NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

African stars make Barack Obama’s 2024 summer playlist

13 Aug 2024 - 12:13

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Songs by African artists, including Tems, Rema and Tyla, have been featured on Barack Obama’s 2024 summer playlist.

Nigerian singer Tems is among African acts who made Barack Obama’s 2024 summer playlist.

The selection, part of a tradition dating back to August 2015, when Obama was still US president, comprises 44 songs and spans genres and generations.

“With summer winding down, I wanted to share some songs that I’ve been listening to lately – and it wouldn’t be my playlist if it didn’t include an eclectic mix,” Obama said. “I hope you find something new to listen to!”

Nigerian singer Tems’ hit single ‘Love Me Jeje’ from her debut album Born In The Wild made Obama’s latest summer playlist, continuing her streak after ‘Vibe Out’ in 2022 and ‘Me & U’ in 2023. Fellow Nigerian act Rema’s ‘Yayo’ from his new LP, HEIS, also made the list, following his 2019 inclusion with ‘Iron Man’.

South African Grammy winner Tyla, known for ‘Water,’ is featured with ‘Jump’, her collaboration with Gunna and Skillibeng, which is taken from her eponymous 2024 debut LP.

Obama’s 2023 summer playlist includes Burna Boy’s ‘Sittin’ on Top of the World’, Asake and Olamide’s ‘Amapiano’, Davido and Musa Keys ‘Unavailable’, and Tems’ ‘Me & U’.

Other songs on the new playlist include Nigerian-American country singer Shaboozy with ‘A Bar Song’, US pop acts Beyoncé and H.E.R. with ‘Texas Hold ‘em’ and ‘Process’, respectively. There’s also Puerto Rican rapper Bad Bunny and Colombian singer Feid’s ‘Perro Negro’, among others.

Below is Barack Obama’s full 2024 summer playlist:

  1. Shaboozey: 'A Bar Song (Tipsy)'
  2. Charli XCX: '365'
  3. Billie Eilish: 'Chihiro'
  4. Tems: 'Love Me Jeje'
  5. Artemas: 'I Like the Way You Kiss Me'
  6. Tommy Richman: 'Million Dollar Baby'
  7. Hope Tala: 'I Can’t Even Cry'
  8. Blackstreet: 'No Diggity' [ft. Dr. Dre and Queen Pen]
  9. Enny: 'Charge It'
  10. Carminho: 'O Quarto (Soundtrack Version)'
  11. Calimossa: 'What’s in the Tea?'
  12. Hubert Sumlin & Keith Richards: 'I Love the Life I Live, I Live the Life I Love'
  13. PJ Morton: 'Say So' [ft. Jojo]
  14. Cleo Sol: 'Why Don’t You'
  15. The Miracles: 'You’ve Really Got a Hold on Me'
  16. H.E.R.: 'Process'
  17. 2Pac: 'How Do U Want It' [ft. K-Ci and Jojo]
  18. Sting: 'If You Love Somebody Set Them Free'
  19. Lucinda Williams: 'Unsuffer Me'
  20. Jill Scott: 'Golden'
  21. The Rolling Stones: '(I Can’t Get No) Satisfaction'
  22. Saweetie: 'My Best'
  23. Charles Mingus: 'Wednesday Night Prayer Meeting'
  24. Norah Jones: 'Come Away With Me'
  25. Common: 'The People'
  26. Etta James: 'Don’t Cry Baby'
  27. Chris Jedi, Gaby Music, & Dei V: 'Bad Boy' [ft. Anuel AA and Ozuna]
  28. Rema: 'Yayo'
  29. Bonny Light Horseman: 'Old Dutch'
  30. Willow: 'Symptom of Life'
  31. Moneybagg Yo: 'Whiskey Whiskey' [ft. Morgan Wallen]
  32. Myles Smith: 'Stargazing'
  33. GloRilla & Megan Thee Stallion: 'Wanna Be'
  34. Tyla, Gunna, & Skillibeng: 'Jump'
  35. Bad Bunny & Feid: 'Perro Negro'
  36. Paul Russell: 'Lil Boo Thang'
  37. Digable Planets: 'Rebirth of Slick (Cool Like Dat)'
  38. Bob Marley & the Wailers: 'Them Belly Full (But We Hungry)'
  39. Nick Drake: 'One of These Things First'
  40. Bob Dylan: 'Silvio'
  41. Pharoah Sanders: 'Love Is Everywhere'
  42. The Supremes: 'Where Did Our Love Go'
  43. Beyoncé: 'Texas Hold ‘Em'
  44. Samara Joy: 'Someone to Watch Over Me' [ft. Pasquale Grasso]

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