NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Minister Gayton McKenzie’s leadership approach at DSAC

05 Feb 2025 - 14:33

cc-img

By Thami AkaMbongo Manzana

Minister Gayton McKenzie has adopted a “Business Unusually” approach in leading the Department of Sport, Arts, and Culture (DSAC). This starkly contrasts with the “Business Usual” practices of previous administrations, signalling his intention to overhaul the department’s operations. While this innovative approach has its merits, it also raises critical questions about governance, inclusivity, and political strategy.

Minister of Sports, Arts and Culture of South Africa Gayton McKenzie. Photo: Freddy Mavunda

Business Unusually vs. Business Usual: A Paradigm Shift “Business Unusually” implies a break from traditional bureaucratic norms, with McKenzie favouring efficiency, accountability, and tangible results over procedural formalities. This approach reflects his entrepreneurial background, characterised by swift decision-making and measurable outcomes. In contrast, “Business Usual” often represents a more measured, bureaucratic approach, rooted in longstanding practices that prioritise continuity and stakeholder engagement.

Advantages of Business Unusually

  • Increased efficiency: McKenzie’s leadership style has injected a sense of urgency into the department, with clear deadlines and a results-driven culture. This has expedited projects and resolved lingering administrative bottlenecks.
  • Innovative thinking: By challenging outdated systems, McKenzie has introduced fresh perspectives and solutions to long-standing issues in sport, arts, and culture, such as funding allocation and the promotion of underrepresented sectors.
  • Accountability and transparency: The Minister’s outspoken nature and publicised initiatives create a perception of transparency, holding officials accountable to deliver on mandates.
  • Loyalty and shared vision: Appointees aligned with McKenzie’s vision are more likely to support his reforms wholeheartedly, ensuring unified leadership.
  • Rapid implementation: Familiarity with his leadership style allows for quicker implementation of policies without the friction of alignment issues.

Disadvantages of “Business Unusually”

  • Resistance from senior management: Working with officials from previous administrations can be challenging, as some may resist change due to entrenched loyalties or a preference for familiar systems. This can lead to internal conflict and slowed progress.
  • Risk of alienation: Rapid changes may alienate key stakeholders, including artists, cultural practitioners, and sports organisations accustomed to traditional engagement processes.
  • Lack of institutional memory: Disregarding the expertise of seasoned officials may result in a loss of institutional memory, undermining long-term strategic goals.
  • Bringing in his ‘Own People’: One of McKenzie’s most debated strategies is the appointment of trusted allies or “his own people” into key departmental roles.
  • Perception of nepotism: Appointing allies may create perceptions of favouritism, undermining public trust and morale among existing staff.
  • Potential skills gap: New appointees may lack the technical expertise or institutional knowledge required for specific roles, risking inefficiencies.
  • Implications for the Patriotic Alliance: McKenzie’s performance as DSAC Minister could significantly influence the Patriotic Alliance’s standing in the 2026 Local Elections and 2029 National Elections.

Political advantages

  • Showcasing leadership: Success in DSAC could position McKenzie as a leader capable of delivering tangible results, boosting the Patriotic Alliance’s credibility.
  • Broader appeal: By revitalising South Africa’s sports and cultural sectors, McKenzie can attract voters beyond the Patriotic Alliance’s traditional base.

Political disadvantages

  • High expectations: Failure to sustain reforms or deliver noticeable results could damage his party’s reputation, making it vulnerable to opposition criticism.
  • Polarisation: The bold “Business Unusually” approach may alienate moderate voters who favour more inclusive governance.

Future aspirations: A new ministerial role?

McKenzie’s impact in DSAC has sparked speculation about his suitability for other ministries, such as Home Affairs or Police.

  • Broader influence: His results-oriented leadership could address systemic issues in critical portfolios like Home Affairs or Police.
  • Expanding political legacy: A reshuffle would allow McKenzie to demonstrate versatility, solidifying his position as a national leader.

Potential challenges

  • Transition risks: Moving to a new ministry may disrupt ongoing projects in DSAC, leaving them vulnerable to neglect or mismanagement.
  • Increased scrutiny: High-profile portfolios like Home Affairs or Police come with greater political and public scrutiny, increasing the risk of reputational damage.

Conclusion

Minister Gayton McKenzie’s “Business Unusually” approach has brought dynamism to the Department of Sport, Arts, and Culture. While it holds promise for revitalising the sector, it also comes with significant challenges, particularly regarding staff integration and public perception. The success or failure of his tenure could shape not only his political future but also the trajectory of the Patriotic Alliance in upcoming elections.

Whether McKenzie remains in DSAC or transitions to another ministry, his tenure serves as a case study in balancing innovative leadership with the demands of governance in a complex political landscape.

Thami AkaMbongo Manzana is a South Africa actor and arts activist. This article first appeared on Artslink.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media