NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ugandan artist Collin Sserunjogi unveils industry handbook

02 Aug 2024 - 09:04

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Ugandan artist, producer and music educator Collin Sserunjogi has released a new book that seeks to equip aspiring musicians with the tools and knowledge needed to thrive in the industry.

Collin Sserunjogi.

Titled African Professional Artist Handbook, the book is on sale in Kampala, Uganda, and on Amazon. It offers guidance, inspiration, and practical strategies to unlock your full potential as an artist. It covers various facets of artist development, ranging from moulding an identity to craft development and branding and mastering the music business’ intricacies.

Sserunjogi draws from his experiences garnered from the trenches of the music business. He also shares insights from industry luminaries like Myko Ouma, Julius Kyazze, Kenneth Mugabi, Diamond Platnumz and Don Jazzy, offering practical advice and invaluable lessons.

The book’s modular structure allows readers to explore key themes independently. In the first module titled ‘Identity’, Sserunjogi explores the importance of establishing and aligning a personal mission with one’s artistic endeavours.

The second module – ‘Craft Development’ – emphasises, among other issues, identifying a target audience so one can direct all energies into serving said audience. This section also delves into content strategy, providing artists with the essential skills to elevate their creative output and captivate audiences.

Module three, titled ‘Tools, underscores the importance of equipping oneself with the necessary tools to actualise one’s musical ambitions. Here, the author stresses the importance of mastering skills like how to use music production software, citing a valuable lesson he learned during the COVID lockdown.

After losing his job, Sserunjogi could no longer afford to maintain the services of a professional producer but he decided to turn this hurdle into triumph, mastering the art of music production, and eventually producing more than 100 songs during the lockdown. This module highlights the importance of adaptability and resourcefulness.

Sserunjogi also focuses on the critical task of branding and packaging oneself as an artist. The author offers artists insights on how to strategically position themselves to forge meaningful connections with the audience and leave a lasting impression in a crowded marketplace.

Another key section in the book takes readers into the heart of the industry. Titled ‘The Music Business’, the chapter offers a roadmap for artists seeking to navigate the music business’ complexities with finesse.

Additionally, the book covers events production, music licensing, and merchandise – valuable avenues an artist can use to maximise their earning potential.

The author uses real-world examples like Diamond Platnumz, who diversified his ventures beyond music, building an entire ecosystem around the entertainment industry, and Stephen Rwangyezi, the proprietor of Ndere Cultural Centre, who has also branched out from music and acting successfully. The book underscores the importance of patience, consistent business strategies, and analysing market trends to gain bargaining power.

The handbook’s cover is designed by artist and singer Patricia Mitirikpwe, who also writes the foreword to the book.

Sserunjogie founded Cajon Music House (also known as CMH Live) in 2017 to create a platform for young upcoming artists in Kampala. He also runs The Academy Musician Fellowship, a seven-month extensive training for new artists.

He is a Starling Collective fellow, New Vision Top 40 Under 40 2021 nominee, Pollination Project grantee, GivingTuesday grantee, and Sondeka Music Awards nominee.

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