unparalleled.

Handidi by Enzo Ishal

This is one of the top Zimdancehall songs topping the local chats. It was produced by Cymplex Music. In the song, Enzo Ishal expresses his desire to be free of things that bother him.

XYZ by Winky D ft. Qounfuzed

There is a message in this song about moving on from broken relationships and not being bitter when love goes south. ‘XYZ’’s sounds were produced by Jusa Dementor, Layan Souljah and Oskid, with guitars by Kelvin Kudakwashe Mucheche.

Dzimba Dzemabwe by Winky D ft. Shingai

A heated debate broke out on social media platforms over this song. Mbuya Nehanda and Sekuru Kaguvi, two First Chimurenga heroes of the 1890s, are represented by Winky D and Shingai in the song, which is off the Eureka Eureka album. Throughout the track, the two artists seek to present the two historical figures’ positive characteristics, which they believe are lacking in today’s storylines.

Handizive by Enzo Ishal and Kikky Badass

An argument over text messages found on a phone is the subject of this track. In the video, Kikky Badass confronts Enzo Ishal and asks him how he could cheat on a beautiful woman like her. The video for the song was directed by Lyteezw.

Kumusoro by Nicky Genius ft. Winky D

‘Kumusoro’ is a touching song off Nicky Genius latest album Ndokutenda Nei. Winky D is featured on the this track, which discusses life’s obstacles and struggles. It was produced by Nicky Genius and mixed and mastered by Waynebeats.

Nyaya Yangu by Tocky Vibes

This song chronicles Tocky Vibes’ continued quest for love. The song’s video was filmed in a rural setting.

High Grades by Winky D ft. Herman

This motivational song is off Winky D’s new album and was written to inspire students to remain focused on their studies.

Tears by Winky D ft. Anita Jackson

‘Tears’ is also off Winky D’s Eureka Eureka album and was produced by Oskid and Layan Souljah. With heavy beats, the song showcases Anita Jackson and Winky D’s lyrical abilities.

Vakomana VeDrip By Freeman HKD

‘Vakomana VeDrip’ is a hit off Freeman HKD’s David and Goliath album. It was produced and written by Movy D and Freeman HKD, respectively.

Riya Riya Riddim (various artists)

This heavy riddim features various Zimdancehall artists including Silent Killer, Boss Pumacol, Ndunge Yut, Ma9Nine and Kabhidha. It was produced by Chillspot DJs Levelz and Fantan.

Mhepo by Qounfuzed and Shashl

Shashl and Qounfuzed chronicle how external forces play an important role in destroying relationships. Mcdonald Sheldon and Baron Mkweza penned the song, which was produced by Charlie Kay and Majesty on Flex.

Nzungu by Qounfuzed

In this love story gone wrong, Nzungu depicts Qounfuzed’s experience of being duped by his lover. The song, which comes with an animated video, was produced by Majesty on Flex.

Body by Qounfuzed ft. Kikky Badass

This raunchy song was produced and mastered by KSG Di Don and composed by Mcdonald Sheldon.

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