NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

CANEX WKND 2024: A celebration of African creativity, cultural exchange

23 Oct 2024 - 14:32

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From 16 to 19 November, Algiers came alive with the vibrant sounds, visuals, and discussions that defined CANEX WKND 2024. The premier event, which brought together a dynamic blend of music, visual arts, culinary innovation, and cultural exchange, celebrated the continent’s rich creative industries while fostering collaboration across African borders. Hosted in Algeria’s bustling capital, CANEX WKND 2024 was a testament to the continent’s boundless talent and Afreximbank’s ongoing support of Africa’s creative economy.

South African amapiano duo Scorpion Kings performing at CANEX WKND in Algiers, Algeria.

South African amapiano duo Scorpion Kings performing at CANEX WKND in Algiers, Algeria.

The music performances were a clear highlight of the event, showcasing diverse genres and talents from across the continent. Djamel Laroussi, an Algerian artist known for his unique fusion of traditional and modern sounds, captivated the audience with his intricate guitar work and heartfelt vocals. Algeria was further represented by Yasmine Haouat and Samira Brahmia, whose performances brought a modern twist to Algerian folk traditions, while Tinariwen, the legendary Tuareg band, brought their soulful desert blues to the stage, leaving a lasting impression.

From South Africa, the iconic Scorpion Kings (Kabza De Small and DJ Maphorisa) delivered a pulsating amapiano set, bringing South Africa’s hottest music genre to North Africa. Ofense Pitse and her orchestra mesmerised the crowd with a blend of classical and African sounds, pushing the boundaries of orchestral music with vibrant performances.

Kenya’s Sofiya Nzau graced the stage with her soulful voice, delivering a powerful performance that left audiences yearning for more. Qabaniso Malewezi, from Malawi, provided a spoken word showcase that was deeply reflective, merging poetry with sound to engage the heart and mind. Uganda’s Ghetto Kids, renowned for their electrifying dance routines, delivered a high-energy performance, while Xenson, also from Uganda, brought avant-garde art and performance, blending music and visual storytelling in an unforgettable way.

Ayra Starr, Nigeria’s rising Afropop star, lit up the night with her dynamic and youthful performance. Her powerful vocals and catchy hits had the crowd dancing and singing along.

Indeed, each performance brought something distinct to the table, reflecting the diversity of African music and culture.

Workshops, discussions, and cultural engagements

Beyond the music, CANEX WKND 2024 offered a range of insightful workshops and sessions. The Visual Arts Workshop, conducted by Afropocene Studiolab director Letaru Dralega, provided a platform for emerging African artists to explore new forms of expression, while the Innovating the Culinary Landscape in Africa session, featuring Red Dish Culinary School CEO Abiola Akanji, explored how African chefs are redefining the continent’s culinary heritage with innovation and sustainability. Attendees also had the opportunity to participate in Gastronomy Masterclasses, where renowned chefs from across Africa shared their expertise, blending traditional flavours with modern techniques.

The MANSA Digital Initiative session, conducted by Afreximbank’s Gamuchirai Moyo, sparked engaging discussions on how African creatives can leverage digital platforms to reach global audiences, while the Durban Filmmart Institute focused on supporting Africa’s filmmakers, offering them insights into financing, production, and distribution in the global film industry. The CANEX Music Factory was a hub for emerging musicians, offering mentorship and opportunities to network with industry leaders, while the CANEX Luxury Fashion sessions spotlighted Africa’s rapidly growing luxury fashion industry, with designers showcasing their creations and discussing how to take African fashion to the world stage.

The Africa Culture Fund Roundtable session highlighted the importance of funding in fostering the growth of Africa’s creative industries, encouraging collaboration and innovation. The event also featured a session titled Globalised Strategies for Strengthening Intellectual Property Rights Protection, which explored sustainable strategies for strengthening intellectual property frameworks in emerging economies, and concluded with the launch of CANEX Creations Incorporated. Moderated by Titilayo Adebola, speakers at this session included Amadu Bah (Copyright and Related Rights Officer African Regional Intellectual Property Organisation), Mehdi Delmi (Directeur Général Adjoint ONDA), Emily Njeri Mburu-Ndoria (director of Trade in Services, Investment, Intellectual Property Rights and intellectual property lawyer Angela Ndambuki.

Afreximbank’s role and high-level discussions

Afreximbank’s support of CANEX WKND 2024 was underscored by the presence of Prof Benedict Oramah, the bank’s president and chairman of the board. His courtesy call to Algerian President Abdelmadjid Tebboune during the event further highlighted the strategic importance of the creative industries in Africa. The two leaders discussed the objectives of CANEX WKND, emphasising the role of cultural and creative industries in boosting intra-African trade and economic growth. President Tebboune expressed Algeria’s commitment to supporting initiatives that strengthen African unity and cultural exchange.

CANEX WKND 2024 was a resounding success, offering a platform for African creatives to showcase their talents while engaging in meaningful dialogue about the future of the continent’s cultural industries. From the captivating performances to the informative sessions and workshops, the event not only celebrated African creativity but also laid the groundwork for future collaboration and innovation across the continent. With events like these, Africa’s cultural and creative sectors are poised to play an even greater role in shaping the continent’s economic and social landscape.

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