NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ghana: Afro-rock Osibisa band lead Teddy Osei dead at 88

20 Jan 2025 - 09:07

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Iconic Ghanaian musician, founder, and band leader of legendary Afro-rock group Osibisa, Teddy Osei, passed away on 17 January. He was 88.

The late Teddy Osei.

Teddy died at Apple Tree Care Home in London, where he had been resident for the past five years due to illness.

“We are deeply saddened by the death of our dear client and friend, Teddy Osei,” a statement from Osibisa management reads. “Known the world over as the leader and founder of Osibisa, the groundbreaking Afro-Rock band, he was a talented and passionate man, musician, and mentor to many.

“As a talented saxophone player, drummer and vocalist, Teddy found success but also fulfilment with his bands, most notably Osibisa. He was an important voice in music and culture, and will be missed, but not forgotten.”

Since the announcement of his passing, tributes have been pouring in on social media from people from all walks of life, including former colleagues and fans who have been touched by Osibisa’s music in some way.

Born Francis Teddy Osei on 1 December 1937, in Kumasi, Ghana’s second-largest city. He arrived in England in the 1960s on a government scholarship from Ghana’s first president, Dr. Kwame Nkrumah, to study music. By 1969, he had persuaded his brother Mac Tonto and Sol Amarfio, both deceased, who had previously played together in the Star Gazers and the Comets bands in Ghana, to join him in London to form Osibisa.

The original line-up included three Ghanaians: Teddy Osei, Mac Tonto, and Sol Amarfio, along with Antiguan Wendell (Dell) Richardson (lead guitar and lead vocalist), Nigerian Lasisi Amao (percussionist and tenor saxophonist), Grenadian Roger Bedeau, also known as Spartacus R (bass), and Trinidadian Robert Bailey (keyboards). Later replacements included Nigerians Fred Coker and Mike Odumosu (bass).

Osibisa became the most successful and longest-lived African-heritage band in the UK, pioneering a new sound that blended European, American, and African influences, creating an early form of what would become recognized as World Music. With their fusion of tribal percussion, soulful horns, and joyful, timeless African singing, the band spent much of the 1970s touring the world, playing to large audiences in Japan, Australasia, India, and Africa, bringing their “criss-cross rhythms that explode with happiness” to audiences worldwide.

During this time, Paul Golly (guitar) and Ghanaians Daku Adams (percussion) and Kiki Gyan (keyboards) were also members of the band. In January 1976, their single ‘Sunshine Day’ reached number 17 on the UK singles chart. Their next single release, ‘Dance the Body Music’, peaked at number 31 in the same listing.

In 1980, Osibisa performed at a special Zimbabwean independence celebration, and in 1983, they were filmed onstage at the Marquee Club in London. The band released a further eight albums during the 1970s, with additional studio albums and live releases following through the 1980s and up to the New Dawn album release in 2021.

In November last year, UK label Cherry Records released a double CD featuring 18 remastered tracks from Osibisa’s 1974 and 1975 albums, sourced from Warner Brothers’ archives.

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