NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Spotify Wrapped 2024: African gospel music registers growth

16 Dec 2024 - 09:57

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  1. Gospel music has long been a spiritual cornerstone in Africa, offering solace, celebration, and a divine connection. In recent years, this genre has experienced a remarkable resurgence, inspiring audiences both locally and globally.

South African choir Joyous Celebration. Photo: Facebook

Spotify Wrapped 2024 unveiled a surprising twist in Africa’s musical tale. Africa’s love for gospel music has reached new heights, with the genre claiming the ninth spot on the list of the most streamed genres in Sub-Saharan Africa. From the vibrant choirs of South Africa to the soulful voices of Nigerian gospel artists, listeners have been captivated by soulful melodies and uplifting messages.

While foreign gospel has traditionally held a prominent place on the continent in the past, a new wave of homegrown talent is now taking centre stage. African gospel music seems to be experiencing an awakening. This is a testament to the genre’s growing power and popularity, which underscores its significant impact on African culture.

“African Gospel music is undergoing a global resurgence, inspiring millions and reshaping the global music landscape,” Spotify’s Head of Music, sub-Saharan Africa, Phiona Okumu, said. “We’re thrilled to be a platform that empowers these talented artists and choirs to share their faith and music with the world.”

Gospel choirs like Joyous Celebration and Spirit of Praise from South Africa, and 1Spirit & Theophilus Sunday from Nigeria are redefining the boundaries of gospel music. Their awe-inspiring performances, featuring exceptional vocals and groundbreaking arrangements, have transcended cultural and geographical limitations, captivating audiences across the world.

Solo gospel artists are also making waves. Nigerian sensations like Nathaniel Bassey, Moses Bliss, and Dunsin Oyekan, along with South African powerhouse Benjamin Dube, have garnered significant followings with their soulful melodies and uplifting messages.

The gospel stage this year was also graced by female voices. Sunmisola Agbebi and Mercy Chinwo from Nigeria, and Xolly Mncwango and Lebo Sekgobela from South Africa are also inspiring millions within and outside the continent.

It’s not just about inspiration; African gospel music is dominating the charts too! Sixteen out of the top 20 most-streamed gospel artists in Sub-Saharan Africa are African. While we still love our foreign favourites like Maverick City Music, Chandler Moore, and Cece Winans, African artists are undeniably taking the lead.

This global recognition was further underscored by the inclusion of eight African artists—Nathaniel Bassey, Moses Bliss, Limoblaze, Joyous Celebration, Dunsin Oyekan, Spirit Of Praise, Sunmisola Agbebi, and Mercy Chinwo—among the top 100 most-streamed gospel artists worldwide.

And let’s not forget the global hit, THIS YEAR (Blessings) by Victor Thompson and Ehis 'D' Greatest, which ranked among the top 10 most-streamed gospel songs worldwide.

Afro-gospel is more than just music; it's a cultural movement uniting people across the globe. This vibrant sound is reshaping worship experiences worldwide with its unique blend of African rhythms and contemporary gospel.

A prime example of this sound is the Afrobeats version of Maverick City's In the Room by Annatoria from Zimbabwe. Annatoria is the highest-streamed female Afro-gospel artist with 600,000 monthly listeners.

Further evidence of Afro-gospel’s impact can be seen in Chandler Moore’s Omemma, co-written by Afro-gospel artist Tim Godfrey. This track secured a spot among the top 20 most-streamed gospel songs in sub-Saharan Africa and became a viral sensation on social media platforms.

With a rising wave of talented artists, choirs, and groundbreaking music, the future of African gospel looks bright.

Most streamed artists in sub-Saharan Africa

  1. Maverick City Music
  2. Nathaniel Bassey
  3. Joyous Celebration
  4. Spirit of Praise
  5. Moses Bliss
  6. Dunsin Oyekan
  7. Chandler Moore
  8. Sunmisola Agbebi
  9. Mercy Chinwo
  10. Cece Winans

Most streamed gospel songs in sub-Saharan Africa

  1. Sunmisola Agbebi - B’Ola (Honour)
  2. Ebuka Songs - I will pray
  3. Elevation Worship, Brandon Lake, Chris Brown, Chandler Moore - Praise (feat. Brandon Lake, Chris Brown & Chandler Moore)
  4. Moses Bliss, Festizie, Chizie, Neeja, S.O.N Music, Ajay Asika - You Are Great
  5. Spirit Of Praise, Mpumi Mtsweni - Thath'Indawo (Live)
  6. Xolly Mncwango - Ungukuphila
  7. Hillsong Worship, Brooke Ligertwood - What A Beautiful Name - What A Beautiful Name
  8. Elevation Worship, Maverick City Music, Chandler Moore, Naomi Raine - Jireh (feat. Chandler Moore & Naomi Raine)
  9. Ebuka Songs - Calling My Name (I'm A Soldier) - Live
  10. CeCe Winans - Goodness of God - Live

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