NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Mauricio Kagel Composition Competition

06 Dec 2023 - 13:37

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The University of Music and Performing Arts Vienna is inviting composers from around the world to apply for the sixth edition of International Mauricio Kagel Composition Competition. 

The submission deadline is 20 September 2024. Photo: Mauricio Kagel Composition Competition

In the previous five editions, young composers from over 65 countries submitted around 960 compositions. Since its first edition in 2010, the competition has committed to promoting contemporary piano literature for children and young people. The task is to write a piano work in a contemporary tonal language that is easily realisable for piano lessons thus providing young players with adequate artistic access to the music of the present.

The Mauricio Kagel Composition Competition is distinguished by its particularly transparent and fair selection process. From the multitude of submissions, a selection of anonymised pieces will be presented in a multi-day judging process by students from the Ludwig van Beethoven Department of Piano in Music Education and will be publicly discussed by a renowned, international jury. The upcoming edition welcomes Michael Jarrell, Elena Mendoza, Isabel Mundry, Miroslav Srnka and Marco Stroppa as jury members.

The competition prizes are €6 500, €4,500 and €3 500. The award-winning pieces will be published in cooperation with Universal Edition. Audio recordings of these works will also be published on the mdw media library. Composers up to the age of 40 are invited to submit pieces digitally.

The deadline for submissions is 20 September 2024. The performances, the public judging process and the decision will take place from 4 to 7 February 2025 in English in the Fanny Hensel Hall of the mdw and online via live stream.

Information about the modalities and procedure of the competition as well as the possibility of submitting can be found here.

Application process

Applications must be submitted here before 20 September 2024.

For the digital submission, applicants should follow the following steps:

  • Register with name and email address.
  • Applicants will receive an email with a link to validate their email address.
  • After logging in, applicants should fill out the form personal data and upload a photo.
  • Under ‘anonymised data’, artists should upload a composition as a PDF file. The composition will be passed on to the jury without any of the artist’s personal data. Therefore, artists should make sure that this PDF file does not contain any personal data or metadata.
  • Artists can finalise the submission after saving all information and uploads, after confirming that they have read and understood the competition’s legal information and acknowledged the data protection declaration. After finalising the submission artists will not be able to make any changes in their personal data or composition.
  • A five-digit code will then be generated automatically. This code will identify the artist’s composition till the end of the competition.
  • Artists will receive an email which will confirm their registration, and again inform them about the code of their composition.

View the original call here.

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