NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Swiss arts grants

04 Sep 2023 - 17:45

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Südkulturfonds in Switzerland is inviting cultural projects in the fields of music, performing arts, literature (including spoken word) and visual arts (photography, new media, performance) to submit applications for its Ongoing Grant Programme.

Applications can be submitted throughout the year.

Submission guidelines

Applications can be submitted throughout the year. Submission deadlines are linked to the amount of the grant (see submission deadlines below). As a rule, the amount is based on the travel, transport and accommodation costs of a project. In every case, applications must be submitted at least four weeks before the start of the project. It is mandatory that projects are submitted together with a partner or venue in Switzerland.

Within the Ongoing Grant Programme, there are two types of funding:

  • Project-based funding (under CHF15 000 [$17 000]): There are three submission deadlines for project-related applications (see submission deadlines below). In the case of several applications, the maximum annual grant per applicant is CHF20 000.
  • Programme or priority funding (under CHF25 000, all disciplines except film*): Programme or priority funding supports festivals or seasonal/annual programmes that are planning several performances with artists from the Südkulturfonds’ list of eligible countries. Programme or priority applications are announced once a year and reviewed by a transdisciplinary commission. Südkulturfonds awards a maximum of five programme grants per year.

Conditions for programme or priority funding:

  • Maximum support grant of CHF24 999.
  • At least six performances with artists from the Südkulturfonds’ list of eligible countries (priority is given to priority countries).
  • Programme or priority applications can be supported only once every two years per applicant.
  • If programme or priority funding is received, no additional project application can be submitted in the corresponding year.
  • *Film festivals are exempt from these conditions. Film-related applications can be submitted for more than CHF25 000 three times a year.

The Ongoing Grant Programme supports:

  • Performances, exhibitions and artistic happenings at Swiss venues.
  • Tours by artists with at least two confirmed performances in Switzerland and/ or neighbouring countries.
  • Album, theatre and dance productions with at least two different and confirmed performance venues in Switzerland and/or nearby Europe.
  • Residencies of at least three weeks to a maximum of three months. Residencies involve artistic creation in Switzerland and are accompanied by a host (residency venue, event location, publisher, etc.). Also comprising the residency is a moment of public presentation of the artist(s) and their work to an interested audience in Switzerland.
  • Literary translations into one of the Swiss national languages.
  • Sur- and subtitling of performances and screenings in Switzerland.
  • Film series and festivals that involve filmmakers in the accompanying programme. Film festivals can submit project applications for more than CHF25 000.

The Ongoing Grant Programme does not support:

  • Advertising and charity events.
  • Film productions.
  • Infrastructure and equipment.
  • Projects in the context of education and training.
  • Requests from the amateur cultural scene.
  • Applications that have been submitted after the deadline.
  • Projects that are already underway or completed and projects without adequate self-funding and/or without coherent financing plan.
  • Funding requests for projects or parts thereof that are already supported by other federal agencies.

Application requirements and priorities

An application must contain the following:

  • Description of the concept and implementation plan of the project.
  • Details of the persons and institutions involved.
  • Launch of the project.
  • Balanced budget and coherent financing plan.
  • The requested amount must be clearly shown as a comprehensible deficit.

Südkulturfonds prioritises projects:

  • With artists living and working in the following countries and regions: a) priority countries, i.e. partner countries of the Swiss development cooperation, b) other countries and regions eligible for development aid. Please consult the Südkulturfonds’ list of eligible countries.
  • With artists who are at the beginning of their artistic career (two to 10 years).
  • With artists who have given more than two performances in Switzerland or in neighbouring countries.
  • Of high artistic quality and originality.
  • Which are implemented according to professional standards.
  • Which are supported by various funding institutions (municipalities, cantons, foundations).
  • With a convincing concept for distribution/ dissemination and or promotion.
  • That demonstrate equal cooperation between all project participants at eye level.
  • That bring together different disciplines (trans disciplinarity).
  • That strive for equal opportunities and diversity (e.g. gender).

When assessing applications, the experts of the Südkulturfonds attach importance to the responsible and sustainable use of the funding.

Submission deadlines

Applications must be submitted at least four weeks before the start of the project. Late or incomplete applications will not be considered.

  • Project contributions under CHF5 000: four weeks before the start of the project at the latest.
  • Project contributions under CHF15 000: 31 January, 31 May, 15 November.
  • Programme/priority contributions under CHF25 000: 31 January.

*Film-related contributions: 31 January, 31 May, 15 November

*Film-related applications over CHF30 000 must be submitted at least two months before the start of the project and only in consultation with artlink.

Interested artists should login or register here to apply.

View the original call here.

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