NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA urged to lead at IATF2025 as CANEX prepares to spotlight creative industries

17 Jun 2025 - 13:15

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South Africa has reaffirmed its commitment to leveraging the African Continental Free Trade Area (AfCFTA) to drive industrial growth, deepen regional integration, and expand opportunities for creative industries ahead of the Intra-African Trade Fair (IATF2025), set to take place in Algiers, Algeria, from 4 to 10 September.

Key dignitaries at IATF2025 South Africa Business Roadshow in Johannesburg.

Speaking at the IATF2025 South Africa Business Roadshow in Johannesburg, Afreximbank regional director for Southern Africa Humphrey Nwugo called for urgent action and strategic participation.

“South Africa must not only be present but take a leadership role at IATF2025,” he said, emphasising the country’s robust economic base, entrepreneurial dynamism, and institutional readiness to scale regional value chains.

One of the key highlights of the upcoming fair is the Creative Africa Nexus (CANEX), a platform dedicated to promoting Africa’s booming creative economy. With segments spanning music, fashion, film, sports, gastronomy, literature, and visual arts, CANEX seeks to transform the continent’s cultural output into scalable economic ventures. For South Africa, known for its globally recognised creative talent and strong small business ecosystem, CANEX presents a critical platform for artists, entrepreneurs, and investors to connect and scale.

The event in Johannesburg attracted over 350 participants including policymakers, investors, creatives, and business leaders. It was themed Harnessing Regional and Continental Value Chains: Accelerating Africa’s Industrialisation and Global Competitiveness under the AfCFTA.

Secretary-general of the AfCFTA Secretariat Wamkele Mene said IATF2025 is vital for Africa’s economic transformation, particularly in light of climate change, global economic instability, and shifting trade dynamics. “We must urgently build integrated regional value chains, especially in high-growth sectors such as agribusiness, automotive, and the creative industries,” he said.

South African deputy minister of Public Works and Infrastructure, Sihle Zikalala, echoed this view, describing the AfCFTA as a “historic opportunity” to drive job-rich, inclusive growth. “The IATF is more than a trade fair, it’s a tool for implementing policy through practice. South Africa has the entrepreneurial drive, infrastructure, and SMME base to lead this charge.”

Afreximbank director of Trade Facilitation and Investment Promotion Gainmore Zanamwe, highlighted CANEX as a flagship initiative to unlock Africa’s soft power and creative capital.

“Platforms like CANEX are not side events, they are central to Africa’s industrial future. Culture is commerce, and the creative economy is a core pillar of Afreximbank’s trade strategy,” he said.

Zanamwe also spotlighted the Pan-African Payment and Settlement System (PAPSS), which enables transactions in local currencies, and financial instruments such as the Fund for Export Development in Africa (FEDA), designed to empower creatives and SMEs to scale.

IATF2025 is expected to host over 2 000 exhibitors, 35 000 visitors, and participants from more than 140 countries, with trade and investment deals estimated to exceed $44 billion. Since its inception in 2018, the fair has facilitated over $100 billion in deals, establishing itself as Africa’s leading trade and investment platform.

In addition to CANEX, IATF2025 will feature a trade exhibition, the Africa Automotive Show, a four-day Trade and Investment Forum, the AU Youth Start-Up Programme, AfSNET for sub-national trade and cultural exchange, and Global Africa Day celebrations.

Algeria’s Ambassador to South Africa, H.E. Ambassador Ali Achoui, welcomed South African participation, pledging streamlined visa procedures for African attendees and highlighting Algeria’s favourable economic indicators, including no external debt and top rankings on UN Sustainable Development Goals in Africa and the Arab world.

With IATF2025 fast approaching, stakeholders across the continent are urged to seize the moment. For South Africa’s creative sector, CANEX represents not only a commercial opportunity but a global stage to amplify the country’s cultural voice and economic resilience.

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