NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Audiomack partners with Nigerian fintech Flutterwave

26 Jun 2023 - 12:24

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Music streaming platform Audiomack has partnered with Nigerian fintech Flutterwave to expand access and monetisation opportunities for African artists.

The collaboration allows Audiomack, currently reaching more than 25 million monthly users globally, to offer premium music experiences and introduce new features to its customers and artists for a fee.

This collaboration allows Audiomack, currently reaching more than 25 million monthly users globally, to offer premium music experiences and introduce new features to its customers and artists for a fee.

Audiomack’s users in Africa will benefit from enhanced access to Audiomack’s vast music library and an improved user experience, while African artists will gain greater opportunities for financial success and artistic recognition through seamless payment options to fans who want to support their favourite artists directly.

Launched in 2012, Audiomack opened an office in Lagos, Nigeria, expanding its reach in 2021 to key markets such as Kenya, Tanzania, Uganda, and South Africa.

“As Audiomack enters its next growth phase across Africa, the partnership with Flutterwave brings seamless and secure payment processing capabilities to its users,” a statement from Audiomack reads. “This collaboration will enable Audiomack to offer more payment modes like bank transfer, local cards and mobile money to African users, making the platform accessible to a broader audience across the continent.”

“We are excited to join forces with Audiomack and contribute to the growth of Africa’s music industry,” Flutterwave founder and CEO Olugbenga Agboola said. “By leveraging our technology, we will expand the Audiomack user base across Africa while empowering African artists with increased monetisation opportunities. Audiomack’s commitment to promoting African music and providing a platform for artists to showcase their talent aligns perfectly with Flutterwave’s mission to simplify payments and foster economic growth across the continent. This partnership represents a significant step forward in realising these shared goals.”

Audiomack co-founder and CEO Dave Macli also expressed his enthusiasm for the partnership with Flutterwave. He said that the partnership allows them to improve the Audiomack experience for African users and expand its reach to a larger audience in Africa.

Macli emphasised that the partnership provides African artists with the necessary resources to succeed and effectively monetise their artistic work. “We are delighted to partner with Flutterwave to enhance the Audiomack experience for our African users,” he said. “This collaboration enables us to bring Audiomack to even more people in Africa and gives African artists the tools they need to thrive and monetise their art effectively.”

Meanwhile, in May, Audiomack revealed that its Creator App, which launched in February 2022 and provides musicians with detailed metrics and valuable insights into their music’s performance, has reached one million installations. Last week, Audiomack also revealed that Nigerian Afrobeats singer Burna Boy had become the first African act to cross one billion streams on its platform.

For Flutterwave, the move follows a June partnership with Microsoft to build its next-generation platform on Microsoft Azure. The engagement enables Flutterwave to support the growth of transactions for global clients like Uber, Netflix and Microsoft, leveraging Azure's capabilities for a seamless and secure payment experience. Key Flutterwave products are also being developed and transitioned onto the Azure cloud platform, with the use of Azure OpenAI Service for scaling their offerings to merchants worldwide.

Audiomack subscription purchases using local payment methods can be made here.

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