NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Telem Week 2023: Three Jamaican artists to join programme

03 Nov 2023 - 12:20

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Sierra Leonean arts organisation Telem Freetown has revealed that three Jamaican musicians will travel to Sierra Leone to participate in Telem Week 2023, a songwriting retreat and performance festival, to be held in Tokeh Beach between 10 to 19 of November 2023.

Jamila Falak is among three Jamaican musicians who will travel to Sierra Leone to participate in Telem Week 2023.

Telem Week aims to provide a platform for alternative musicians to make and perform original, experimental music together through a songwriting workshop guided by four local faculty artists and two faculty artists from the United States and Nigeria. Participating artists and faculty will play new works over two days at a performance festival in Freetown on 18 and 19 November.

The Jamaican acts confirmed for Telem Week 2023 include Rica G, Jamila Falak and King Calie.

Rica G is a multi-hyphenate cultural practitioner looking to serve as a catalyst for liberation throughout the diaspora using fellowship, technology, education and the arts. An innovative educator and storyteller at the core, she has transformed stages, surf camps, skate parks, computer labs and traditional classrooms into spaces of community learning for scholars of all ages. Her primary mediums of expression are spoken word, bass guitar, tuba, roller skating and photography.

Jamila Falak is a singing upright bassist and a multi-hyphenate creative entrepreneur. Pioneering a unique blend of soulful Afrocentric melodies and heartfelt lyrics, she seeks to inspire uplifting influence and captivate audiences with her artistic expression. Falak released her first single ‘LA AAA ADY’ in 2019, which featured in the Emmy-nominated TV show Jacqueline and Jilly, and has also performed with world-renowned acts such as Marcia Griffiths and Shaggy. She is the founder of the Plant x Play Initiative, a cultivated and cultured community of creatives working towards philanthropy and climate action.

King Calie is the reigning star of Magnum’s 2021 and 2022 Top Performa charts in Jamaica. A dancehall artist with a unique fusion of musical genres and unparalleled artistic vision, Calie also aspires to reshape cultural landscapes.

These artists will be joined by two additional guests from the United States, both serving as faculty artists for the retreat week. Atlanta-based Afro-soul/Afro-folk indie singer-songwriter Tosinger has been singing for more than two decades in Nigeria, the UK and now in the US. With a couple of published works to her name, her music displays a heartfelt conveyance of originality and inspirational lyrics. Tosinger expresses an Afrocentric comforting musical flow that is soulful and folksy, sometimes jazzy, with subliminal messages incorporating her Yoruba language and cultural sounds. An eclectic artist in her own right, Tosinger is also an actress, an event curator and most recently, became the first TEDx music performer at the inaugural launch of TEDxAtlantaWomen (SOAR 2022).

Eric Heveron-Smith has spent the last 15 years playing trombone, tuba, or upright bass with multiple bands on the vintage swing dance scene, and recently, the Youtube supergroup Postmodern Jukebox, all over North America. He has opened for B.B. King and Tower of Power with an Americana band, recorded with artists such as A.C. Newman and Jonathan Scales (alongside Victor Wooten, Christian Scott, and MonoNeon), engineered and mixed countless albums, and played one gig with the legendary Michael McDonald. Eric co-founded the swing group Moonshine Rhythm Club and leads his own jazz band.

The Republic of Sierra Leone opened its first Consul’s office in Jamaica earlier this year, with well-known academic, trade policy specialist and advocate, Prof Rosalea Hamilton, serving as honorary consul. Professor Hamilton will accompany the three Jamaican artists to Sierra Leone for Telem Week 2023, a move, according to a statement, “that underscores the new, emerging opportunities for cultural trade and investment – further strengthening understanding of the historical, cultural, food and fashion links – between the Republic of Sierra Leone and Jamaica, as well as West Africa and the Caribbean.”

“The historical and cultural connections between the Republic of Sierra Leone and Jamaica run deep,” Hamilton said. “Telem Week 2023 provides an exciting opportunity to strengthen and enhance these historical/cultural ties, while opening new opportunities for creative expression and mutually
beneficial collaboration that will foster cultural trade and investment in the future.”

“We know how many uncommon and excellent musicians there are in Sierra Leone – people with a unique voice and a story to share with the world,” Telem Uncommon Sounds’, Solomon Fatoma, said. “We are so excited to partner with the honorary consul of Sierra Leone in Jamaica, the Embassy of Sierra Leone in Washington, DC, the Ministry of Tourism and Cultural Affairs, and numerous sponsors to bring into our creative economy a fresh source of creative expression and inspiration – and the opportunity to produce the kind of global collaborations between West Africa and the Caribbean that audiences all over the world are seeking.”

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