NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Arts minister Gayton McKenzie halts Downtown Music Hub funding amid probe

06 Jun 2025 - 10:34

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South African Minister of Sport, Arts and Culture, Gayton McKenzie, has announced an immediate suspension of further funding for the Downtown Music Hub in Johannesburg, pending the conclusion of a comprehensive investigation into the project’s finances and future viability.

The Downtown Music Hub was intended to broaden access to professional recording facilities.

The move aims to scrutinise the more than R93 million (about $5 520 900) in public funds allocated to the project since its inception in 2008. The investigation will cover all disbursements to date and help determine the most sustainable use of the heritage asset going forward.

Originally established by former Minister of Arts and Culture Pallo Jordan, the Downtown Music Hub was intended to broaden access to professional recording facilities by acquiring the iconic Downtown Studios in central Johannesburg, a site linked to numerous gold and platinum-selling albums in South African music history.

A Special Purpose Entity (SPE), incorporated in 2010 as a non-profit company under the name Downtown Music Hub, was created to manage the asset. The National Arts Council (NAC) played a key role in the process, although attempts to formally transfer the building and its assets to the SPE were never finalised. A lack of consensus between the Department, the NAC, and National Treasury caused significant delays and complications.

As a result, the NAC was forced to list the property on its books, leading to adverse audit findings due to conflicts with Section 6(3) of the NAC Act, which prohibits the Council from operating income-generating businesses. The studios were eventually left to be run independently by the SPE.

Despite the vision behind the project, the Hub has consistently operated at a loss, requiring the Department to subsidise operational and maintenance costs. The ongoing uncertainty surrounding the building’s ownership has also prevented the SPE from securing private investment. Additionally, health and safety concerns at the site have further hindered income-generating opportunities.

While media speculation has pointed to financial mismanagement, the Department clarified that no adverse findings have been recorded concerning the project’s finances beyond those already flagged by the Auditor-General regarding the original building acquisition and related accounting procedures.

Departmental records show the following major grants were allocated over the years:

  • 2008 – 2009: R7.5 million for the initial asset purchase and operations
  • 2013 – 2014: R20 million for infrastructure upgrades
  • 2016 – 2018: R11.9 million for operational costs
  • 2024 – 2025: R4 million as the most recent grant

An internal task team appointed in 2021 had recommended repositioning the Hub under one of the Department’s officially declared Cultural Institutions, but a final decision was never reached.

McKenzie said the current funding model is “simply unsustainable” given the Department’s broader budget constraints.

“We will focus on what the future of this important, nostalgic music heritage site will be, but it is clear that it cannot carry on as things have been,” he said.

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